Tag: ritual

The Last Dance
(Po Dei Juk,
破·地獄)

Post author By Jeremy Clarke
Post date 15 November 2024
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(Po Dei Juk,
破·地獄)
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Director – Anselm Chan – 2024 – Hong Kong – Cert. 12a – 130m

****

A failed, professional wedding planner joins a Taoist funeral director as a partner in his company as various crises come to a head in the latter’s family – engaging drama is out in UK cinemas on Friday, November 15th

There have been movies about undertakers and funeral parlours before, but never one quite like this. Whether or not one is at a stage in life where one has had much experience of bereavement, at some point, each one of us is going to die – and, before that, in all likelihood, have to deal with our nearest and dearest dying and, by extension, undertakers and funeral directors in whatever culture we happen to live. Consequently, there is a universal fascination with such matters.

Hong Kong has a very specific cultural take on this phenomenon in its Taoist priests and rituals. While these have over the years supplied the basis for much beloved and fantastical Hong Kong action or horror fare such as Zu Warriors From the Magic Mountain (Tsui Hark, 1983) or the Mr. Vampire films (1985 onwards), no-one has ever tried to build a contemporary, generational family drama around the Hong Kong funeral business, at least, not so far as I’m aware.… Read the rest

Tags ambulance, Anselm Chan, baptismal class, belief system, bereavement, Breaking Hell’s Gates, business partner, casual sex, Catherine Chau, Catholic, Catholic school, Catholicism, co-worker, community, company, culture, Dayo Wong, death, deceased soul, Elaine Jin, failure, family, family duty, fathers and children, fiery sword, funeral director, funeral directors, funeral parlour, grief, male-oriented, menstruation, Mexican stand-off, Michael Hui, Michelle Wai, paramedic, Paul Chun, personal demons, priest, professional, reincarnation, religion, religious, retirement, ritual, ritually unclean, robe, shopkeeper, smoker, sons and daughters, subplots, surrogate mother, sword, taboo, Tags: Hong Kong, Taoism, Taoist priest, Thor Lok, Tommy Chu, undertaker, wedding planner

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Pharaoh
(Faraon)

Post author By Jeremy Clarke
Post date 15 September 2024
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(Faraon)
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Director – Jerzy Kawalerowicz – 1966 – Poland – Cert. 12 – 152m

*****

The reformist zeal of a youthful heir to the Ancient Egyptian throne confronts the immovable conservative tradition of the priesthood of the god Osiris – on Blu-ray from Monday, September 16th

There is nothing else in cinema quite like Pharaoh. That was my impression watching it, and although in such instances you always wonder if there are films of which you’re unaware that lie in a similar vein, this impression is confirmed by watching the Blu-ray’s excellent, 70 minute-odd afterword by critic, curator and scholar Michal Oleszczyk, which contextualises the film by detailing (1) the source novel by Boleslaw Prus, (2) its place in director Kawalerowicz’s wider body of work, which also includes Mother Joan of the Angels (1961) and (3) its significance in both 1960s international film culture and wider Polish history.

This disc extra isn’t meant to be watched until after the film has been viewed, not least because it contains a number of spoilers, so I’ll say no more about it in this review except to say that it’s an excellent and worthwhile extra that will add much to the viewer’s appreciation of the film.… Read the rest

Tags 1960s, affairs of state, Ancient Egypt, Andrzej Gertier, army, ball of dung, banker, beetles, Biblical epics, Boleslaw Prus, burning torch, camp, campy, Chang’e, class system, commoners, conservative tradition, corridor, crook, deity, desert, double, eclipse, Edward Raczkowski, Egypt, epic, financial exploitation, flail, freedom, God, hanging, head priest, heart of darkness, heat, heir, irrigation, Jerzy Kawalerowicz, Jerzy Zeinik, Jew, Jewish, Krastyna Mickolajewska, labyrinth, Leszek Herdegen, love interest, male-dominated society, manipulation, manual labourers, Michal Oleszczyk, Monarch, monarch’s double, mourner, oppressive, orgy, Osiris, Osiris-Ramses XII, pecking order, personality cult, personification of a god, pharaoh, Phoenician, Piotr Pawlowski, poison, Poland, political agenda, political wrangling, politics, power, priest, priesthood, Ramses, Ramses XIII, reform, regime, religion, ritual, rogue priest, sacking, sacred animals, sacred beetles, sacred objects, Scarab Beetles, seductress, slave, slavery, social manipulation, social system, socio-political-religious system, soldiers, Stanislaw Milski, status quo, stratification, sword and sandal, temple, the state, throne, treasure, tunnel, Uzbekistan, watercourse, wealth, Wieslawa Mazurkiewicz, zeal

