Category: Live Action

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Features Live Action Movies

The Dead Don’t Hurt

Director – Viggo Mortensen – 2023 – US – Cert. 15 – 129m

***1/2

An independently-minded woman whose partner is away fighting a war struggles to survive in the Old West – out in UK and Ireland cinemas on Friday, June 7th

While there is much to admire in this Western, it suffers from unclear flashbacks and parallel editing. Both the trailer (below) and the UK press handouts circumvent this problem by describing a straightforward, chronological narrative (and a fascinating narrative at that). For anyone who doesn’t try to follow plot, this may not be a problem. For those who do, it most definitely is.

Two things happen at the start. One is a shoot out in which Weston Jeffries (Solly McLeod), a nasty bit of work with scant disregard for either decency or law and order, rides away into the evening after shooting various people inside and outside the town’s saloon, including the deputy sheriff. The town is apparently called Elk Flats, Nevada – something I gleaned not from the film (where, if that information is there, it’s easy to miss, and I missed it) but from the production notes.

This is indicative of a problem with the film overall: there are certain key bits of information it needs to tell the audience, which it fails to deliver in a clear, comprehensible way.… Read the rest

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Animation Features Live Action Movies

Deep Sea
(Shen Hai,
深海)

Director – Tian Xiaoping – 2023 – China – Cert. PG – 112m

Subtitled ***1/2 / Dubbed **

A girl on a cruise, who never got over her mother leaving, falls overboard into fantastical worlds – out in UK cinemas on Friday, June 7th

A red child’s coat with a hood lies abandoned on the sea bed. A girl’s feet stagger through a blizzard. She calls out for her mama. But her mama (voice: Ji Jing), a swirling mass of dark hair and eyes, is leaving. And now, the girl is lifted above the sea bottom (as we now realise this location to be) by what appears to be swirling red paint. She wakes, in her coat, on the bus. It was a dream.

Her stepmum (voice: Yang Ting) tells Shenxiu (voice: Wang Tingwen) not to mess around on the bus as she starts pulling faces at her little brother (voices: Dong Yi, Fang Taochen). She boards a big cruise ship, looking at texts from her absent mum, who is separated from her dad (voice: Teng Kuixing). Mum told her about the Hyjinx – if you made a wish on your birthday, it would come and make your wish come true.… Read the rest

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Animation Art Documentary Features Live Action Movies

Exhibition on Screen:
My National Gallery

Director – Phil Grabsky, Ali Ray – 2024 – UK – Cert. U – 98m

*****

Employees, punters and celebrities choose their favourite painting in London’s National Gallery – out in UK cinemas from Tuesday, June 4th

There have been documentary films about the UK’s National Gallery before, notably the wonderful, three-hour-long National Gallery (Frederick Wiseman, 2014), so, in a way, it’s a brave subject for the Exhibition on Screen people to take on. And yet, as a British production company making movies about art in art galleries, it was inevitable that they would tackle the subject sooner or later. Their version commences with a likeable enough establishing montage of what one might call ‘behind the scenes’ and ‘footfall’ – shots of various National Gallery employees at work opening the door, looking after various aspects of the art housed in the gallery and even putting out tasty-looking croissants in the cafeteria.

There are satisfying little touches throughout. A shot of The Feast Day of Saint Roch, Canaletto, with out of focus people passing in front of it, makes it feel like you’re really there in the scene depicted.

Alan Allison, security officer and gallery assistant (pictured on the front of the trailer, below) wears black clothing with a striking, patterned blue tie.… Read the rest

Categories
Features Live Action Movies

The Small Back Room

Directors – Michael Powell, Emeric Pressburger – 1949 – UK – Cert. PG – 106m

*****

In London during World War Two, a back room boffin and bomb disposal man struggles with alcoholism – 4K restoration played at BFI Southbank on Tuesday, May 28th prior to release on Blu-ray, DVD and Digital on Monday, June 3rd

This black and white, post-war era drama isn’t the first film that comes to mind when people think about Powell and Pressburger – it was made immediately after what today are regarded as three of their best colour features – A Matter of Life and Death (1946), Black Narcissus (1947) and their arguable masterpiece The Red Shoes (1948). And that was preceded by one of their finest black and white works, “i know where i’m going!” (1945).

