Tag: Japan

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Features Live Action Movies

Small, Slow But Steady
(Keiko,
Me Wo Sumasete,
ケイコ目を澄ませて)

Director – Sho Miyake – 2022 – Japan, France – Cert. 12 – 99m

The first half hour ****

The rest ***1/2

A completely deaf, young woman trains in the boxing ring at the local gym and turns professional, but when the gym’s closure is announced, she loses the focus needed to carry on – out in UK cinemas and on Curzon Home Cinema from Friday, June 30th

Young woman Keiko (Yukino Kishii from Foreboding, Kiyoshi Kurosawa, 2017) has suffered since birth (a title tells us at the start) from sensorineural hearing loss. She and her younger brother (Himi Sato) rent a flat in Tokyo’s Arakawa neighbourhood, where she has taken up boxing at the local gym. While her brother plays music on an electric guitar for his girlfriend Hana, in the next room, Keiko scribbles obsessively writing down her progress at the gym in her notebook.

She beats an opponent by the narrowest of margins. As the old chairman of the boxing club (Tomokazu Miura from Detective Chinatown 3, Chen Sicheng, 2021; The Outrage, Takeshi Kitano, 2010; Arietty, Hiromasa Yonebayashi, 2010; The Taste Of Tea, Katsuhiro Ishii, 2004) explains to a journalist interviewing him later at the gym, Keiko can’t hear either the bell or anything the ref says.… Read the rest

Categories
Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen:
Tokyo Stories

Director – David Bickerstaff – 2023 – UK – Cert. 15 – 90m

*****

Japan generally and Tokyo specifically are viewed through that city’s art and photography – out in UK, Irish and worldwide cinemas on Tuesday, May 23rd

The refreshing thing about this latest entry in producer Phil Grabsky’s excellent Exhibition On Screen series is that it breaks the mould. Like Vermeer The Greatest Exhibition (David Bickerstaff, 2023), it is centred around a particular art exhibition, in this instance 2022’s Tokyo: Art + Photography show at Oxford’s Ashmolean Museum. That event sought to give a perspective on the country of Japan generally and the city of Tokyo specifically through its art, both historical and contemporary. The Ashmolean is well-placed to do this, given that it already houses a wide-ranging, historical Japanese collection. Sadly, it means that if this film whets your appetite and makes you want to visit the exhibition, you can’t then do so because it’s been and gone. In a way, though, that’s not so dissimilar from the Vermeer exhibition, which had sold out before the documentary about it appeared.

While the film is swift to acknowledge areas of Japanese culture as diverse as manga (one of the first shots of Tokyo features a giant image of manga and anime favourites Dirty Pair) and traditional Japanese music (a stringed and a woodwind instrument are shown being played by musicians without any explanation or even naming of the instruments), such elements remain largely in the background.… Read the rest

Categories
Features Live Action Movies

Plan 75

Director – Chie Hayakawa – 2022 – Japan – Cert. 15 – 113m

**1/2

Dystopian drama Plan 75 posits a plan whereby Japanese people can voluntarily have themselves terminated after age 75 and examines some of the resultant social fallout – out in UK cinemas and on Curzon Home Cinema from Friday, May 12th

Sedate classical piano music is playing on the soundtrack. The image – out of focus, could be looking down a corridor. After a long wait, a man in a T-shirt and jeans walks, in focus, into picture foreground. There appears to be blood on his arm and he is carrying a shotgun. Ahead of him, as it now comes into focus, the corridor floor is sparsely scattered with objects: a cup and a bowl, an old person’s walking stick with four legs, something else which we can’t quite make out. He washes at the sink. Another corridor – a fallen walking stick, a pair of slippers, an abandoned bathrobe or perhaps a towel, a collapsed, half-folded wheelchair, wheel still spinning. T-shirt and jeans with shotgun descends the stairs. After a contentious voice over, T-shirt and jeans waits a long while, then points the barrel of the shotgun at his head and uses his feet to pull the trigger.… Read the rest

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Animation Features Movies

Junk Head

All images: ©2021 MAGNET/YAMIKEN

Director – Takahide Hori – 2021 – Japan – Cert. 15 – 101m

****1/2

A cyborg is dropped from the planet’s surface into its depths by his immortal but impotent masters to investigate the beings who have evolved in the levels below – feature length, stop-frame epic is out in UK cinemas on Monday, April 24th

