Tag: Taxi Driver

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My Favourite Cake
(Keyke Mahboobe Man,
کیک محبوب من)

Directors – Maryam Mogadam, Behtash Sanaeeha – 2024 – Iran, France, Sweden, Germany – Cert. 12a – 97m

****1/2

An old woman living alone in Iran takes a shine to a taxi driver after learning he has no romantic attachments – out in UK cinemas on Friday, September 13th

Mahin (Lily Farhadpour), 70, likes to lie in. Every morning, she’s woken by her mobile phone and her friend Pouran’s distinctive Vivaldi Four Seasons ringtone. She waters her small courtyard garden, she goes to the market to buy vegetables, she gets a lift home. She talks to her daughter and grandkids on a videolink – her daughter has long since left Iran. In the evening, she has friends round for a meal, including the hypochondriac Pouran who insists on talking about her recent colonoscopy (of which she’s brought along a disc with a video).

The next day, she gets a cab to a hotel to visit a coffee shop inside its premises, where she is confounded by a menu consisting of a QR code. She visits a park and asks a man there, where do people exercise? It seems they tend to come earlier in the morning than she gets up.… Read the rest

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Love Hotel
(Rabu Hoteru,
ラブホテル)

Director – Shinji Somai – 1985 – Japan – Cert. 18 – 88m

***1/2

After violently taking out the stress of yakuza business debts on a call-girl, a man finds her two years later and attempts to rekindle a relationship – roman porno is out on UK Blu-ray on, Monday, July 22nd

NSFW.

Tokyo. Muraki (Minori Terada) phones Milky Way from room 301, all dark suit and shades, obviously a gangster, to be is told a girl, Yumi, will be with him in 10 minutes. Only, a flashback reveals him as the owner of a publishing office, his stairwell to his small office premises blocked by a yakuza, another of whose number, he discovers on entering, is forcibly having sex with Muraki’s wife (Kiriko Shimizu) while two further fellow yakuza look on approvingly. Later, he considers throwing himself out of the third storey window of his unfurnished office with “for rent” signs, but swats a fly and thinks better of jumping.

When Yumi (Noriko Hayami) arrives at 301, her initial euphoria at Y100 000 for two hours is dispelled when Muraki unexpectedly slaps handcuffs on her, pulls a knife, slashes at the bedsheets and her clothing to undress her than violates her with a dildo, later cutting the skin between her breasts as she writhes orgasmically.… Read the rest

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Do Not Expect Too Much
from
the End of the World
(Nu Astepta Prea Mult
de la Sfârsitul Lumii)

Director – Radu Jude – 2023 – UK – Cert. 18 – 163m

*****

The daily, working life of an overworked production assistant on a corporate film about victims of industrial accident – out on digital from Monday, June 3rd

Angela (Ilinka Manolache) wakes in her mess of an apartment. Another busy day of overwork. She drives to the homes of serial, prospective interviewees for the corporate film on which she is currently working as a production assistant to evaluate their suitability for the film and take mobile phone videos of them herself.

Whenever she gets a spare moment, she posts on TikTok using a filter that changes her head into that of a man, and under the name Bobita posts colourful and sweary, verbal rants about the British Royal family and other topics. Suffering from sleep deprivation, she dozes during the afternoon production meeting and keeps the radio on while driving to prevent sleeping at the wheel.

Towards the end of the day, she finds time for an in-car assignation with her lover, but that doesn’t last long as she has to go and pick up the production’s corporate commissioning marketing person Doris Goethe (Nina Hoss), direct descendant of the famous writer, from the airport.… Read the rest

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Concrete Utopia
(Konkeuriteu Yutopia,
콘크리트 유토피아)

Director – Eom Tae-hwa – 2023 – South Korea – Cert. 15 – 130m

****1/2

A massive earthquake makes the residents of the sole Seoul apartment block still standing close their doors to survivors outside – out on UK digital platforms on Monday, April 1st

Concrete: a structural material made of aggregate, cement, and water. (Definition from Encyclopedia Britannica.) Harsh. Unyielding. Impenetrable. Opaque. Not alive. Commonly used in today’s world in the manufacture of buildings, and associated with Brutalist architecture.

