Tag: Sogo Ishii

The Crazy Family
Gyakufunsha Kazoku,
逆噴射家族)

Post author By Jeremy Clarke
Post date 20 April 2024
No Comments on The Crazy Family
Gyakufunsha Kazoku,
逆噴射家族)
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Director – Sogo Ishii – 1984 – Japan – Cert. 18 – 105m

*****

After proudly moving into their first home as owner-occupiers, a family go berserk and destroy the building – out on Blu-ray on Monday, June 17th

This seemingly starts out as a conservative family drama. The family in question comprises father Katsukuni Kobayashi (Katsuya Kobayashi in his debut feature role), mother Saeko (Mitsuko Baisho who worked with directors Akira Kurosawa, Shohei Imamura and Kaneto Shindo), elder teenage son Masaki (Yoshiki Arizono from Ichi the Killer, The Happiness of the Katakuris, both Takashi Miike; Electric Dragon, 80,000 V, Sogo Ishii, all 2001) and younger teenage daughter Erika (Youki Kudoh from Typhoon Club, Shinji Somai, 1985; Mystery Train, Jim Jarmusch, 1989; Heaven’s Burning, Craig Lahiff, 1997). The Kobayashis move in to their first home as owner-occupiers which, although it’s a little on the small side, promises an idyllic existence. Father is the breadwinner with a nondescript office job, mother waters the plants and does the cooking and housework, the daughter wants to be an idol singer and the son is spending all his time studying for school and university in his room upstairs.… Read the rest

Tags a place to live, accommodation, armour, baseball bat, basement, bicycle, biker gang, bravado, breadwinner, build, building work, catalyst, Chinese, coffee, defensive, derelict, digging, drama, drill, failure, family, family unit, father, floor, flyover, grandfather, hand-held, head of the family, Hitoshi Ueki, home, horror, house implosion, housewife, housing, husbands and wives, idol singer, intimacy, intimate, Japan, Japanese cinema, JG Ballard, Katsuya Kobayashi, killing, kitchen implements, living room, living room floor, Mitsuko Baisho, mother, naive, nuclear family, office job, one-piece swimsuit, outer space, owner-occupiers, parents and children, pixelation, poison, power tool, primal types, public housing, rape, rape as weapon of war, room, run, salaryman, school, Second Sino-Japanese War, SF, sibling, sick, social breakdown, societal norms, Sogo Ishii, soldier, streets, studying, suburbia, sword, teenage, threat, train, turmoil, uniform, university, upstairs, warrior, weapon of war, white ant, World War Two, Yoshiki Arizono, Youki Kudoh

Features Live Action Movies

Crazy Thunder Road
(Kuruizaki
Sanda Rodo,
狂い咲きサンダーロード)

Post author By Jeremy Clarke
Post date 10 June 2022
No Comments on Crazy Thunder Road
(Kuruizaki
Sanda Rodo,
狂い咲きサンダーロード)
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Director – Sogo Ishii – 1980 – Japan – Cert. 15 – 97m

*****

Following on from Arrow’s superb BD of Sogo Ishii’s Burst City (1982) comes Third Window’s equally impressive BD release of its predecessor in the Ishii canon Crazy Thunder Road (1980) – on Blu-ray from Monday, February 21st 2022 and, as of January 2024, available to stream on Amazon Prime UK

This was Ishii’s Nihon University student graduation project, his first to be shot on 16mm rather than Super 8, which somehow got picked up for distribution by major Japanese Studio Toei which led to their giving him a budget for Burst City. Tom Mes, who as with Burst City supplies a commentary for the film, describes Crazy Thunder Road as “one of the Holy Grails of Japanese film releases if not the Holy Grail.”

When Toei presented Ishii with what seemed like astronomical funding for Burst City, it led him to overreach himself. In retrospect, he considers Burst City unfinished… [Read the full review at All The Anime]

Crazy Thunder Road was out on Blu-ray in the UK on Monday, February 21st, 2022 and, as of January 2024, available to stream on Amazon Prime UK.… Read the rest

