1920s Archives - Jeremy C. Processing

Director – Martin Scorsese – 2023 – US – Cert. 15 – 206m

*****

A returning WW1 veteran marries into Oklahoma’s Osage Indian tribe at the time of the Osage Indian Murders – plays the 2023 London Film Festival which runs from Wednesday, October 4th until Sunday, October 15th, and will be out in UK cinemas on Friday, October 20th

At slightly over 80 years of age, Martin Scorsese has now been making movies for over 60 years. Like his last, fictional, narrative feature The Irishman (2019), this one is pushing three and a half hours. I always have issues with films that long: the vast majority are that way due to director’s ego and / or inability to tell a story concisely. Some of them might have been better suited to a TV mini-series ( a medium in which, incidentally, Scorsese also works). Yet if you try and imagine Killers Of The Flower Moon cut down in length, it’s difficult. Maybe you could take out the frame story – the performance of a crime drama on the radio on the subject of the Osage Indian Murders – but that sets the scene nicely at the start and takes you back out of the movie equally nicely at the end, so it would be a shame to do so.… Read the rest

Eric Ravilious:
Drawn To War

Director – Margy Kinmonth – 2022 – UK – Cert. PG – 87m

***1/2

The career of the British watercolour artist tragically killed while serving as an official war artist in World War Two – now available to watch online following UK cinema release on Friday, July 1st 2022

The first official war artist to be commissioned in World War Two, Eric Ravilious was on an aircraft which set out from Iceland in 1942 and never came back. There is no exact record of what took place, covered by the phrase “missing in action”, but in all likelihood the plane went down in the sea. Kinmonth finds simple images to convey the incident, which appears in both her opening introduction to Ravilious’ life and her closing reel representing his passing – a warplane descending, our viewpoint falling towards the surface of the sea, an indistinct body moving in water filled with bubbles. At the end, the cold blue of the water contrasts with the gentler, rural green of the family house and surroundings back home.

After his death, Ravilious’ art was largely ignored. Alan Bennett, an admirer of the artist’s work, puts this down to the work’s cheerful and unthreatening nature and a prevailing view that art should grapple with dark and foreboding subject matter.… Read the rest