More, I suspect, by accident than design, Junk Head looks and feels like the wandering little sister of Mad God (Phil Tippett, 2021). The latter was made by a top Hollywood stop-frame effects animator as a 34-year, independent, labour of love, the former by a Japanese visionary as a seven-year, independent, labour of love. Hori had worked on puppetry at Tokyo Disneyland and became obsessed with stop-motion, inspired by Motoko Shinkai’s one-man debut 2D animated production Voices of A Distant Star (2002). He made a half hour version Junk Head 1 in 2013, and used it as a building block to this version, which he completed in 2017.

The production mode of stop-frame can be a solitary one involving one person alone in a room with a camera and armatured puppets, the approach typified by Willis O’Brien, Ray Harryhausen, the bolexbrothers, Jiri Trnka, Kihachiro Kawamoto, the early David Lynch and many others – a single person or very small number of people producing the work, either complete films or stop-frame effects sequences within live action films.… Read the rest

Categories
Documentary Features Live Action Movies Music

Ryuichi Sakamoto: Coda

Director – Stephen Nomura Schible – 2017 – Japan – Cert. PG – 100m

*****

Review originally published on All The Anime ahead of UK release on Friday, June 29th 2018; published here following Sakamoto’s death on Tuesday, 28th March 2023 – screening on MUBI as of Thursday, April 13th

Portrait of the artist at age 66. A new documentary Ryuichi Sakamoto: Coda finds musician Ryuichi Sakamoto working on a new album following a third degree throat cancer diagnosis and time off work for treatment. At the same time, it presents a select chronological appraisal of his career from Yellow Magic Orchestra and Merry Christmas Mr Lawrence up to the present day.

Like Sakamoto himself, Coda starts and ends with the piano. But not just any piano. Sakamoto had heard of one that survived the 2011 Fukushima tsunami and wanted to find out for himself what it sounded like. He is shown a tidemark on a curtain “up to which the piano floated” and another tidemark on the piano itself indicating its journey. He’s impressed with its sound…

[Read the rest at All The Anime…]

Trailer:

Categories
Animation Features Movies

Suzume
(Suzume
No Tojimari,
すずめの戸締まり,
lit. Suzume’s
Locking Up)

Director – Makoto Shinkai – 2022 – Japan – Cert. PG – 122m

***1/2

Aided by a man turned into a mobile, talking, three-legged chair, a schoolgirl must prevent giant, freak weather ‘worms’ from devastating Japan with earthquakes – anime feature is out in UK and Irish cinemas on Friday, April 14th

Prompted by a question from a man she meets on a road in her hometown, 17-year-old schoolgirl Suzume visits an abandoned hot springs facility in which is situated a door in a free standing door frame. She opens it only to find she can’t enter. Shortly after this, in school, she notices smoke in a gigantic, red and black worm-like form rising from the hot springs facility.

At the same time, everyone around her receives earthquake warnings on their smartphones, but no-one else can see the rising form. She goes back to the facility to find the man she met trying to close the door and cut off the incoming smoke, something she helps him to do. They do not close the door in time to prevent the red and black form falling onto the land and an earthquake resulting. The man locks the door using a key on his person.… Read the rest

Categories
Animation Features Movies

Weathering With You
(Tenki No Ko,
天気の子,
lit. Child Of Weather)

Director – Makoto Shinkai – 2019 – Japan – Cert. 12a – 112m

***1/2

A runaway teenage boy in a constantly raining Tokyo falls for a girl who can replace rain with sunshine – Makoto Shinkai’s feature returns to cinemas for one day only on Wednesday, April 5th, ahead of the release of Shinkai’s new film Suzume on April 14th

A bravura opening shot pulls from rainswept Tokyo in through a hospital window to a girl waiting by a patient’s bedside, recalling nothing so much as the heroine of everyone’s favourite anime identity thriller Perfect Blue (Satoshi Kon, 1997) reflected against a train carriage window with a Tokyo cityscape visible beyond, but where Kon uses such imagery as an entry point to multilayered realities, Weathering With You’s vision never really extends beyond trying to recreate and repeat the formula that rendered its director’s previous Your Name (Makoto Shinkai, 2016) such a runaway success.

