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Features Live Action Movies

Nomadland

Director – Chloé Zhao – 2020 – UK – Cert. 12a – 107m

****1/2

A poor widow drives around the US in her van picking up casual work where she can get it, meeting and making friends with other vandwellers – on VoD, in cinemas from Monday, May 17th

There’s a restlessness about Nomadland. In most films, the characters live in fixed abodes – houses or flats. Perhaps parts of villages, towns or cities. Not so here.

“I’m not homeless”, explains Fern (Frances McDormand) at one point to a daughter of a friend she’s not seen for years and runs into in a hardware store, ” I’m houseless. There’s a difference.” Indeed there is. 

Following the rapid economic collapse of Empire, the town where she lived, explained in a throwaway introductory title at the start, and the death of her husband, Fern has taken off in an RV and now moves from place to place, getting paid work where she can find it, meeting people and, frankly, enjoying the freedom this mobile and rootless lifestyle affords her. 

The property was originally a non-fiction book by journalist Jessica Bruder who documented the lives of so-called vandwellers living on the road following the US economic depression of 2007-2009.… Read the rest

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Features Live Action Movies

Minari

Director – Lee Isaac Chung – 2020 – US – Cert. 12a – 120m

***1/2

The Korean immigrant experience in the US as a nuclear family set up a farm in Arkansas – on VoD from Friday, April 2nd, in drive-in cinemas from Monday, April 12th and cinemas from Monday, May 17th

Jacob (Steven YeunBurning, Lee Chang-dong, 2018; Okja, Bong Joon Ho, 2017), Monica (Yeri Han) and their two kids Anne (Noel Kate Cho) and David, 7 (Alan S. Kim), drive out to their new home in Arkansas. She is a little horrified that the home is a trailer on wheels supported by a basic frame, but he is thrilled that they have land with the best dirt (i.e. for growing things) America has to offer. They are surrounded by a vast area of countryside and woodlands. They speak mostly Korean, but are fluent in English and occasionally use it.

Eschewing the advice of a local water diviner, Jacob builds a well in some low ground where trees are nearby, reasoning that there must be water there. “Never pay for anything you can get for free,” he tells the attentive David, reminding him that in California, where they’ve moved from, they had nothing.… Read the rest

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Features Live Action Movies

Ilo Ilo
(爸妈不在家,
lit. Mom And Dad
Are Not Home)

Director – Anthony Chen – 2013 – Singapore – Cert. 12 – 99m

****

A Filipino maid must contend with the unruly son of a working Singaporean couple in a time of economic difficulty – now available to rent online in the new Chinese Cinema Season 2021 in the UK & Ireland as part of the Debut Spotlight strand until Wednesday, May 12th

1997, the Asian financial crisis is looming (see Default, 2018, Choi Kook-Hee) and the Leng family is under pressure. Secretary Hwee (Yeo Yann Yann) works for a shipping company that has hit difficult times: one of her jobs is to type up redundancy letters for staff who are about to be called into the manager’s office. She believes she and her immediate admin colleagues are safe. Her husband Teck (Chen Tian Wen) is a sales executive, but on the evidence of his pitching ‘unbreakable’ glass to a buyer – it breaks – is not that good at it.

The couple are expecting a second child. They’ve been so focused on work, though, that they perhaps haven’t spent as much time as they should with their son Jiale (Koh Jia Ler) who has the worst behaviour record in his school and is frequently the recipient of corporal punishment by the discipline teacher.… Read the rest

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One Night
(Hitoyo,
ひとよ)

Director – Kazuya Shiraishi – 2019 – Japan – Cert. N/C 15+ – 123m

****1/2

A woman murders her violent husband after years of his beating up the kids, goes to prison then returns 15 years later to find the siblings in turmoil – played online in the Japan Foundation Touring Film Programme 2021 in the UK

A night of torrential rain proves a defining moment in the lives of the Inamura family which owns and runs a taxi business. Koharu (Yuko Tanaka – Princess Mononoke, 1997) enters, dressed in her usual suit she wears to drive customers around, to announce to her three teenager children, “I’ve just killed your father. Nobody will ever beat you again. You can live however you want. You’re totally free.” Expressing no remorse and convinced she’s done the right thing, she promises to return in fifteen years then disappears to hand herself in to the cops.