In many ways, The Small Back Room couldn’t be more different. There’s a marvellous sense of whimsy about those films, even if the later ones are intense and savage in places. Like Black Narcissus and The Red Shoes – and, for that matter, Powell’s late solo masterpiece Peeping Tom (1960), an intensity lies at the heart of The Small Back Room.

Gone are the light, airy spaces of the earlier films, their sense of the outdoors expanse (and, in The Red Shoes, the expanded landscapes of the eponymous ballet sequence within the film).… Read the rest

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Features Live Action Movies

Do Not Expect Too Much
from
the End of the World
(Nu Astepta Prea Mult
de la Sfârsitul Lumii)

Director – Radu Jude – 2023 – Romania, Croatia, France, Luxembourg – Cert. 18 – 163m

*****

The daily, working life of an overworked production assistant on a corporate film about victims of industrial accident – out on digital from Monday, June 3rd

Angela (Ilinka Manolache) wakes in her mess of an apartment. Another busy day of overwork. She drives to the homes of serial, prospective interviewees for the corporate film on which she is currently working as a production assistant to evaluate their suitability for the film and take mobile phone videos of them herself.

Whenever she gets a spare moment, she posts on TikTok using a filter that changes her head into that of a man, and under the name Bobita posts colourful and sweary, verbal rants about the British Royal family and other topics. Suffering from sleep deprivation, she dozes during the afternoon production meeting and keeps the radio on while driving to prevent sleeping at the wheel.

Towards the end of the day, she finds time for an in-car assignation with her lover, but that doesn’t last long as she has to go and pick up the production’s corporate commissioning marketing person Doris Goethe (Nina Hoss), direct descendant of the famous writer, from the airport.… Read the rest

Categories
Animation Features Live Action Movies

Stopmotion

Director – Robert Morgan – 2023 – UK – Cert. 18 – 93m

***1/2

The bereaved daughter of a stop-frame animator attempts to complete her late mother’s last film – out on Shudder UK, Ireland, US, Canada, Australia and New Zealand from Friday, May 31st

Let’s get the bad news out of the way first: this is not what it says on the tin. Anyone expecting another Mad God (Phil Tippett, 1987-2021, and a long-standing Shudder favourite) or Junk Head (Takahide Hori, 2021) is going to be disappointed. This is not a stop-motion film; it’s a stop-motion / live action combination film, with the physical stop-motion component of the production forming maybe a tenth of the whole.

Unless, of course, you’re looking only at story or script. In which case, this film is all about stop-motion animation and obsession. But executed in live action. Because, after all, who would want to spend all their time moving a puppet a bit, then shooting a frame, then moving it a bit more, and taking another frame, and so on when you can shoot live action and capture a shot of whatever length on film? (The answer is, anyone who loves animation generally and stop-motion animation in particular.)… Read the rest

Categories
Features Live Action Movies

The Beast
(La Bête)
(2023)

A Fatal Belief

The Beast
Directed by Bertrand Bonello
Certificate 15, 146 minutes
Released 31 May

As satisfying as it is infuriating, this French genre-bender is part science fiction, part period costume drama and part literary adaptation. It’s based on Henry James’ 1903 novella The Beast in the Jungle, in which a man refuses to marry the woman he loves to spare her from the attack he believes will be perpetrated upon him at some point by a horrible beast.

About a third is, as you might expect, a period costume drama, sumptuously shot on film. However, the co-writer and director Bonello introduces two more separate timelines set in 2014 and 2044 and shot on harsher digital technology for a more modern feel.

