Tag: UK

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Features Live Action Movies

Days of the Bagnold Summer

Director – Simon Bird – 2019 – UK – Cert. 12 – 86m

**1/2

Currently streaming on VoD

Librarian Sue Bagnold’s (Monica Dolan) husband Bob left her for another woman several years ago. Her teenage son Daniel (Earl Cave) is supposed to be going over to Florida to visit his dad this summer and meet his dad’s new baby, but then the phone call comes through that it’ll have to happen at a later time. This means Daniel will instead have to spend summer at home with his mum. He was looking forward to Florida, so he’s not too happy about this new development.

What follows is a very English deadpan comedy of manners. It’s all very charming and at times mildly amusing, likeable in an unchallenging fashion. The script gives Dolan and Cave great scope to milk the mother-son relationship for all it’s worth. She does a nice line in that English national female tendency to be very prim and proper as a compensation for being painstakingly shy. He is the archetypal Metallica T-shirt and black clad, grumpy teenager.


One day she tells him to do his CV in the morning and pass it round places of potential employment in the afternoon to get himself a Summer job, which he does – but wearing the same clothes and wondering why she complains that that would probably undermine his efforts.… Read the rest

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Animation Documentary Live Action Movies Shorts

The Uncertain Kingdom

Twenty shorts

The Uncertain Kingdom
Various UK directors
Certificate 15, 20 x ten minutes approximately
*****
Released online from 1 June: Amazon, BFI Player, Curzon Home Cinema, Google Play, and iTunes.

Why watch one film when you can watch 20?

The Uncertain Kingdom is an amazing collection of shorts covering various aspects of contemporary UK life before the Covid-19 crisis. Most are around ten minutes, with the shortest under three and the longest just over 20. There’s not one duff film in there. The films’ separate stories span such art forms as animation, dance, documentary and drama and such issues as colonialism, healing, heritage and class.

I review The Uncertain Kingdom for Reform.

Categories
Features Live Action Movies

Hurricane

Director – David Blair – 2018 – Poland, UK – Cert. 15 – 107m

****

In cinemas from Friday 7th September

Review originally published in DMovies.org

It’s too easy to take most British WW2 movies (e.g. Dunkirk, Christopher Nolan, 2017) and claim they bolster the idea of Brexit – Britain alone against the world, defeating the dastardly Germans and so on. Hurricane is different. Its Royal Air Force (RAF) pilots are refugees from the Polish Air Force, wiped out by the Luftwaffe in a mere three days and kept on ice by Britain’s xenophobic War Office following their arrival in England.

When they’re finally allowed into the air, these Poles turn out to be much better fighter pilots than the majority of Brits who are being slaughtered by the enemy at an alarming rate. Indeed, it’s the Polish pilots that turn the Battle of Britain around.

Hurricane is named after the RAF’s most widely used fighter aircraft…

Full review at DMovies.org.

Trailer:

Categories
Features Live Action Movies

Apostasy

Disfellowshipped

Apostasy
Written and Directed by Dan Kokotajlo
Certificate PG, 96 minutes
Released 27 July (Cinemas and On Demand)

Now on Amazon, BFI Player and Curzon Home Cinema.

Review first published in Reform magazine.

In Dan Kokotajlo’s debut feature film Apostasy, student sisters Alex (Molly Wright) and Luisa (Sacha Parkinson) and their working mum Ivanna (Siobhan Finneran) are Jehovah’s Witnesses in Manchester waiting for the New System, when Christ will return and paradise will be restored on earth. Alex has a blood condition and is only alive because a hospital nurse gave her a transfusion after birth before her mum and the elders were aware of it: now she’s 18 and must decide for herself whether she will allow transfusion in the event of a life-threatening emergency. She’s a model Witness, attending Urdu Bible classes in order to take the Word to the local ethnic minority community.

Luisa, in contrast, gets pregnant… [Read the rest]

Now on Amazon, BFI Player and Curzon Home Cinema.

Review first published in Reform magazine.

Trailer:

Categories
Features Live Action Movies

Detour

Director – Christopher Smith – 2016 – UK – Cert. 15 – 97m

****1/2

Should I stay or should I go? Smart thriller wherein a man’s life is literally split in two as he chooses between an ill-advised road trip to Vegas or staying at home with his hated stepfather – now on DVD and VoD

Opening with a lengthy, single locked off camera shot title sequence of a woman pole dancing, this then switches to law student Harper (Tye Sheridan – Ready Player One, Steven Spielberg, 2018) visiting his comatose mother in hospital. He’s convinced his stepfather is cheating on her using out of town business trips as a cover. Hitting a bar to drown his sorrows, he overhears a conversation in which Johnny Ray (Emory Cohen – Brooklyn, John Crowley, 2015) explains how his girlfriend Cherry shot a man who cut her face. Johnny Ray berates Harper for eavesdropping and drags him to the pole dancing joint where Cherry works and whisky gets Harper talking.

Brief echoes of Strangers On A Train (Alfred Hitchcock, 1951) are played up in the film’s trailer (at the bottom of this review) as Johnny Ray offers to take care of his stepdad at a price.… Read the rest

Categories
Features Live Action Movies

A Quiet Passion

Nonconformist poet

A Quiet Passion
Directed by Terence Davies
Certificate 12a, 126 minutes
Released 7 April 2017

A stern matriarch divides a school room of young women into those who are saved on one side and those who hope to be saved on the other. This leaves Emily Dickinson (Cynthia Nixon) in the middle because she hasn’t got as far as that yet. Rescued from the seminary by her father Edward (Keith Carradine), Emily confesses that she was suffering from ‘evangelism’.

Thus begins the latest film from the British, Catholic director Terence Davies – a biopic of the 19th-century, US poet Emily Dickinson, from her leaving school, through her life as a single woman in an era when women were supposed to marry and have children, to her death. Directed with Davies’ usual visual, cinematic rigour and punctuated by large chunks of Dickinson’s poetry in voice-over, the film also drips Christianity. It never attempts to convert anyone, but neither does it shy away from portraying a household in the southern states where faith and theology are everyday discussion topics. [Read more…]

Full review in Reform magazine, April 2017.

Trailer: