Tag: LFF

Categories
Features Live Action Movies

37 Seconds

Director – Hikari – 2019 – Japan – Cert. 15 – 115m

*****

A wheelchair-bound, young woman manga artist struggles to become independent of her over-protective mother – on Netflix from Friday, January 31st, 2020

Yuma (Mei Kayama), wheelchair-bound with cerebral palsy from birth, lives with her mother Kyoko (Misuzo Kanno) who looks after her in a small Tokyo apartment. However Yuma is far from helpless with a day job as an uncredited manga artist who draws and writes the comics allegedly penned by fast rising YouTube star Sayaka (Minori Hagiwara). The uncomplaining Yuma secretly yearns for Sayaka’s celebrity, if not to actually be her at least to know what it feels like, but Sayaka bans her from attending any public events such as book signings.

Yuma starts exploring ways of going independent of Sayaka. She shows some work to Iketani (Shohei Uno) from Sayaka’s publishers who tells her that what she’s produced is good but alas too close to Sayaka’s work. Finding a bunch of porn manga magazines in a park, she phones around to see it the magazines are taking submissions and embarks on an erotic space opera series, lovingly rendered in a sequence which is not so much full animation but more like an animated peruse through pages of manga, only to be told when she goes to see a friendly editor Ms.… Read the rest

Categories
Animation Features Movies

White Snake
(Baishe: Yuanqi,
白蛇：缘起)

Directors – Amp Wong, Ji Zhao – 2019 – China – 99m

****

A young man falls in love with a demon resembling alternately a woman and a giant snake, in this Chinese animated feature – now available on Amazon Prime

Conceived as a prequel to China’s White Snake legend which has spawned numerous adaptations including Green Snake / Ching se (Tsui Hark, 1993), this computer animated Chinese epic concerns demon sisters Blanca and Verta (voiced by Zhang Zhe and Tang Xiaoxi) who look to all intents and purposes like beautiful women but are actually demon snakes in disguise – a white snake and a green snake as you might guess from their names. With her power and form enhanced by her sister’s gift of a green hairpin, Blanca leaves the demon world and visits ours for a showdown with a human General trying to prove his worth to the Emperor by dabbling in occult rituals involving snakes. When the showdown doesn’t go as planned, Blanca finds herself alone and suffering a complete loss of memory as to who (and indeed what) she is.

She awakes in a small, human, rural village where the local economy is built on catching snakes for the General.… Read the rest

Categories
Features Live Action Movies

Possessor

The irredeemable flesh

Possessor
Directed by Brandon Cronenberg
Certificate 18, 103 minutes
Released 27 November

The controversial director David Cronenberg has long been an exponent of something he calls ‘the new flesh’, ways that humanity might transcend its bodies. His son Brandon is the same, his new film Possessor concerning the world of cybernetic industrial espionage. Tasya Vos (Andrea Riseborough) is an assassin working for a company run by Girder (Jennifer Jason Leigh), which injects her consciousness into other people as host personalities so that, wearing the clothing of their minds and bodies, she can kill designated targets before being extracted…

His father’s notorious Crash (1996) was restored for reissue in November… [Read more]

Read the full review in Reform.

Read my alternative review here.

Trailer:

Categories
Animation Features Movies

WolfWalkers

Director – Tomm Moore, Ross Stewart – 2020 – Ireland, Luxembourg, France – Cert. PG – 100m

*****

An adventurous English girl from Kilkenny encounters a wild Irish girl in the woods who can change into a wolf in groundbreaking 2D animation – on BFI Player as part of the BFI London Film Festival 2020 on Saturday, October 10th, 18.30-19.00 start, in cinemas from Monday, October 26th, then on Apple TV from Sunday, 13 December

This is co-director Moore’s third production based on Irish mythology for Irish animation house Cartoon Saloon following The Secret of Kells (2009, about the making of the Book Of Kells) and Song of the Sea (2014, about selkies / mermaids).

Irish WolfWalkers mythology concerns humans who can transform into wolves and back again, while mankind’s relationship with the wolf down the ages has to do with destroying its natural habitat and a fear of the animal derived largely from its attacks on small animals such as pets and, very occasionally, children. These two ideas are combined in the film WolfWalkers along with Oliver Cromwell’s conquest of Ireland as Lord Protector, although historical accuracy clearly isn’t the intention as not only is his name left out abut also what happens to the Lord Protector here is very different from what happened to him in real life.… Read the rest

Categories
Animation Features Movies

WolfWalkers

Subdue the forest

Wolfwalkers
Directed by Tomm Moore and Ross Stewart
Certificate PG, 100 minutes
Previews from 26 October, released 30 October, then on Apple TV from 13 December

The tree cutters attempting to clear the forest around the walled town of Kilkenny, Ireland, live in fear of wolves. They also believe in WolfWalkers – human by day, wolf by night – who appear in daylight to call off wolf attacks on humans. Ireland is under English rule, administered by the God-fearing Lord Protector (Simon McBurney) through his northern English officer Bill Goodfellowe (Sean Bean), charged with clearing the forest of wolves. Bill’s young daughter Robyn (Honor Kneafsey) dreams of slaying wolves with her crossbow. However, children are barred from leaving the city.

This prohibition doesn’t prevent Robyn from sneaking out to the forest, however, where her wolf hunting goes disastrously wrong… Read the rest

Review for Reform magazine.

See also my BFI London Film Festival 2020 review.

Previews from 26 October, released 30 October, then on Apple TV from 13 December.