He also switches the gender roles round, so that… [Read the full review in Reform]

[Read my longer review on this site]

Trailer:

Categories
Features Live Action Movies

Furiosa
A Mad Max Saga

Director – George Miller – 2024 – Australia – Cert. 15 – 148m

*****

Kidnapped by a biker gang she attacks, young Furiosa must make her way in the desert wasteland populated by despots, bikers, and gas truck drivers – out in UK cinemas on Friday, May 124h

In the forest where fruit is plentiful near her home, young Furiosa (Alyla Browne, the lead in the upcoming Sting, LINK, Kiah Roache-Turner, 2023) spots a group of bikers who capture her as she tries to cut their bikes’ fuel lines. Her mother Mary Jabasa (Charlee Fraser) sets off across the desert in pursuit, stealing a bike from one of their number, only to be captured and crucified. Furiosa is taken to the biker’s despotic and nomadic leader Dementus (Chris Hemsworth), later escaping and falling in with gas truck driver Praetorian Jack (Tom Burke). Furiosa becomes a young woman (Anya Taylor-Joy) who as Jack’s protégé learns everything he knows.

The desert economy, where gasoline is the most precious commodity, consists of a wasteland in which are situated three strongholds: Gas Town, The Citadel and The Bullet Farm.

This prequel to Mad Max: Fury Road (George Miller, 2015) was essentially written at the same time as that film as part of the process of understanding the backstory of Imperator Furiosa (Charlize Theron).… Read the rest

Categories
Features Live Action Movies

Luminous Woman
(Hikaru Onna,
光る女)

Director – Shinji Somai – 1987 – Japan – Cert. 15 – 118m

*****

A Hokkaido farmer comes to Tokyo in search of his vanished fiancée but finds a world he has not expected – on Blu-ray from Monday, Monday, May 20th

At a rubbish tip on the outskirts of Tokyo, a barefoot man (Takeiji Muto) in cheap trousers and top encounters a suave-looking sophisticate (Kei Suma) and a woman opera singer (Michiru Akiyoshi), the latter performing gracefully atop the rubbish heap. The woman is dependent on the sophisticate. The barefoot man has travelled from Hokkaido to find his fiancée Kuriko Sakura, who was supposed to return after studying accounting to help him run a farm.

The sophisticate knows someone of that name, and drives the barefoot man into the city. In his nightclub, he offers the outsider a deal – if he’ll fight the club’s pro-wrestler for ¥100 000, the other will tell him where to find Kuriko. However, she may not be the person he seeks. Out of her boss’ earshot, the woman warns the outsider that the wrestling may be to the death.

In the club she plays the piano while another woman sings opera and, on the circular dias bordered by a water pool, a challenger fights the incumbent wrestler and loses.… Read the rest

Categories
Features Live Action Movies

The Goldfinger
(Jin Shouzhi,
金手指)

Director – Felix Chong – 2023 – Hong Kong – Cert. 15 – 126m

*****

Director Felix Chong reunites his two Infernal Affairs stars for a lavish, if frequently incomprehensible, 1980s tale of cops and robbers, corruption and fraud – out on Blu-ray, DVD & Digital in the UK on Monday, May 20th

The experience of watching The Goldfinger is a lot like watching the classic Hollywood private eye movie The Big Sleep (Howard Hawks, 1946). There, you know that the hero is investigating a string of murders, and the narrative is completely engrossing, even for the viewer watching the film for the umpteenth time, yet it’s also impenetrable and incomprehensible. And so it is with The Goldfinger, which is based not on a novel but on a real life financial scandal.

Real life Hong Kong conglomerate The Carrian Group, founded in 1977 by one George Tan, expanded rapidly and made huge profits until it was declared bankrupt in 1983. The whole operation turned out to be mired in fraud. In the film, set in the late 1970s / early 1980s, the central character Ching (Tony Leung Chiu-wai) is modelled on Tan, starting off penniless but wearing suits that look like a million dollars and blessed with an understanding of what’s required to gain people’s confidence, secure deals and make money.… Read the rest