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Kidnapped
(Rapito)

Post author By Jeremy Clarke
Post date 22 April 2024
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(Rapito)
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Director – Marco Bellocchio – 2023 – Italy, France, Germany – Cert. 12a – 135m

*****

A boy is forcibly taken from his Jewish family by the Pope to be raised as a Catholic priest because he has been baptised into the Catholic faith – out in UK cinemas on Friday, April 26th

Italy, the mid-nineteenth century. The Papal States will have disappeared by 1870 as Italy moves towards unification. In the meantime, they are still under the administrative control of the incumbent pope, Pius IX.

Bologna, 1852. A maid sees off a soldier in the night following a romantic tryst. The soldier is neither here nor there; the maid, Anna Morisi (Aurore Camatti) will play a significant part in what follows. The life of a nine-child Jewish family is about to be disrupted forever.

The home of the very ordinary Mortalo family, who are Jewish: father Momolo (Fausto Russo Alesi), mother Marianna (Barbara Ronchi) and their nine children. The parents are deeply religious and raise their offspring accordingly, teaching them, among other things, to recite the Shema prayer every night before they go to sleep. One night in 1858, they are visited by the authorities under Feletti (Fabrizio Gifuni) who have come to take away one of their children under Papist law.… Read the rest

Tags 1852, 1858, 1870, abduction, antisemitism, atheism, Aurore Camatti, baptised, Barbara Ronchi, boarding school, Bologna, Catholic, Catholic boarding school, Catholic Church, Catholic faith, Catholic ritual., Catholic services, Catholicism, church, Church authorities, conversion, dormitory, Enea Sala, ethnicity, Fabrizio Gifuni, faith, family, Fausto Russo Alesi, hate, heritage, Italian unification, Jesus Christ crucified, Jew, Jewish, Jewish family Pope, Judaism, kidnapped, Latin, Leonardo Maltese, lie, Limbo, liturgies, maid, Marco Bellocchio, Mezusah, Mortalo, nails, nineteenth century, ordination, Paolo Pierobon, Papal States, papist, Papist law, pharmacist, Pius IX, power structure, priest, protest, raised, religious artefact, religious conversion to Catholicism, ritual, ritual of baptism, Roman Catholic, Rome, salvation, Samuele Teneggi, school authorities, Shema prayer, statue, taken, Unification of Italy, upbringing, vision

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Kidnapped

One God, two families

Kidnapped
Directed by Marco Bellocchio
Certificate 12a, 135 minutes
Released 26 April

This Italian drama, based on true events, is set when the papacy was both the head of the Roman Catholic Church and the state authority in parts of Italy, a situation that would change with Italian unification in the 1870s and the instigation of a secular, country-wide system of government. There would be implications for the separation of church and state.

In 1858, six-year-old Jewish boy Edgardo Mortalo (Enea Sala) was removed from his family by the papist authorities following his Catholic baptism (how he was baptised emerges later) and taken to a school run directly by Pope Pius IX (Paolo Pierobon) to educate such ‘Christians’ in the faith and turn them into priests.

The Church’s theological rationale behind this appalling action… [read the rest at Reform]

[Read my longer review on this site]

Tags 1852, 1858, 1870, abduction, antisemitism, atheism, baptised, Barbara Ronchi, boarding school, Catholic, Catholic boarding school, Catholic Church, Catholic faith, Catholic ritual., Catholic services, Catholicism, church, Church authorities, conversion, dormitory, Enea Sala, ethnicity, faith, family, Fausto Russo Alesi, hate, heritage, Italian unification, Jesus Christ crucified, Jew, Jewish, Jewish family Pope, Judaism, kidnapped, Latin, Leonardo Maltese, lie, Limbo, liturgies, maid, Marco Bellocchio, Mezusah, Mortalo, nails, nineteenth century, ordination, Paolo Pierobon, Papal States, papist, Papist law, pharmacist, Pius IX, power structure, priest, protest, raised, religious artefact, religious conversion to Catholicism, ritual, ritual of baptism, Roman Catholic, Rome, salvation, school authorities, taken, Unification of Italy, upbringing

