Tag: parents and children

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Features Live Action Movies

Mr. Vampire II
(Geung See
Ga Zuk,
殭屍家族)

Director – Ricky Lau – 1986 – Hong Kong – Cert. 12 – 89m

*****

After a professor unearths a family of undead corpses, the child befriends a little girl and the parents go looking for it – out on Blu-ray in the UK on Monday, May 22nd as part of Eureka! Video’s Hopping Mad: The Mr. Vampire Sequels

The second ‘official’ Mr. Vampire film (i.e. to be made by Sammo Hung / Leonard Ho’s Bo Ho Films company).

A professor (Fat Chung) leads his two hapless assistants Chicken (Billy Lau) and Sashimi (Lau Chau-sang) on an archaeological dig, sending them into a cave where they find a family of corpses (father, mother, small boy played by Cheung Wing-cheung, Pauline Wong and Hoh Kin-wai respectively) immobilised by talismans on their foreheads, and take them back to the professor’s workshop. As the professor and Sashimi are driving the child corpse, the talisman comes off, and it comes to life, later escaping to a house where it is found and befriended by a little girl Chia-Chia (Hon Kin-yu), who keeps it hidden in her room from her widowed father Mr. Hu (Woo Fung). She introduces it to her brother (Choi Man-kam) and later to four of their friends.… Read the rest

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Features Live Action Movies

Over My Dead Body
(Seisi Seisi Seisapsei,
死屍死時四十四)

Director – Ho Cheuk Tin – 2022 – Hong Kong – Cert. 15 – 119m

**

Confronted with a naked corpse, the residents of three separate flats in a tower block try to get shot of it before its discovery can reduce their apartments’ selling prices – out in UK cinemas on Friday, April 21st

One of two films about living in a high rise released this week.

Hong Kong movies have a long tradition of knockabout and very silly comedy which are something of an acquired taste. Many of them are enjoyable enough. This particular entry, however, doesn’t travel outside the Hong Kong Chinese culture very well. To an English, non-Cantonese speaker, it doesn’t really work, coming over largely as irritating. (I suspect that, for Cantonese speakers, it may well play far more successfully.)

Half watching a TV show on his dashboard phone about the problems Hong Kongers face around ever-escalating real estate prices, Ming To (Wong You Nam from Ip Man, Wilson Yip, 2008) makes the journey in his VW van through gridlocked traffic, past the building’s SG (security guard) Lee (Sheung-ching Lee) of the tower block Seaside Heights to Flat 14A and the bedroom of sexy air stewardess Yana Chung (Jennifer Yu Heung-Ying from Shadows, Glenn Chan, Bure Li, 2020; Tracey, Jun Li, 2018) for some horizontal refreshment under the sheets.… Read the rest

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Features Live Action Movies

Three Colours: Red
(Trois Couleurs: Rouge)

Director – Krzysztof Kieślowski – 1994 – France – Cert. 15 – 99m

*****

An up-and-coming model strikes up a friendship with a retired judge after her car accidentally runs over his dog one night – 4K restoration is out in UK cinemas on Friday, April 14th

This represents the third part of a trilogy based on the three colours of the French national flag, with each film representing one of that nation’s three values of liberté, égalité, fraternité (liberty, equality, brotherhood). I interviewed Kieślowski for this back in 1994, the second time I’d interviewed him. The first was in 1993 for Three Colours: Blue.

Like Three Colours: Blue and Three Colours: White before it, Three Colours: Red is about human connection or lack of it. As if to underscore the point, it starts off with an international phone call which fails to connect. In a nod to Dial M For Murder (Alfred Hitchcock, 1953) where a phone call is shown via images of telephony, little mechanisms springing into brief action to make a phone call happen, Kieślowski has his camera race along telephone cables on the ground, at one point following them down a beach into the sea and out again onto land on the other side of a lake or ocean.… Read the rest

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Animation Features Movies

Suzume
(Suzume
No Tojimari,
すずめの戸締まり,
lit. Suzume’s
Locking Up)

Director – Makoto Shinkai – 2022 – Japan – Cert. PG – 122m

***1/2

Aided by a man turned into a mobile, talking, three-legged chair, a schoolgirl must prevent giant, freak weather ‘worms’ from devastating Japan with earthquakes – anime feature is out in UK and Irish cinemas on Friday, April 14th

Prompted by a question from a man she meets on a road in her hometown, 17-year-old schoolgirl Suzume visits an abandoned hot springs facility in which is situated a door in a free standing door frame. She opens it only to find she can’t enter. Shortly after this, in school, she notices smoke in a gigantic, red and black worm-like form rising from the hot springs facility.

At the same time, everyone around her receives earthquake warnings on their smartphones, but no-one else can see the rising form. She goes back to the facility to find the man she met trying to close the door and cut off the incoming smoke, something she helps him to do. They do not close the door in time to prevent the red and black form falling onto the land and an earthquake resulting. The man locks the door using a key on his person.… Read the rest

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Features Live Action Movies

Allelujah

Director – Richard Eyre – 2022 – UK – Cert. 12a – 98m

***

While a small NHS hospital in Wakefield, Yorkshire is in danger of being closed down by the government as inefficient, it seeks to care for its geriatric patients– out in UK cinemas on Friday, March 17th

Based on the 2018 stage play by Alan Bennett, this multiple plot- and character-drama follows the day-to-day lives of assorted, mostly terminal, geriatric patients in The Beth, or the Bethlehem Hospital to give it its full name, in Wakefield, Yorkshire. Dr. Valentine (Bally Gill) whose real Indian name no-one can pronounce (really?) provides a framing device, a man who in an engaging, opening voice-over makes it clear that he genuinely cares for the elderly and who closes the film in a couple of scenes that don’t really work. Of which, more later.

