Tag: death

Categories
Features Live Action Movies

Woman of Fire
(Hwanyeo,
화녀)

Director – Kim Ki-young – 1971 – South Korea – Cert. 18 – 98m

*****

A married couple’s housemaid seduces the husband, ensnaring him in a love triangle from which there is no escape – 4K Restoration played at the London East Asia Film Festival (LEAFF) (European Premiere) and screens again 6.30 at the ICA on Friday, November 5th book here as part of a strand dedicated to actress Youn Yuh-jung (Best Supporting Actress, Minari) at the London Korean Film Festival (LKFF) which runs from Thursday, November 4th to Friday, November 19th

Kim Ki-young is probably better known for his breakthrough film The Housemaid (1960) than any other title. Not only did the film establish him as a maker of dark films about twisted relationships, it also inaugurated something of his trademark style. While a real watershed in Korean cinema generally and Kim’s career in particular, the material was something he felt he could do a lot more with: he remade it directly not once but twice as Woman of Fire (1971) and Woman of Fire ‘82 (1982). Where the highly effective original was shot in both black and white and the old 4:3 Academy format, the two remakes like many of his later films were both colour and scope, and made full use of both, giving them additional qualities lacking in the original.… Read the rest

Categories
Features Live Action Movies

Death,
Desire
And Rat Poison

An introduction to the films of Korea’s late and, lamentably, largely unknown director Kim Ki‑young – originally published in Manga Max, Number 8, July 1999. Reprinted here to coincide with London East Asia Film Festival (LEAFF)’s screening of Woman of Fire (1971) on Friday, October 29th. If you missed it, the restoration screens again on Friday, November 5th as part of a strand dedicated to actress Youn Yuh-jung at London Korean Film Festival (LKFF) which runs from Thursday, November 4th to Friday, November 19th

Kim Ki-young

It seems unthinkable that the world could have failed to recognise a director whose 2.35:1 widescreen visuals compare favourably with Seijun Suzuki and John Boorman and whose marriage of technique with subject matter is as terrifying as anything by Dario Argento or Alfred Hitchcock. Nevertheless, when 1997’s Pusan International Film Festival (PIFF) ran a retrospective season of films by Kim Ki-young (the first of a proposed series of annual events showcasing Korean directors) it quickly became clear to astonished audiences that the unthinkable had indeed happened. Sadly, on February 4th 1998 – within six months of his new-found international acclaim – Kim and his wife died in a fire in Korean capital Seoul.… Read the rest

Categories
Features Live Action Movies

Still The Water
(Futatsume
No Mado,
2つ目の窓)

Director – Naomi Kawase – 2014 – Japan / France – Cert. 15 – 119m

*****

Two childhood sweethearts living on an island beset by storms must come to terms with the mortality and fallibility of their mothers – on BFI Player (rental) and MUBI.

The ocean roars and then, just as suddenly, is quiet. The wind howls through the trees, then sunlight is glimpsed through tranquil branches. Welcome to the sleepy yet storm-battered island of Amami Oshima, part of the Southern Japanese Archipelago, a place of paradox and contradiction seen through the eyes of two teenaged friends and their families.

Kyoko (Jun Yoshinaga aka Junko Abe – Samurai Marathon, Bernard Rose, 2019) loves swimming in the sea. Her friend Kaito (Nijiro Murakami – Isle Of Dogs, Wes Anderson, 2018, Destruction Babies, Tetsuya Mariko, 2016) is less keen – he’d rather be in the safety of a swimming pool. She uses him and his bicycle to get around the island if and when he’s nearby. She is rather keen on him and would happily have sex. He can’t explain why, but is less enthusiastic about the idea.