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The Wicker Man:
The Final Cut

Post author By Jeremy Clarke
Post date 27 September 2013
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The Final Cut
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Director – Robin Hardy – 1973 – UK – Cert. 15 – 94m

*****

A Christian police sergeant investigating a missing child on a remote Scottish island meets a terrible fate – out as a Collector’s Edition UHD / Blu-ray /DVD from Monday, September 25th following its release in UK cinemas in a 4K restoration from Wednesday, June 21st, 2023

(Originally reviewed for cinema release in a 2K restoration on Friday, September 27th, 2013)

Originally released forty years ago in the UK in a cut down version its director disliked, The Wicker Man now reaches our cinema screens in a longer, restored version which he says fulfils his original vision. Its plot is deceptively simple. A Christian police sergeant flies to a remote Scottish island in response to a letter about a missing child. But when he arrives on Summerisle, no-one seems to have heard of that child. It gradually emerges that the policeman has stumbled into an intricate web of lies and deceit wherein a terrible fate awaits him….

Using material from a recently discovered, longer US release print – rechristened The Final Cut by Hardy who assembled this cut in 1979 – it’s a provocative work on a number of levels.… Read the rest

Tags angel, Britt Ekland, cavort, celebration, charismatic leader, child, child sex abuse, Christ, Christian, Christian faith, Christianity, Christopher Lee, community, country matters, daughter, deceit, dogma, drinking song, Edward Woodward, engaged, estate, evening meal, faith, filth, folk song, grounds, indigenous, island, islanders, isolated, landlord, law, lies, life, Lord, mainland, May Day, maypole, missing, missing child, missionaries, naked, outsider, Pagan, phallic symbol, police, police sergeant, profession, pub, religious cult, remote, resurrection, ritual, Robin Hardy, scandal, scapegoat, schoolchildren, Scottish, seasons, sergeant, sex before marriage, sexual mores, socio-cultural model, Sodom, song, Teeside, traditional, UK, Victorian, visitor

Documentary Features Live Action Movies

Doctor Who Am I

Post author By Jeremy Clarke
Post date 27 October 2022
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Director – Matthew Jacobs, Vanessa Yuille – 2022 – UK – Cert. 12a – 80m

****

Screenwriter Jacobs’ entry into US Dr. Who fan subculture follows his scripting of the 1996 Dr. Who TV movie that was supposed to launch the franchise Stateside but flopped – out in UK cinemas on Thursday, October 27th and Blu-ray, DVD & Digital Download Monday, November 28th

What the hilarious narrative feature Galaxy Quest (Dean Parisot, 1999) did for Star Trek, this heartfelt yet hugely entertaining documentary does for Dr. Who. Matthew Jacobs, whose work includes the screenplay for Paperhouse (Bernard Rose, 1988) and the original story for offbeat Disney cartoon The Emperor’s New Groove (Mark Dindal, 2000), also wrote the script for the US network TV movie Doctor Who (1996) which was supposed to relaunch the BBC franchise in the US, a goal it spectacularly missed when no series proved forthcoming.

In retrospect, Jacobs considers that his script made two major errors in terms of the Doctor Who legacy. One, it recast the hitherto entirely alien Time Lord as half-human, and, two, it allowed him to kiss a member of the opposite sex, something no previous version of the doctor had ever been seen to do.… Read the rest

Documentary Features Live Action Movies

Doctor Who Am I

Directed by Matthew Jacobs & Vanessa Yuille
Certificate 12a, 80 minutes
Released in cinemas 27 October and
DVD & Digital 28 November

What is a church, and why do people attend it? This is a documentary about Doctor Who fandom and conventions. At no point does it suggest, at least not in so many words, that such gatherings might be churches. Hold that word, ‘gathering’. It’s one that those of us who are religious often employ to describe ‘church’.

Screenwriter Matthew Jacobs has, for many years, avoided attending such gatherings… [Read the full review in Reform Magazine.]

Doctor Who Am I is out in cinemas in the UK on Thursday, October 27th and DVD & Digital Download Monday, 28th November.

Read a longer review elsewhere on this site.