Koharu’s designs of freeing her kids from their father’s years of violent abuse don’t quite play out the way she had hoped. Their father would beat them for any suggestion that they’d want to do anything other than work in the family taxi business. The eldest Daiki (Ryohei Suzuki – Our Little Sister, Hirokazu Kore-eda, 2015; Tokyo Tribe, Sion Sono, 2014) is a stutterer whose relationship with wife Fumiko (Megumi) is mired in divorce proceedings as he struggles to hold down a regular job.… Read the rest

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Animation Documentary Features Live Action Movies

My Favorite War
(Mans mīļākais karš)

Director – Ilze Burkovska Jacobsen – 2020 – Latvia, Norway – Cert. N/C 12+ – 77m

****

Autobiographical documentary employs cut-out animation to describe a childhood in Latvia when it was part of the Soviet UnionGlasgow Film Festival Thursday, February 25th to Sunday, February 28th

In World War Two. Latvia was caught between the Nazis and the Russians. After the Nazis capitulated, the country was absorbed into the Soviet Union. Ilze’s grandfather, a small farmer, was declared an Enemy of the State and sent to Siberia because he owned a small piece of land. Her Communist Party member father became a City Manager but he was killed in a car crash leaving her mother to bring up her and her brother alone.

At age three, Ilze’s parents risk everything by taking her to a forbidden beach a few miles from their home just so their young daughter can see the sea. This is the self-proclaimed “happiest country in the world” where party officials can queue jump and take the last pack of butter, where peace is paramount but shooting lessons are mandatory at school. As Ilze grows, she must keep quiet about all sorts of things or her mother will lose her job.… Read the rest

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Features Live Action Movies

Sheep Without
A Shepherd
(Wu Sha,
误杀)

Director – Sam Quah – 2019 – China – Cert. 15 – 112m

*****

A family stands together when their daughter kills the local police chief’s son who is both a rapist and blackmailer – available to rent online in the new Chinese Cinema Season 2021 in the UK & Ireland.

This opens with a prison break in which the escapee ends up interred in a coffin next to the corpse of the man who was trying to get him out. That turns out to be a story told by Li Wiejie or Jie for short (Xiao Yang), an insatiable watcher of detective and crime thrillers. The film lays its cinematic cards on the table almost immediately by referencing Hitchcock, montage, sound effects, excitement and The Shawshank Redemption (Frank Darabont, 1994). Sheep Without A Shepherd is in thrall to the West’s suspense movies and plays out like one while at the same time retaining its distinctive Chinese character with its emphasis on the importance of family ties and loyalty.

Jie and his wife (Tan Zhuo) run a small store in Thailand. Their daughter Ping known in the family as PingPing (Audrey Hui) persuades dad to fund her to go to summer camp where she is drugged and videoed being gang-raped by privileged brat Su Cha (Beety) and his pals.… Read the rest

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Features Live Action Movies

Babyteeth

Director – Shannon Murphy – 2019 – Australia – Cert. 15 – 118m

*****

In cinemas from Friday, August 14th and on BFI Player from Monday, December 7th

Uniformed schoolgirl Milla (Eliza Scanlen) stands on a platform ill at ease with her classmates. The train comes in. Before she can move to get on it, someone has knocked into her rushing past to stand close to the passing train. It’s Moses (Toby Wallace), unkempt in shorts and tee shirt. He asks her for money. He points out she has a nosebleed, cradles her on the ground, puts his tee over her mouth and jaw… to catch the blood.

Milla’s psychiatrist father Henry (Ben Mendelson) has a home session with a patient that turns into sex on a desk. This is his wife Anna (Essie Davis) who is on medication and has mental problems. They have another problem as a family: their daughter has cancer.

