Category: Features

Categories
Animation Features Movies

When Marnie
Was There
(Omoide
No Mani,
思い出
のマーニー)

Director – Hiromasa Yonebayashi – 2014 – Japan – Cert. U – 103m

****

This second animated work by Ghibli / Arrietty director Yonebayashi is another adaptation of an English children’s author – now showing on Netflix (subtitled / dubbed) and can also be seen in the Anime season April / May 2022 at BFI Southbank (dubbed)

—

The following review originally appeared in Funimation UK.

—

Jeremy Clarke on Studio Ghibli’s latest and possibly last theatrical movie. Now showing on Netflix

Studio Ghibli’s star director Hayao Miyazaki has suggested When Marnie Was There may be its final production. That would be a great shame since the film confirms its director Hiromasa Yonebayashi as a rising talent.

Twelve year old Anna has low self-esteem, rarely interacts with others and is prone to asthma attacks. So Anna’s foster mother sends her to stay with Aunt and Uncle Oiwa in the country. Her uncle warns her to stay away from the supposedly haunted grain storage silo on the hill. The Oiwas put her up in their daughter’s long vacated bedroom.

When she opens the window an improvement is immediately visible in Anna as if the view of trees and a lake which greets her is making her aware she is breathing pure, fresh country air for the first time.… Read the rest

Categories
Features Live Action Movies

The Brand New
Testament
(Le Tout Nouveau
Testament)

Director – Jaco Van Dormael – 2015 – Belgium – Cert. 15 – 113m

*****

Original UK release date 25/03/2016, cert.15, 113 mins

Review originally published in Third Way, read the full review here.

Showing on BFI Player from Thursday, July 20th, 2023

The idea of God being an utter bastard sounds theologically none too edifying, yet in the hands of Flemish director Jaco Van Dormael (Toto The Hero/1991, The Eighth Day/1996) that’s not the case. It’s whimsical in the same way as Ralph Richardson playing the Supreme Being bumbling around at the end of Time Bandits (Terry Gilliam, 1981) in a lounge lizard suit mumbling, “I think it has to do with free will, or something.”

Empty, present day Brussels replaces the Garden of Eden where Adam wanders around nude save for a black rectangular special effect covering his privates to meet Eve (her name tag) behind a deserted cafeteria counter. Much begatting extends their family. Grumpy old man God (Benoît Poelvoorde) writes rules for creation on his study computer, e.g. another queue always moves faster than the one you’re in. His son, as we know, went off to garner twelve disciples and four testaments.… Read the rest

Categories
Features Live Action Movies

The Wizard of Oz
3D

Director – Victor Fleming – 2014 (1939) – US – Cert. U (A) – 102m

****

UK release April 8th, 2014.

A Hollywood classic gets the restoration / 3D treatment. On the big screen, the effect is something like seeing a stage production in places populated with hordes of extras as the spectacular studio sets are revealed in all their glory as never before. After three quarters of a century, the pre-computer twister effects stand up well too.

Alongside Judy Garland’s girl next door Dorothy, other equally memorable archetypes include three Kansas workmen who become her travelling companions (lion, tin man, scarecrow) on the Yellow Brick Road and Dorothy’s protector and adversary in the form of Glinda the Good Witch and the terrifying Wicked Witch Of The West.

This 3D restoration is as good as you’ll ever see the film, which still packs a punch today.

Reviewed for Film Review Annual 2014-15.

Categories
Animation Documentary Features Live Action Movies

Camp 14:
Total Control Zone

Director – Marc Weise – Cert. 12 – 2012 – Germany, South Korea – 106m

*****

Utterly devastating documentary built around interviews with (mainly) a man who was born into and as an adult escaped from a North Korean Death Camp and (with less material) a former guard at one such camp. It being impossible to film inside such camps, the film makers brilliantly deploy bleak, grey toned animation to put images of camp life (classrooms, public executions) on the screen. Be horrified as humans grow and develop in an environment devoid of moral goodness. One of the most unsettling films you’ll ever see.

