Tag: Academy Awards 2022

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Licorice Pizza

Director – Paul Thomas Anderson – 2021 – US – Cert. 15 – 133m

****

Boy meets girl in San Fernando Valley, 1973, a bizarre, meandering tale constantly firing off in new directions – out in cinemas on Saturday, January 1st

Gary Valentine (Cooper Hoffman) is walking along an outdoor school corridor when he sees Alona Kane (Alona Haim), contriving to run into her. She’s much older than him (she’s actually there helping out with individual pupil photos) and pours scorn on his attempts to ask her out for a date. But he’s persistent and possessed of a way with words, talking her into turning up at the restaurant should she feel like it, which she duly does.

When he proclaims himself an actor with some films and TV series to his credit, she assumes he’s joking around, but, no, it’s true. Needing a chaperone for a new your gig he’d otherwise be unable to attend, he gives her the job. He also has his own PR company whose clients include a Japanese restaurant, has a good head for business, and is constantly chasing the latest coming trend as a means to make a fast buck.

To attempt more of a synopsis is difficult because the whole thing feels like scenes from a much longer script where lot of other scenes have been either edited out in the cutting room or possibly not even shot in the first place.… Read the rest

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No Time To Die

Director – Cary Joji Fukunaga – 2021 – UK – Cert. 12a – 163m

*****

We have all the time in the world. The new Bond movie gives Daniel Craig’s James Bond unexpected space to deal with human relationships and mortality – out on Blu-ray and DVD in the UK on Monday, December 20th and the US on Tuesday, December 21st

With its release delayed for over a year because of the global COVID-19 pandemic, Daniel Craig’s final screen outing as James Bond 007 finally arrives in UK cinemas, a week ahead of US release. Which is as it should be: Bond is British after all.

And yet, the plot sees Bond, now retired and living (like his late creator Ian Fleming towards the end of his life) in Jamaica, help out not MI6 but the CIA in the form of Felix Leiter (Jeffrey Wright in his third outing in the role opposite Craig’s Bond.).

The snowbound opening shows a little girl’s mother killed by a man wearing a Noh mask over a disfigured face; in the space of an edit, the little girl grows up to become Madeleine Swann (Léa Seydoux), previously Bond’s love interest in Spectre (Sam Mendes, 2015) and still together with him here.… Read the rest

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Features Live Action Movies

Spider-Man:
No Way Home

Director – Jon Watts – 2021 – US – Cert. 12a – 150m

***1/2

With Spider-man’s identity revealed as Peter Parker, he enlists Dr. Strange’s magic to restore the world to its state before that revelation – out in cinemas on Wednesday, December 15th

Hard to remember now but there was a time before the millennium when a big screen Spider-Man adaptation was something no-one thought would ever get made. Following the hugely successful Spider-Man (Sam Raimi, 2002) there have effectively been three series of movies, with reboots The Amazing Spider-Man (Marc Webb, 2012) and the Marvel Cinematic Universe (MCU)-compliant Spider-Man: Homecoming (Jon Watts, 2107) plus three further appearances of the character in the MCU since 2016 (Captain America: Civil War, 2016; Avengers: Infinity War, 2018; Avengers: Endgame, 2019; all Joe and Anthony Russo). In the 2002-initiated cycle, the character was played by Tobey Maguire, in the 2012, Andrew Garfield and in the MCU / 2017, Tom Holland. The latter in Jon Watts’ films is particularly good at portraying Peter / Spider-Man as a gawky, insecure teenager.

There’s even a (hugely inventive) animated film Spider-Man: Into the Spider-Verse (Bob Persichetti, Peter Ramsey, Rodney Rothman, 2018) which sadly isn’t referenced in the current film.… Read the rest

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Features Live Action Movies

West Side Story
(2021)

Director – Steven Spielberg – 2021 – US – Cert. 12a – 156m

*****

This reimagining of the landmark 1961 musical feels fresh and completely different, yet strangely familiar at the same time – out in cinemas on Friday, December 10th

The original adaptation of Broadway show West Side Story (Jerome Robbins, Robert Wise, 1961) is widely reckoned one of the great movie musicals. It’s basically Romeo And Juliet reworked with rival houses replaced by rival ethnic gangs, the Jets and the Sharks. From the moment a former member of one gang falls for a young girl from the other ethnic group, their romance is doomed.