Like Your Name, Weathering With You centres on a teenage boy / girl romance but instead of the gender body swap and time travel devices in the earlier film – which probably shouldn’t have worked but somehow did – Weathering has an equally flimsy plot device about a girl named Hina who possesses the ability to turn rain into sunshine.… Read the rest

Categories
Animation Features Live Action Movies

The Mad Fox
aka
Love, Thy Name
Be Sorrow
(Koiya Koi
Nasuna Koi,
恋や恋なすな恋)

Director – Tomu Uchida – 1962 – Japan – Cert. PG – 109m

*****

On MUBI from Tuesday, April 4th; also Amazon Prime (rental) and Arrow Channel

The second Tomu Uchida film to receive a Blu-ray release after the black and white Bloody Spear At Mount Fuji (1955) is the colour The Mad Fox a.k.a. Love, Thy Name Be Sorrow (1962). This extraordinary and arresting Heian period (794-1185) fantasy drama involves an astrologer, his adopted daughter, her wicked stepmother, the two women’s lovers, the daughter’s identical twin sister and a family of shape-shifting fox spirits. Contrasting heavily with the earlier samurai road movie using Mount Fuji as an excuse to block a road for a picnic, The Mad Fox again invokes the iconic volcano in a far more active role as it threatens to erupt, presaging a time of great chaos. The film, meanwhile, makes judicious use of Toei’s animation wing, lending out staff to provide integrated effects.

The opening five minutes set the tone, via a lengthy voice-over detailing the plot’s setup to a calm, tranquil music score, while a scroll is unrolled and the camera pans steadily along its portrayed landscape.

I review The Mad Fox for All The Anime.… Read the rest

Categories
Animation Features Movies

Your Name
(Kimi No Na Wa,
君の名は)

Director – Makoto Shinkai – 2016 – Japan – Cert. 12 – 106m

*****

Do you know what it feels like for a girl? Urban teenage boy and countryside girl repeatedly swap bodies overnight, as fate draws them together through a meteor strike – Makoto Shinkai’s breakout animation returns to cinemas for one day only on Wednesday, March 29th, ahead of the release of Shinkai’s new film Suzume on April 14th

In a spectacular and bravura single take, vertical panning shot, a meteor descends from the heavens through the clouds towards the small lakeside town of Itomori. Then, another time, another place: on a train in Tokyo a teenage girl spots a boy and their eyes meet but there’s no time to exchange names. She knows him but he has no idea who she is. As she gets off the train, he asks her… “Your Name?”

Thereafter, Tokyo boy Taki wakes up some days Mitsuha’s body, and the other way round… [Read the rest at DMovies.org]

Your Name returns to cinemas for one day only on Wednesday, March 29th, ahead of Shinkai’s Suzume on April 14th.

Originally reviewed for UK 2017 IMAX release.

Trailer (Blu-ray release):

Categories
Features Live Action Movies

Under
The Open Sky
(Subarashiki Sekai,
すばらしき世界)

Director – Miwa Nishikawa – 2020 – Japan – 126m

***1/2

A former yakuza killer having served his sentence for murder comes out of prison and attempts to go straight – plays UK cinemas in the Japan Foundation Touring Film Programme 2023 between Friday, 3rd February and Friday, 31st March

Masao Mikami (Koji Yakusho) completes his prison sentence and comes out on good terms with the prison staff, who helpfully advise him, in an almost friendly manner, of not returning to his former ways. While it is indeed the convict’s intention to live within the law from here on in, there remains a gulf between him and those charged with guarding him. He thinks the courts should have given him a lesser sentence for the killing he committed, i.e. manslaughter motivated by self-defence not murder. However, he doesn’t appear to bear grudges about this. He seems to have a problem with losing his temper and controlling his anger, something he’s going to have to work on if he is to survive as a law-abiding citizen.

The Shojis (Isao Hashizume and Meiko Kaji), a sympathetic couple of around his age, provide him with free bed and board until he can find a job and get back on his feet.… Read the rest