Once we move on to their parents, there are fascinating observations regarding motherhood – especially in the light of adoption / unwanted pregnancy outing True Mothers (Naomi Kawase, 2020) – and, to a lesser extent, fatherhood.… Read the rest

Categories
Features Live Action Movies

The Mourning Forest
(Mogari
No Mori,
殯の森)

Director – Naomi Kawase – 2017 – Japan – Cert. 12 – 97m

****

Currently on BFI Player as part of 21st Century Japan.

Wind. Trees. Tall grass. A road barely discernible but for the occasional top of a hedge. A fluttering, white banner of a funeral procession moves imperceptibly across the landscape, a futile ritual for an unknown person.

A room’s corner between two windows. Beyond them: wind and trees. Against the corner leans the sleeping Mr Shigeki (Shigeki Uda). The boss of this old people’s home Wakako (Makiko Watanabe) is showing new care worker Machiko (Machiko Ono) the ropes. “There are no rules here”, she tells her. Machiko is in emotional free-fall. At home, a candle beside a photograph of a young boy. Berated by her husband for letting go of her child’s hand, Machiko has never got over the incident.

Kawase is a master of understatement… [Read the rest]

Currently on BFI Player as part of 21st Century Japan.

Full review at All The Anime.

Trailer:

2020

Monday, August 24th: MUBI

2017

August: Eureka! Video released the film on BD/DVD

Categories
Animation Features Movies

The Crossing
(La Traversée)

Director – Florence Miailhe – 2021 – France, Germany, Czechia – 84m

*****

Two children undergo a series of adventures as they flee an ethnic cleansing pogrom in this animated feature made with oil paint on glass – from the BFI London Film Festival 2021 which runs from Wednesday, October 6th to Sunday, October 17th in cinemas and on BFI Player

Kyona and Adriel live with their mother, father and younger siblings in their village. One day, soldiers and dark, hooded shadow men arrive to massacre the locals Yelzid people. Somehow the family escape and board a train, but it’s stopped by soldiers for Control and their parents and younger siblings are detained on the platform. Kyona and Adriel must continue on alone and cross the border to safety.

This stakes its place in cinema history as the first feature to be realised using the time-worn animation technique of oil paint of glass. This technique makes the film analogous to watching a moving oil painting, but director Miailhe marshalls her serial images with a strong sense of narrative and additional filmic technique which hold the whole together.

Kyona loves to draw. Her sketchbook, which accompanies her everywhere, opens and closes the film, providing a perfect jumping off point to enter the oil on glass produced narrative.… Read the rest

Categories
Features Live Action Movies

Deerskin
(Le Daim)

Director – Quentin Dupieux – 2019 – France – Cert. 15 – 77m

****

A man buys a deerskin jacket then decides he should be the only person who can wear a jacket which leads to disastrous consequences – on BFI Player and Curzon Home Cinema rental from Monday, October 4th

Georges (Jean Dujardin from The Wolf Of Wall Street, Martin Scorsese, 2013; The Artist, Michel Hazanavicius, 2011; OSS 117: Cairo Nest Of Spies, Michel Hazanavicius, 2006) is driving. Some considerable distance across France. And very full of himself, too. After a couple of days, he arrives at the seller’s house. 100% deerskin! The Jacket is everything he dreamed, and he willingly pays the asking price in cash. The seller is stunned at his good fortune; he’s never seen so much money. He throws in a digital video camera.

Georges’ credit card is blocked, so on checking in to the local hotel he leaves his gold wedding ring with the receptionist as a deposit. Drinking at a local bar, he explains to the barmaid Denise (Adèle Haenel from Portrait Of A Lady On Fire, Céline Sciamma, 2019; 120 BPM (Beats Per Minute), Robin Campillo, 2017) that he’s a filmmaker and currently shooting.… Read the rest

Categories
Animation Art Movies Shorts

Opera

Director – Erick Oh – 2020 – South Korea – 9m

*****

Compelling, Oscar-nominated schematic of a self-contained society’s infrastructure behaviour and movement of groups of people within it over a day and a night – from the Annecy 2021 Animation Festival in the Short Films In Competition section – Official 4

This feels like it ought to exist as an art exhibit in a gallery playing over and over again. Watching it online, I went back and immediately rewatched bits of it until I’d seen the whole thing about five times. It’s like a massive moving painting where the camera starts at the top and slowly works its way down to the bottom before slowly panning up again. It makes me wonder if an installation version exists without the panning where visitor can just watch the whole thing on repeat until they’ve taken it all in.