When Milla brings Moses into her parents’ comfortable suburban family home, they take an immediate dislike to him. This reaction is compounded by his habit of stealing medications from their home to sell later on the street. Nevertheless, he will be around the home more and more and by the end will be to all intents and purposes living there with Henry and Anna’s consent.… Read the rest

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Features Live Action Movies

Bori
(나는보리)

Director – Kim Jin-yu – 2017 – South Korea – Cert. – 109m

***

Pre-teenager Bori feels alienated from her little brother, mum and dad because she’s the only one who isn’t deaf available to watch from 10am-11pm on Thursday November 12th as the Online Closing Gala of the London Korean Film Festival (LKFF).

Pre-teenager Bori (Kim Ah-song) lives by the sea with her close and loving family – a dad who often works nights on ships, a devoted mum, a little brother Jeungwoo (Lee Rin-ha) who’s brilliant offensive futsal player. Her best friend Eun-jeong (Hwang Yoo-rim) is the daughter of the delivery man at the local takeaway restaurant, whose very reasonably priced black bean noodle dishes the family avail themselves of often. Bori’s dad, mum and little brother are all deaf, so at home they communicate in sign language.

The family go to a firework display where Bori slips away from the edges of a crowded tent where she can’t really see anything and goes to talk to an immigrant stallholder about his jewellery. But then she can’t find the family and after wandering around, hands herself in at the local police station where her family later find her.… Read the rest

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Live Action Series Television

A Day-Off
Of Kasumi Arimura Ep. 1
(Arimura Kasumi
No Satsukyu,
有村架純の撮休 第1話)

Director – Hirokazu Kore-eda – 2020 – Japan – 42m

****

In the first episode of director Hirokazu Kore-eda’s TV series A Day-Off Of Kasumi Arimura, the actress Kazumi Arimura plays herself in a fictionalised version of her life – on BFI Player as part of the BFI London Film Festival 2020 from 13:00 Saturday, October 10th to 13:00 Tuesday, October 13th

This is a curiosity, one-off festival screening that admirers of contemporary Japanese cinema are going to want to see. Kore-eda (Shoplifters, 2018) is one of the highest profile, contemporary directors in Japan and like many other directors around the world in between his theatrical cinema films he also works in small screen television. This is the first of eight episodes of the TV series A Day-Off Of Kasumi Arimura in which actress Kazumi Arimura plays herself in a fictionalised version of her life. As the subtitle of the end title indicates, this drama is fictional. It has nothing to do with Kazumi Arimura’s real life. 

There’s a little pre-amble in which Kazumi learns that tomorrow’s shoot is cancelled because someone has gone down with the ‘flu. Which you might think makes the episode rather close to or currently perilous pandemic times, but it doesn’t really.… Read the rest

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Air Doll
(Kuki Ningyo,
空気人形)

Director – Hirokazu Kore-eda – 2009 – Japan – Cert. 18 – 111m

****

Fantasia Film Festival 2020 virtual edition from Thursday, August 20.

An unusual film for director Kore-eda, closer to After Life (1998) than almost anything else he’s done because of both fantasy element and whimsical tone. An inflatable sex doll is affectionately cared for by its owner Hideo (Itsujo Itao) who has sex with it at night. He has named the doll Nozomi after a former girlfriend. One morning when he’s at work, Nozomi wakes up as a flesh and blood woman played by Doona Bae, goes to the window and feels rainwater on her hands.

Nozomi tries on some of her (sexualised fetish) clothes, settling on a chambermaid costume. She heads out into the world, where everyone is busy getting to school or work. She follows an old widow (Sumiko Fuji) around, then a party of young schoolchildren. She passes an old man in a park. Eventually she stumbles into the video store where Junichi (Arata) works. The shop appears to her as a wonderland and she lands herself the counter assistant’s job. However she’s not very good at it, her experience of life being virtually nil and her knowledge of movies even less.… Read the rest