Trailer:

Features Live Action Movies

The Northman

Post author By Jeremy Clarke
Post date 13 April 2022
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Director – Robert Eggers – 2022 – US – Cert. 15 – 136m

*****

A 10th Century Viking prince vows revenge on his father king’s killer and sees it through to death – out in cinemas on Friday, April 15th

Young Viking Prince Amleth (Oscar Novak from The Batman) is thrilled when his warrior father King Aurvandil War-Raven (Ethan Hawke) returns with a line of prisoners in two to his fortified stronghold and Queen Gudrún (Nicole Kidman). Father and son are devoted to each other, participating in a private ritual involving bodily sounds and consumption of an hallucinogenic liquid that causes the boy to experience a vision of his family line: a tree of life where the trunk is a spine and branches are umbilical cords attached to grown kings as the viewpoint pans up reveal the boy attached to the highest cord. He is now prepared to take over the rule of the kingdom when his father dies.

He doesn’t seem to get on quite so well with his mother, who warns him never to enter her room unannounced. At a banquet in honour of Aurvandil, his dour brother Fjölnir (Claes Bang from The Square, Ruben Östlund, 2017) takes exception to court jester Heimir the Fool (Willem Dafoe).… Read the rest

Tags ambush, Amleth, Anya Taylor-Joy, arrow, avenge, banquet, beheading, berserker, Björk), body parts, CG, CG effects, CG FX, choreography, Claes Bang, court jester, cudgel, decapitation, dismemberment, drama, dynasty, earthy, Eldar Skar, Elliott Rose, environment, Ethan Hawke, family line, farm, fathers and sons, fight choreography, five-a-side, flee, fool, gore, Gustav Lindh, hallucinogenic, hamlet, husbands and wives, interactive, jester, king, king and queen, mayhem, menstrual blood, multiple camera coverage, murder, myth, Nicole Kidman, Oscar Novak, period, period detail, prisoners, pursuit, queen, regicide, research, revenge, revenge drama, revenge tragedy, ritual, Robert Eggers, seer, Shakespeare, single take, Slav, slave, slavery, stabbing, stronghold, sword, tragedy, tree of life, umbilical cord, vengeance, violent, vision, warrior, Willem Dafoe, woodland

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Mouthpiece

Post author By Jeremy Clarke
Post date 13 March 2021
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Director – Patricia Rozema – 2018 – Canada – Cert. 15 – 91m

****1/2

Tall Cassie and short Cassie struggle to find the words for the eulogy for their mother’s funeral after she dies suddenly and unexpectedly – on MUBI from Thursday, March 24th

Christmas. Tall Cassie (Amy Nostbakken) and short Cassie (Norah Sadova) get drunk in a bar with friends, make their way home on their (one) bicycle and collapse into bed, ignoring the flood of mobile messages which they don’t pick up ‘til the next, sunny morning. They answer. It’s bad news. Their mum has died. Could she pick the flowers? Danny is going to do the speech.

But Cassie is the writer in the family and she won’t have it. She’ll do the speech herself. Danny isn’t capable of doing it. Although she doesn’t yet know what to say. And the funeral is in 48 hours.

Welcome to the world of sudden parental bereavement where things you know to be solid and true fold and crumple before your eyes. Where you are flooded with random memories as you try to make sense of it all. There are social rituals and structures supposedly to help you deal with this – ordering the flowers, choosing suitable clothes to wear, picking out the coffin, writing a eulogy for the deceased, attending a funeral service.… Read the rest

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Martyr

Director – Mazen Khaled – 2017 – UK – Cert. 18 – 84m

***

Hounded by his parents to find work, a young man hangs out with friends and dives off the Beirut balustrade into the sea… and his death – in cinemas and on VoD from Friday, March 12th

A young man Hassane lives in Beirut with his parents. He can barely drag himself out of bed in the morning. They want him to go out and look for work and because he’s not yet found any, his father has a friend he’ll talk to too see if a suitable job can be found. To get his parents off his back, he promises he’ll look for work today.

He finds living at home with his parents to be a stifling experience. Masturbation in the shower might provide some respite were it not for his father beating on the door to shout the he’s taking too much time and using up the family’s water allowance.

Once he goes out on his moped, rather than look for work he joins his best mate Hmeid and other friends down at the promenade overlooking the Mediterranean, a popular diving spot. They hang out, chat for a while, then he mounts the balustrade to dive into the sea and… doesn’t come up.… Read the rest

Tags Beirut, bereavement, body, coast, dance, death, diving, drowning, floating, homoeroticism, Lebanon, masturbation, moped, Muslim, parents and children, peer group, ritual, sunshine, underwater, unemployed, water, young men