Here’s the trailer:

This review originally appeared in Film Review Annual.

Categories
Features Live Action Movies

Villain
(Akunin,
悪人)

Director – Lee Sang-il – 2010 – Japan – Cert.15 – 140m

*****

Unrequited love, a murder mystery and two lovers on the run – UK DVD release date 05/12/2011

This remarkable Japanese movie (which picked up 15 Japanese Oscars and won five) has stayed with and haunted me since its UK theatrical release last year. At once a crime thriller and a romantic drama, it’s a tale of love requited and otherwise, of petty callousness, goodness and evil. Its tale of two fugitive lovers throws into question the morality of its two secondary leads – a murdered girl and her murder suspect. As the trailer asks, who is the real villain?

Construction worker Yuichi (Satoshi Tsumabuki – Shape Of Red, Yukiko Mishima, 2020) dutifully lives with and cares for his elderly grandparents in a mundane fishing village. Burning the candle at both ends, he drives his fast, flashy car into the city to see office worker Yoshino (Hikari Mitsushima – Love Exposure, Sion Sono, 2008), the girl he met on an internet dating site. But she is only using him for sex, setting her sights instead on disinterested, rich college kid Masuo (Masaki Okada), climbing into his car when opportunity presents itself within eyesight of Yuichi – who follows the car.… Read the rest

Categories
Features Live Action Movies

Departures
(Okuribito,
おくりびと)

Director – Yojiro Takita – 2008 – Japan – Cert. 12a – 130m

*****

An unemployed cellist finds himself working on the encoffination of corpses prior to their cremation – in cinemas Friday, December 4th 2009

Winner of 2009’s Best Foreign Film Oscar (and numerous other awards besides), this Japanese entry is a rarity in that it deals head on with death not in its horrific or violent aspects (as in numerous horror and action movies) but in a life ritual as significant as birth. Death being the last great contemporary Western taboo, we in the West ought to pay attention.

Daigo (Masahiro Motokii – Gemini, Shinya Tsukamoto, 1999) loses his new job as a cellist when the Tokyo orchestra employing him is dissolved, leaving him with a young wife to support and repayments on an expensive cello to find. Selling the instrument, the couple move back to his small home town where Daigo’s late mother has left him a house in her will.

Seeking work, he answers an ad dealing with ‘departures’, believing it a travel agency. The ad should however have read ‘the departed’, because he’s required to deal with the encoffination of corpses prior to their cremation, preparing the bodies for entry into the next life.… Read the rest

Categories
Features Live Action Movies

A Good Year

Director – Ridley Scott – 2006 – US – 12A – 118 mins

***1/2

A ruthless, successful Square Mile bond trader travels to Provence to sort out the estate he’s inherited from his late uncle – UK release date 27/10/2006

Back in the 1980s, British TV commercials spawned a number of hugely successful feature film directors, with Scott arguably the most talented. A great visual stylist, his impressive filmography includes the seminal (Alien, 1979; Blade Runner, 1982; Thelma & Louise, 1991), the blockbuster (1492: Conquest Of Paradise, 1992; Gladiator, 2000; Kingdom Of Heaven, 2005) and the forgotten (Black Rain, 1989; White Squall, 1996; G.I. Jane, 1997). Scott is perhaps the archetypal ‘style over content’ director: his impressive visuals often threaten to overpower everything else, yet his sense of style invariably makes anything he does worth a look. A film-maker, in other words, of extreme contradictions.

The end of that same era saw highly regarded London advertising man Peter Mayle relocate to the South Of France to pen a series of books about that region starting with the bestselling A Year In Provence.

Scott and Mayle have known each other since the eighties advertising boom.… Read the rest

Categories
Animation Features Movies

The Castle
Of Cagliostro
(Rupan Sansei:
Kariosutoro
No Shiro,
ルパン三世
カリオストロの城)

DVD review originally published in Starlog, UK edition.

