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Animation Art Exhibitions Movies

LAIKA
FRAME x FRAME

*****

Exhibition shows at BFI Southbank from Monday, 12th August to Tuesday 1st October 2024 (free to visit, but booking essential – click here) accompanied by the Stop Motion animation season including all five LAIKA feature films and much, much more

In the best part of two decades, US-based Laika Studios – named after the first dog in space – has carved itself a niche as arguably the foremost producer of stop-motion animation puppet films. That’s distinctly different from the other leading company in the stop-motion field, UK-based Aardman Animations, who specialise in plasticine animation. The difference is that plasticine is a malleable substance that can be reworked and remodelled one frame at a time, whereas although puppets can be moved a frame at a time, they can’t be remodelled.

Laika have consistently (and deservedly, in this writer’s opinion) picked up Oscar nominations for each of their five features, a remarkable achievement that speaks of the high quality of their work. Their five features (with a sixth forthcoming) are:

  • Coraline (2009): A young girl is lured into a darker, parallel world.
  • Paranorman (2012): A boy who can speak with the dead, ostracised by his local community, must save his town from dark forces by righting centuries-old wrongs.
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Features Live Action Movies

The Boogeyman

Director – Rob Savage – 2023 – US – Cert. 15 – 98m

*** 1/2

Two sisters recently bereaved of their mother start to imagine something nasty waiting for them in the darkness of night – Stephen King adaptation is out in UK cinemas on Friday, June 2nd

An uninvited man Lester Billings (David Dalmachian) turns up at the home-based office of therapist Will Harper (Chris Messina) wanting to talk. His family died, and he is suspected of murdering them… but, he claims, it wasn’t him who did it. Harper has recently lost his wife, so it’s inevitable that Billings’ story will resonate with him. While Harper excuses himself to covertly call the police, Billings starts wandering round the home in which Harper lives with his two daughters – the teenage Sadie (Sophie Thatcher) and the much younger Sawyer (Vivien Lyra Blair).

The scene in the office is the Stephen King short story (published in his Night Shift collection) and only a small part of the movie. It is, however, a highly significant part – the incident that sparks everything else off. Billings claims his family was slain by a hideous monster, and the impressionable Sawyer is at the age of childhood where she imagines monsters lurking in the closet or hiding beneath the bed.… Read the rest

Categories
Features Live Action Movies

Julie Delpy
talks about
Three Colours: White

Transcript of interview from 1994 with actress Julie Delpy on Three Colours: White. She plays the short but pivotal role of the main character’s ex-wife, whose appearances bookend the film. At the time, the third film in the trilogy had yet to be screened to press.

She was based in LA., on which subject our conversation started:

“I’m doing everything. Both European and American films. My project there is similar to what I was doing before – American films and European films and co-productions, whatever. I’m not trying to see where I should be, I’m just trying to find something that I like to do. It’s a bigger choice when you’re over there.”

Three Colours: White is very much a European film – not a film set in any one country but partly in Paris and largely in Poland. How did she get involved?

“I knew Kieślowski, I met him a few times, he’s a friend of Agnieszka Holland with whom I had worked on Europa Europa. I had tested on The Double Life Of Veronique, but knew that I wouldn’t get that part because he told me before the casting began that I wasn’t right for it, but he wanted to audition me because he was thinking of something else later.… Read the rest

Categories
Features Live Action Movies

Il Buco

Director – Michelangelo Frammartino – 2021 – Italy – Cert. U – 93m

**1/2

A Calabrian cowherd nears the end of his life while a group of explorers journey down a deep hole to find out how deep into the ground it descends – out in cinemas on Friday, June 10th

Literally, ‘The Hole’. Frammartino again brings to the cinema the style that made his earlier Le Quattro Volte (2010) so special. He sets up the camera, often at a great distance from the action, then leaves it there to record whatever happens. The narrative of Il Buco is actually pretty simple, a recreation of an expedition by a group of young, amateur speleologists into a hole in the ground in Calabria. (Speleology is the branch of science involved in mapping and measuring the interiors of caves, natural underground systems, and the like.)

It’s 1961. We’re first introduced to the place in a shot looking out of the ground at the edge of the hole as, eventually, the heads of two bulls come into view over the ridge. An elderly cowherd watches over the grazing cattle from a position halfway up a forty degree incline hillside. As the bus leaves the rich, urban developments of Northern Italy for the still unspoiled Southern region of Calabria, we watch it slowly make its way along rounds, through a small rural town where the party stops for the night to bed down in sleeping bags in the local, Catholic Church alongside statues of monks and the crucified Christ lying on his back, across open country until it arrives at the vast plain where the explorers will set up camp.… Read the rest