As well as remarkable songs (music: Leonard Bernstein, lyrics: Stephen Sondheim), the thing people remember is the incredible, almost otherworldly choreography. If this had not been a musical but a straightforward teenage youth drama, the gangs would have walked or run through the streets in packs. Here, though, they dance and glide as a synchronised group, and the never less than magical result proves highly effective.

So if you’re going to remake West Side Story, you’d better have some pretty good ideas because a carbon copy would be pointless. Enter Steven Spielberg. Like many people, he’s grown up with the 1961 movie and knows it intimately.… Read the rest

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Features Live Action Movies

House Of Gucci

Director – Ridley Scott – 2021 – US – Cert. 15 – 157m

*****

A woman marries into the wealthy Gucci family and inadvertently brings about its downfall – out in cinemas on Friday, November 26th

First impressions.

A beautiful day. A well-dressed man (Adam Driver) relaxes at the café, pays his bill, cycles through the streets. Life is good. He reaches his destination. As he approaches the door, a voice asks, “Mr. Gucci?”

Milan, 1978. Another beautiful day. A woman dressed and moving like a goddess (Lady Gaga) walks past trucks and workers to her father’s transportation business office where she works as his assistant. Later, a friend asks her to a costume party. She dances. She looks incredible. She goes for a drink. The barman (Driver) turns out not to be not the barman. He makes her a drink anyway. He’s Maurizio. Gucci. He knows the host. She’s Patrizia Reggiani. She doesn’t. He tells her he can’t dance. She drags him onto the dance floor and makes him look good even though he does nothing. He leaves at midnight, worried he’ll turn into a frog. It’s a pumpkin, she calls after him.

She stalks him, ‘accidentally’ bumping into him at a bookshop where he’s buying armfuls of legal books (he’s studying to be a lawyer).… Read the rest

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Features Live Action Movies

Free Guy

Director – Shawn Levy – 2021 – US – Cert. 12a – 115m

***1/2

A non-player character in a mayhem-riddled video game decides to take matters into his own hands after meeting the girl of his dreams – out in cinemas on Friday, August 13th

Guy (sic) (Ryan Reynolds) works in Free City. In a bank. Every day he selects the same shirt from his wardrobe, gets a coffee from the same barista, goes to work. Where, at specific times like clockwork, there are robberies. He and his buddy, a security guard named Buddy (sic) (Lil Rel Howery) drop to the floor where they then chat about life, love and other issues.

Then, one day, he meets Molotov (Jodie Comer), a gun-carrying girl with a British accent. He feels as if he’s known her forever, like she’s the missing piece in his life. But she’s a Specs. She wears specs. People who wear specs do things people who don’t don’t. Guy decides he’s going to steal specs from the first bank robber who comes along.

What Guy doesn’t know is that he’s an NPC (non-player character) in a video game called Free City. The game is made by a company called Soonami run by Antwan (Taika Waititi).… Read the rest

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Features Live Action Movies

Cruella

Director – Craig Gillespie – 2020 – US, UK – Cert. 12a – 134m

****

A 101 Dalmatians prequel. How a girl named Estella unleashed her darker personality of Cruella de Vil – in cinemas from Friday, May 28th

Disney’s project of mining their pantheon of animated classics for live action feature material continues. Here it’s the turn of Cruella de Vil, the villain from 101 Dalmatians (Clyde Geronimi, Hamilton Luske, Wolfgang Reitherman, 1961), and a very clever reimagination it is too. It commences with her birth and cleverly conceals certain significant details of her upbringing only to reveal them at the tale’s climax and give everything that went before a completely new spin.

Estella (Tipper Siefert-Cleveland) is the daughter of Catherine (Emily Beecham). Befriended at school by Anita Darling (Florisa Kamara) but picked on by bullies, Estella gives as good as she gets, fights back and gets expelled for figuratively blotting her copybook. 

So her mother pays a visit to former employer the Baroness von Hellman (Emma Thompson) seeking help. But thanks to Estella’s refusal to do as she’s told and stay in the car and her dog Buddy’s strikingly similar refusal to obey Estella this plan goes fatally wrong.… Read the rest