Categories
Features Live Action Movies

The Intruder
(El Prófugo)

Director – Natalia Meta – 2020 – Argentina, Mexico – Cert. – 95m

***1/2

A woman moves between dreams and reality as she starts to fear that a foreign entity may be taking her over – on BFI Player as part of the BFI London Film Festival 2020 from 20.30 Monday, October 12th to 20.30 Thursday, October 15th

This opens with a close up of a woman’s body bound in bondage gear. She speaks in Japanese and then somewhat disorientatingly (as if this disturbing imagery hadn’t already thrown you enough) in a different voice in Spanish. Voice actress Inés (Erica Rivas) is working in a dubbing theatre. “More powerful, Inés”, says the man in the booth. After a take or two more, he’s got what he needed and they move on to the next clip.

The film’s a bit like that. The opening is representative of what is to follow: a series of bravura and often disturbing sequences that suck you in and make you wonder exactly where the film will end up. As the sequences build, one on another, I was fully expecting this to be a five star review. Alas, the film didn’t seem to know how to end and the final scene, which needed to somehow pull everything together and make sense of the larger whole, quite simply didn’t.… Read the rest

Categories
Features Live Action Movies

The Cheaters

Director – Paulette McDonagh – 1930 – Australia – 95m
***1/2

A criminal gang leader’s lifelong vow for revenge threatens the future happiness of his daughter in this beautifully restored and presented Australian silent -– free to watch on BFI Player as part of the BFI London Film Festival 2020 from 13.00 hrs Sunday, October 11th to 13.00 hrs Wednesday, October 14th

The first thing to say about this film is that it looks in remarkably good nick by any standards. Judging by the restoration trailer, this is an amazing testimony to today’s technology. Much of the footage before had deteriorated to near unwatchable. After the process, it looks fantastic.

As for the silent side of things, the current presentation on BFI Player shows the film windowboxed as you’d expect but then also the keyboard accompanist in locked off shot, keyboards and hands only, also windowboxed in a comparatively tiny image at the bottom left. This proves extremely effective and provides an excellent model for both future online screenings of silents and presentation on home video media such as Blu-ray or DVD.

The film medium has come a long way since 1929, so this film begs the question, is it any good?… Read the rest

Categories
Live Action Series Television

A Day-Off
Of Kasumi Arimura Ep. 1
(Arimura Kasumi
No Satsukyu,
有村架純の撮休 第1話)

Director – Hirokazu Kore-eda – 2020 – Japan – 42m

****

In the first episode of director Hirokazu Kore-eda’s TV series A Day-Off Of Kasumi Arimura, the actress Kazumi Arimura plays herself in a fictionalised version of her life – on BFI Player as part of the BFI London Film Festival 2020 from 13:00 Saturday, October 10th to 13:00 Tuesday, October 13th

This is a curiosity, one-off festival screening that admirers of contemporary Japanese cinema are going to want to see. Kore-eda (Shoplifters, 2018) is one of the highest profile, contemporary directors in Japan and like many other directors around the world in between his theatrical cinema films he also works in small screen television. This is the first of eight episodes of the TV series A Day-Off Of Kasumi Arimura in which actress Kazumi Arimura plays herself in a fictionalised version of her life. As the subtitle of the end title indicates, this drama is fictional. It has nothing to do with Kazumi Arimura’s real life. 

There’s a little pre-amble in which Kazumi learns that tomorrow’s shoot is cancelled because someone has gone down with the ‘flu. Which you might think makes the episode rather close to or currently perilous pandemic times, but it doesn’t really.… Read the rest

Categories
Features Live Action Movies

Memoir
Of A Murderer
(Salinjaui
Gieokbeob,
살인자의 기억법)

Director – Won Shin-yeon – 2017 – South Korea – 118m

***

A K-thriller with a memorable premise: serial killer with Alzheimer’s suspects man dating his daughter is also a mass murderer – at the London Film Festival 2017 and London Korean Film Festival 2018

At the start of Memoir Of A Murderer, Kim Byung-su (Sul Kyoung-gu) walks dazedly out of a dark tunnel into a white, wintry landscape. Like so much in this convoluted South Korean thriller, that might be highly significant or symbolic, a metaphor, a journey, a state of mind. Or it might not. It’s undeniably a visually striking and arresting starting point. In the manner of frame stories or flashbacks in so many films, we return to this sequence towards the end. But it’s not clear at the start that this is a flashback, and it’s no clearer at the end when this scene recurs.

That’s indicative of some of the games screenwriter Hwang Jo-yoon (co-screenwriter of Park Chan-wook’s Oldboy, 2003) and director Won Shin-yun want to play with their audience. They’re plugging into a long cinematic tradition of films dealing with impossible memory and that peculiar subset thereof most notably represented by Memento (Christopher Nolan, 2000) in which a main character suffers from amnesia or memory loss.… Read the rest

Categories
Features Live Action Movies

Wrath Of Silence
(Bao Lie Wu Sheng,
暴裂无声)

Director – Xin Yukun – 2017 – China – 120m

***

Fist of parental fury: mute villager fights hard to find his missing son in rural China, in a film teeming with extraordinary social commentary and… fighting!!! From the BFI London Film Festival 2017

The young boy Zhang Liu tends sheep on a hillside in Northern China not far from a mine where lorries come and go. One day he doesn’t come home. His mother, already in debt for various medical treatments for her swollen legs, is at her wits’ end. The boy’s mute father, the miner Zhang Baomin (Song Yang), has a way of solving problems. Fisticuffs. He beats up people in the local mine. In the village restaurant he plunges a broken meat bone into the eye of the local organiser of signatures to sign away the village mining rights for which he’s holding out but everyone else in the village has signed. He goes around showing a picture of the missing Liu in the hope that someone has seen the boy.

This takes him to a local mining site where he’s inside eating with the foreman when thugs turn up in vans and jeeps to tell the miners a new company has bought out the mine and their service are no longer required.… Read the rest