It’s a picture of a self-contained society with the ruler at the top (and a deity above him/her), an elite, the workers at the bottom and several strata in between. In the space of nine minutes, we watch the sun come up and the society go through its daily ritual from morning to night then daily renewal in the morning.… Read the rest

Categories
Documentary Features Live Action Movies

A Love That Never Dies

Losing children

A Love That Never Dies
Directed by Jane Harris and Jimmy Edmonds
Certificate 12A, 75 Minutes
Released 18 May

Parenting is not the easiest job in the world at the best of times. But what if the unthinkable happens? What do you do if one of your children dies? How do you cope?

Jane Harris and Jimmy Edmonds found themselves in that position when their 22-year-old son Joshua died travelling around Vietnam in 2013. Someone stepped out in front of his motorbike and that was it. Struggling to come to terms with his death, they travelled not only to the site of the accident but also across the US in search of other bereaved parents, a journey in memory of their son. En route, they made a documentary film out of the experience.

In the footage and voice-over, the couple describe the different ways they struggled or coped. [Read more…]

To find screenings or organise a one-off local screening, please contact the filmmakers through their website alovethatneverdiesfilm.com.

Review originally published in Reform magazine.

Trailer:

Visit The Good Grief Project website. To set up a screening of the film near you, please contact the film-makers.

Categories
Features Live Action Movies

The Reckoning

Director – Neil Marshall – 2020 – UK – Cert. 15 – 111m

***

A woman accused of witchcraft finds herself pitted in a battle of wills against her witchfinder torturer at the time of the Great Plague – on digital from Friday, April 16th and Shudder UK from Thursday, 13th May

On the one hand, this explores the historical time period of the Great Plague and links that directly with women being burned at the stake for witchcraft by way of a widespread, social scapegoating process. On the other, it depicts a horribly misogynistic society where, for the most part women are regarded as inferior and treated really badly. Two sides of the same coin.

The film itself is mixed. Parts feel hackneyed, parts will have you on the edge of your seat. The cliché-ridden opening, for instance, cross-cuts chocolate box-y photography of a cottage-dwelling couple’s idyllic, married existence in the constantly sunlit countryside with the wife digging a grave in torrential rain after finding her husband has hanged himself from a tree at night.

It transpires that farmer Joseph Haverstock (Joe Anderson) stopped off for a pint at the local tavern and accidentally drank the beer of a plague victim, contracting the disease.… Read the rest

Categories
Features Live Action Movies

Relic

Director – Natalie Erica James – 2019 – Australia – Cert. 15 – 89m

****1/2

A daughter and her mother must look after their ageing grandmother in her house which seems to possess a dark character – in cinemas and platforms including BFI Player from Friday, October 30th and now Shudder UK from Tuesday, 11th May 2021

Driving from Melbourne to visit her grandmother Edna in her house in the country, grown-up daughter Sam (Bella Heathcote) and her mother Kay (Emily Mortimer) get a phone call from the local policeman informing them the old lady has gone missing. When they get to the house and enter via the large cat flap, sure enough grandma is nowhere to be found. It feels lived in though, even though there are rooms filled with boxes of junk she’s never managed to sort out or get rid of. They try and tidy up, but it’s a huge task and they barely make a dent in what needs to be done.

They go out with police combing the local woods, to no avail. Sam runs into friendly next door neighbour with learning difficulties Jamie (Chris Bunton), 18, who lives at home with his father. James has no idea where Edna is either.… Read the rest