Tags 16mm, 1970s, 1976, Adam Torel, amateur, amateur film, amateur film movement, anti-establishment, army, aspiring filmmakers, Autonomous Film, barmaid, bike, biker, bikers, bookend, camera spin, car, commentary, concrete, defence, defend, destruct, doom, enthusiasm, entry points, eruption, film club, film production, funding, Gakuryu Ishii, gang, gang leader, gangster movie, gone soft, graduation, Holy Grail, improvisation, independent, Japan, Japanese film production, Jasper Sharp, Jishu Eiga, Kinji Fukusaku, Kiyoshi Kurosawa, leader, listings magazine, maboroshi, microbudget, Naomi Kawase, nationalist, Nenji Kobayashi, Nihon. student, no money, on your own terms, p, paramilitary, performance, phantom, Pia, Pia Film Festival, production, project, punk, punk ethos, rage, raining, renegade, right-wing, script, Shinya Tsukamoto, shooting at different speeds, Sogo Ishii, stopped hiring, Super 8, Tatsuo Yamada, Time Out, Toei, Tokyo, Tom Mes, UK, unfinished, university, university film club, volcanic ash, volcano, Yamagata International Documentary Film Festival, YIDFF

Features Live Action Movies Music

Burst City
(Bakuretsu Toshi
Burst City,
爆裂都市
BURST CITY)

Post author By Jeremy Clarke
Post date 12 June 2022
No Comments on Burst City
(Bakuretsu Toshi
Burst City,
爆裂都市
BURST CITY)
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Director – Sogo Ishii – 1982 – Japan – Cert. 18 – 115m

Film ****

Cultural significance *****

Arguably the lynchpin film that brought Japanese cinema back from the brink of extinction in the early 1980s and paved the way for much of what was to follow – on Blu-ray from Monday, November 20th 2020

Looked at today through Western eyes, the opening with its breakneck, speeded up race through (presumably) Tokyo cutting between nighttime and daytime POV shots, with motorbike noises, anticipates the more demented pixillated chase scenes of Tetsuo: The Iron Man (Shinya Tsukamoto, 1989), shots of bikers recall the anti-establishment feel of Easy Rider (Dennis Hopper, 1969) and patterns caused by moving lights burning into film emulsion recall Norman McClaren and Len Lye’s early animation experiments drawing and painting direct onto film. Then it seems to turn into Mad Max (George Miller, 1979) by way of a gangster film elements (two men in a car wearing a suit and a leather jacket respectively) who avoid a near collision with two punks on a motorcycle and sidecar.

How many of these precedents Ishii had in mind (or even had seen) when he made this is impossible to say.… Read the rest

Tags 16mm, abandoned factory, aesthetic, amateur, anti-establishment, bands, battle, bike, bike noise, bikers, bondage, box office, breakneck, burning into film emulsion, car, Cell Number 8, chase, cinema, cops, daytime, direct onto film, drawing, drawing and painting direct onto film, early animation experiments, engine noise, fight, film industry, frantic, Gakuryu Ishii, gangster, Hollywood aesthetic, hyperkinetic, inaccessible, independent, indigenous, James Cameron, Japan, Japanese punk, Japanese punk bands, Japanese punk rock, Japanese punk rock bands, Japanese rock, Japanese rock bands, Jasper Sharp, Jishu Eiga, leather jacket, Len Lye, lynchpin, Midnight Eye, motorbike, motorbike noise, motorcycle and sidecar, moving lights, music, near collision, nighttime, Nihon University, no pay, noise, Norman McClaren, nudity, outlandish, painting, Pink Cinema, Pinku Eiga, pixillation, porn, POV, pubic hair, punk bands, Punk Rock, punk rock bands, punks, race, restless, rock, rock bands, Shinya Tsukamoto, Sogo Ishii, song, speeded up, suit, Super 8, The Rockers, The Roosters, The Stalin, The Terminator, Tokyo, Tom Mes, UK, UK punk, UK punk rock, unpaid, whore

Animation Features Movies

The Relative Worlds
(Ashita Sekai
Ga Owaru
To Shitemo,
あした世界
が終わる
としても)

Post author By Jeremy Clarke
Post date 15 September 2019
No Comments on The Relative Worlds
(Ashita Sekai
Ga Owaru
To Shitemo,
あした世界
が終わる
としても)

Director – Yuhei Sakuragi – 2019 – Japan – 93m

***

Teenage romance, parallel worlds and dysfunctional families are the main ingredients of The Relative Worlds, Yuhei Sakuragi’s uneasy cross between a mawkish boy meets girl tale and a sci-fi action picture in the James Cameron mould. The romantic, emotional parts are gentle and almost hesitant. The science fiction, fantasy and action parts are fast, full on and frantic – and indeed in places quite hard to keep up with. The dysfunctional families are more a background plot device than anything else. That said, if you’re prepared to get on its wavelength (or wavelengths, plural) it’s an enjoyable enough romp, with action that looks great on a big screen… [read more]

Full review at All The Anime.

Trailer:

Festivals

2019

Scotland Loves Anime

Annecy International Animation Festival