Because what follows is for the most part character- rather than plot-driven, the character of Dr. Valentine doing his rounds and grappling with the inevitable day-to-day crises as they come up provides the main structural spine of the story.

I say ‘the main’ line, but in fact there is one other character who serves a similar function not to mention several subsidiary plots, one of which is considerably weightier than the others.… Read the rest

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Features Live Action Movies

The Middle Man

Director – Bent Hamer – 2021 – Norway, Denmark, Canada, UK, Germany, Switzerland – Cert. 15 – 95m

****

I hate to be the bearer of bad news, but… A man in a heartland American town becomes a middle man, whose job it is to convey bad news to local people – out in UK cinemas on Friday, March 10th

Curiously for an English language film set in a small American town, this one was funded by a variety of European countries and Canada. While its visuals clearly owe much to the films of David Lynch, particularly Blue Velvet (1986) and Lost Highway (1997) with their heavy night time interiors filled with dark, impenetrable black spaces, it eschews the over the top moments of sex and violence with which Lynch peppers these films with something much less jocular and more deadpan. Like Lynch it feels distinctly odd, yet in a completely different way. Unlike those films, it’s adapted from (part of) a novel.

Opening images. Factories in a town belch smoke. A small, industrial town on a river. This is Karmack, USA.

Frank Farrelli (Pål Sverre Hagen) is the second interviewee by the three person panel (the local sheriff, pastor and doctor played respectively by Paul Gross, Nicholas Bro and Canadian regular Don McKellar) for the town’s job of middle man, the person who has to deliver bad news, e.g.… Read the rest

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Features Live Action Movies

Like Father, Like Son
(Soshite Chichi
Ni Naru,
そして父になる)

Director – Hirokazu Kore-eda – 2013 – Japan – Cert. PG – 121m

*****

Upper middle class couple Ryota and Midori (Masaharu Fukuyama and Machiko Ono) get a call from the country hospital where their six-year-old son Keita (Keita Nonomiya) was born. Keita might not actually be theirs, but the son of Yodai and Yukari Saiki (Lily Franky and Yoko Maki), the two babies having been switched at birth. The two families are like chalk and cheese… [Read the full review at All The Anime]

On MUBI from Saturday, February 25th as part of Family Matters: A Hirokazu Kore-eda Double Bill; originally reviewed for All The Anime as part of Arrow’s Family Values Blu-ray box set which includes I Wish (2011), Like Father, Like Son (2013) and After the Storm (2016). Also available to rent on Amazon UK, BFI Player and Curzon Home Cinema.

Trailer – Like Father, Like Son (2013):

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Features Live Action Movies

Broker
(Beurokeo,
브로커)

Director – Hirokazu Kore-eda – 2022 – South Korea – Cert. 12 – 129m

***

Kore-eda’s second feature outside his native Japan is a curious tale of two traffickers of abandoned babies to childless couples whose business is disrupted by their latest charge’s mother– out in UK cinemas on Friday, February 24th

It’s an intriguing pitch. Kore-eda. the great humanist Japanese director of such extraordinary films as (among others) films After Life (1998), I Wish (2011), Like Father, Like Son (2013), The Third Murder (2017) and the Best Foreign Film Oscar nominee Shoplifters (2018), directs a movie in South Korea. And yet, Broker, like his previous The Truth (2019), similarly made in a country other than his native Japan – in this instance France – is strangely unmoving compared to his home-shot, Japanese work. Although he hasn’t lost his touch as can be seen from some of his work for Japanese TV (A Day-Off Of Kusumi Arimura, 2020).

Whatever the problems are with his working abroad, the the calibre of the cast the director attracts is not one of them. The Truth had Catherine Deneuve, Juliette Binoche and Ethan Hawke, two of the finest living French actresses and arguably one of the best American actors; for Broker, the cast includes top South Korean talent Song Kang Ho and Doona Bae.… Read the rest

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Features Live Action Movies

Still Walking
(Aruitemo Aruitemo,
歩いても 歩いても)

Director – Hirokazu Kore-eda – 2008 – Japan – Cert. U – 115m

*****

A more conventional if highly personal family drama taking place within 24 hours as Ryota (Abe Hiroshi), his wife and stepson visit his ageing parents Toshiko and Kyohei (Kirin Kiki and Yoshio Harada). Ryota is their second son, placed in the role of the first following the death of his older sibling Junpei many years before, something with which his parents have never fully come to terms…

Read the rest at All The Anime where I covered this title as part of the BFI’s Flesh And Blood Blu-ray box set which includes Maborosi (1995), After Life (1998), Nobody Knows (2004) and Still Walking (2008). Also available on BFI Player subscription and to rent on Amazon UK and Curzon Home Cinema.

Trailer (Still Walking – Criterion):

Categories
Features Live Action Movies

I Wish
(Kiseki,
奇跡,
lit. Miracle)

Director – Hirokazu Kore-eda – 2011 – Japan – Cert. PG – 128m

*****

A broken family consists of father, mother and two pre-teenage boys. Each of the boys is living with one of their parents at opposite ends of Kyushu, Japan’s south-western island: the elder with his mother and grandmother in Kagoshima and the younger with their gigging rock guitarist father in Fukuoka. The two boys keep in touch by mobile phone… [Read the full review at All The Anime]

On MUBI from Saturday, February 4th as part of Family Matters: A Hirokazu Kore-eda Double Bill; originally reviewed for All The Anime as part of Arrow’s Family Values Blu-ray box set which includes I Wish (2011), Like Father, Like Son (2013) and After the Storm (2016). Also available to rent on Amazon UK, BFI Player and Curzon Home Cinema.

Trailer – I Wish (2011):