Utopia: an ideal community whose inhabitants exist under seemingly perfect conditions. (Definition from Encyclopedia Britannica.) The English word derives from two Greek words, the compound meaning of which is nowhere. Hence, “seemingly”. Utopias tend to have some fatal flaw. If they didn’t, any story about them would lack dramatic conflict. Thus, the word carries within it a degree of irony.

The eponymous montage of these two words pits them against each other: an unyielding, dead physicality confronts the optimism of a better world. The title evokes JG Ballard’s novels Concrete Island (1974) and High-Rise (1975), the former about a stranded motorist struggling to survive on a spaghetti junction after a car accident, the latter about a newly built block of flats in which the residents descend through social breakdown towards a new order.… Read the rest

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Roxy (Roxy)

Director – Dito Tsintsadze – 2022 – Germany, Georgia, Belgium – Cert. none – 100m

*****

When a taxi driver’s latest clients retain his services, both end up getting much more than they bargained for– premieres in the 26th Tallinn Black Nights Film Festival

The eponymous Roxy is a fight dog who has so far killed 12, no, 14 dogs. We first become aware of him when, for no good reason, he bites a pedestrian’s hand, causing his walker to hand a wad of banknotes to seemingly unflappable, hired taxi driver Thomas Brenner (Devid Streisow) to straighten the situation out. Then his new fare has put Roxy on the back seat, his panting head inches away from Thomas’ face. “You have to buy a muzzle for this dog,” Thomas calmly explains to his fare. “It’s the law in Germany.”

Thomas, whose working life consists of picking up an arrival from the railway station, taking them where they want to go, and then returning to the station to pick up the next arrival, loves routine and order. In his intermittent voice-over running through the film, we learn that his grandfather was in the Wehrmacht and his father the Stasi, the latter eventually committing suicide in 1990.… Read the rest

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Let it Ghost
(Meng Gui 3 Bao,
猛鬼3寶)

Director – Wong Hoi – 2022 – Hong Kong – 100m

***

Three unlikely ghost stories from Hong Kong: an actor shoots a ghost scene with a real ghost, a young man’s girlfriend is possessed by a ‘horny ghost’, and a sweet romance develops as a cute little girl haunts a shopping mall – plays at the NFT on Friday, July 14th at 8.30pm as part of Focus Hong Kong 2023 at BFI Southbank which runs from Wednesday, July 12th to Saturday, July 15th

A ghost story shot anywhere else would probably set out to scare and unsettle, but in Hong Kong they have never hesitated to mix up their horror with other, seemingly incompatible genres. The first entry in this compendium of three ghost stories plays with notions of truth, reality and artifice through the time worn device of a film within the film, the second is a lightweight, gender-fluid, sex comedy while the third is a sentimental tale about a cute child and the passing of the era of the 1990s shopping mall.

In the first story, Scary Prison, a real ghost gets involved in the shooting of a TV series episode involving a ghost. The series is The Incarcerated Detective, set in a prison where the eponymous policeman investigates and apprehends evildoers among the inmates with his catchphrase, “Justice… always stands on the side of… Justice.”… Read the rest

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Licorice Pizza

Director – Paul Thomas Anderson – 2021 – US – Cert. 15 – 133m

****

Boy meets girl in San Fernando Valley, 1973, a bizarre, meandering tale constantly firing off in new directions – out in cinemas on Saturday, January 1st

Gary Valentine (Cooper Hoffman) is walking along an outdoor school corridor when he sees Alona Kane (Alona Haim), contriving to run into her. She’s much older than him (she’s actually there helping out with individual pupil photos) and pours scorn on his attempts to ask her out for a date. But he’s persistent and possessed of a way with words, talking her into turning up at the restaurant should she feel like it, which she duly does.

When he proclaims himself an actor with some films and TV series to his credit, she assumes he’s joking around, but, no, it’s true. Needing a chaperone for a new your gig he’d otherwise be unable to attend, he gives her the job. He also has his own PR company whose clients include a Japanese restaurant, has a good head for business, and is constantly chasing the latest coming trend as a means to make a fast buck.

To attempt more of a synopsis is difficult because the whole thing feels like scenes from a much longer script where lot of other scenes have been either edited out in the cutting room or possibly not even shot in the first place.… Read the rest