TO CATCH A THIEF

ANIME OF THE MONTH

THE CASTLE OF CAGLIOSTRO

(REG 2 DVD: ENGLISH / JAPANESE DUBBED, OPTIONAL ENGLISH SUBTITLES)

£19.99, Widescreen (1.85:1), Dolby Digital 2.0 (Manga)

One of Manga Video’s best kept secrets arrives on UK DVD. Arsene Lupin III is manga artist Monkey Punch’s descendant to Frenchman Maurice LeBlanc’s noted thief Arsene Lupin and the subject of copyright controversy in the US where the character had to be renamed Wolf or Rupan. Strong though the character may be, the factor that raises this particular film above much anime is the pedigree of writer-director Hayao Miyazaki.

A superb piece of genre film-making, Cagliostro allows Miyazaki to try out lots of ideas he’d rework later. Monkey Punch’s quasi‑European trappings, evidenced both here and in other Lupin III movies, are perfectly in tune with Miyazaki’s sensibilities. Fairytale plot elements concern a princess (a dead ringer for one of Nausicaä Of The Valley Of The Wind’s characters) trapped in a tower by the evil Count Cagliostro and a castle with a 500-year-old secret (shades of Laputa‘s decaying castle in the sky). Then, for a film about a thief, there’s a surprising nod towards goodness; yet the film never becomes too lofty for its own good, being filled with such detours as banknote forgery, lethal security systems, unexpected trap doors and an impressive autogyro (Miyazaki has a reputation for strikingly designed aircraft and other flying objects).… Read the rest

Categories
Features Live Action Movies

The Isle
(Seom,
섬)

Director – Kim Ki-duk – 2000 – South Korea – Cert. 18 – 89m

***

Review originally published in What’s On In London to coincide with the film’s UK theatrical release.

Latest UK release from Korean maverick director Kim Ki-duk (Bad Guy; Spring, Summer, Autumn, Winter…and Spring) has a unique setting: an isolated lake upon which float small chalets on rafts available for hire by punters. The proceedings never leave these immediate surroundings, which include the shack with a jetty on the shore – from which proprietress Hee-Jin (Im Suh Jung) hires out the chalets and sometimes her body – and a mysterious isle in the lake’s centre.

She embarks upon a relationship with life-weary punter and ex-cop Hyun-shik (Kim Yoo-suk), bringing unexpected changes to them both.

This is not a film for the faint-hearted, containing as it does some pretty unsettling imagery involving physical sexual activity and fish hooks, even if much of this is suggested rather than shown.

What we’re seeing here has been slightly pruned at the request of the UK censor the BBFC, notably of scenes involving the slicing off of a live fish’s sides before the camera which have been removed on grounds of animal cruelty.… Read the rest

Categories
Features Live Action Movies

Secretary

Secretary

Director – Steven Shainberg – 2002 – US – Cert. 18 – 106m

*****

A Snake Of June (Rokugatsu No Hebi, 六月の蛇)

Director – Shinya Tsukamoto – 2002 – Japan – Cert. 18 – 77m

*****

Double DVD review originally published in Third Way, February 2004.

The cover image (rear view of a female figure in tight, short skirt and stockinged legs, bent down, hands grasping ankles) suggests titillation, but the American production Secretary is actually a serious drama – albeit one laced with a healthy dose of black humour – about a sadomasochistic relationship. But beneath its fetishistic surface, it is something else – an exploration into why two specific people (and why they in particular rather than any others) make one flesh. And how that works for them if the two people are initially in some way damaged (as we all are).

Although from a very different culture, its Japanese counterpart A Snake Of June – made by the experimental cyberpunk auteur Tsukamoto (of Tetsuo: The Iron Man fame) – explores much the same territory. Being small, low budget productions frees both films from mass, multiplex mainstream audience demands, allowing their directors to instead tackle (inter)personal relationship issues in depth.… Read the rest