Tag: parents and children

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Ilo Ilo
(爸妈不在家,
lit. Mom And Dad
Are Not Home)

Director – Anthony Chen – 2013 – Singapore – Cert. 12 – 99m

****

A Filipino maid must contend with the unruly son of a working Singaporean couple in a time of economic difficulty – now available to rent online in the new Chinese Cinema Season 2021 in the UK & Ireland as part of the Debut Spotlight strand until Wednesday, May 12th

1997, the Asian financial crisis is looming (see Default, 2018, Choi Kook-Hee) and the Leng family is under pressure. Secretary Hwee (Yeo Yann Yann) works for a shipping company that has hit difficult times: one of her jobs is to type up redundancy letters for staff who are about to be called into the manager’s office. She believes she and her immediate admin colleagues are safe. Her husband Teck (Chen Tian Wen) is a sales executive, but on the evidence of his pitching ‘unbreakable’ glass to a buyer – it breaks – is not that good at it.

The couple are expecting a second child. They’ve been so focused on work, though, that they perhaps haven’t spent as much time as they should with their son Jiale (Koh Jia Ler) who has the worst behaviour record in his school and is frequently the recipient of corporal punishment by the discipline teacher.… Read the rest

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True Mothers
(Asa Ga Kuru,
朝が来る)

Director – Naomi Kawase – 2020 – Japan – Cert. 15 – 140m

*****

An unmarried mum hands her child over to adoptive parents only to later decide that she wants the child back – Japan’s entry for the 2020/2021 Oscars is screening on Curzon Home Cinema from Friday, April 16th

Naomi Kawase’s new film True Mothers deals with the interface between unwanted teen pregnancy and infertility among married couples and was Japan’s entry for this year’s Best International Feature Film at the Oscars. Sadly, it didn’t make the Academy’s shortlist. However, UK audiences up and down the land will now be able to see it on Curzon Home Cinema. It had a brief UK big screen outing late last year at the London East Asia Film Festival (LEAFF), which, after several months of touch-and-go somewhat incredibly went ahead days before the UK went back into total lockdown.

Former documentarian Kawase has been getting a lot of exposure in the UK in recent years with both Sweet Bean (2015) and The Mourning Forest (2007) released here on Eureka! Video and Still the Water (2014) currently available on MUBI and BFI Player. I like Kawase but I must admit True Mothers sounded like it might be terrible.… Read the rest

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Tracey
(翠絲)

Director – Li Jun – 2018 – Hong Kong – Cert. N/C 15+ – 119m

*****

It’s complicated. Upon hearing of the death of his oldest and dearest friend, a fiftysomething questions the edifice of family life he has constructed around himself over the decades – screened online in the UK as part of Focus Hong Kong 2021 Easter from Wednesday, March 31st to Tuesday, April 6th

Tung Tai-hung (Philip Keung – A Witness Out Of The Blue, Fung Chi-Keung, 2019) is wakened from a dream by a phone call. In the dream, he’s a teenager hanging out with his friends Ching (Wong Yat-ho) and Jun (Sham Ka-ki) by a local waterfall. The phone caller informs him of Ching’s death. For years Tai-hung has been using the loo at work to change into the ladies undergarments he never wears at home where it’s unlikely he’d be able to hide their wearing from his misophobic wife Anne (Kara Wai) who recently shocked their son Vincent (Ng Siu Hin – A Witness Out Of The Blue, Fung Chi-Keung, 2019, Mad World, Wong Chun, 2016) by badmouthing the maid Parti (Candy Knutzen Darwati) after going through the latter’s things and finding a packet of condoms.… Read the rest

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Live Action Movies Shorts

Ali And Me
(我和阿里的故事)

Director – Lam Ting-hin – 2015 – Hong Kong – Cert. N/C 12+ – 25m

****

A cricket-obsessed Chinese-Indian, Muslim boy and a Chinese music student get to know each other after being put on neighbouring desks in class – FREE TO VIEW online in the UK in the Fresh Wave short films strand of Focus Hong Kong 2021 Easter from Wednesday, March 31st to Tuesday, April 6th

Here’s a Hong Kong movie with a difference. It’s about two very different families with one thing in common: both have a boy at school That’s not the difference. The difference is that one of the families – the one with which the film starts – is Indian Muslim, which isn’t something you see represented in that territory’s cinema very often. Sent out by his mum to get Soy Sauce from the shop, he can’t resist taking his beloved cricket bat with him and joining his mates for a game. (I can’t remember the last time I saw cricket in a Hong Kong movie, if ever.)

Instructed by his teacher to introduce himself to his new classmates, he calls himself a Muslim who loves to play cricket. The class wag promptly pipes up, “Wow!… Read the rest

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My Prince Edward
(Gam Dou,
金都)

Director – Norris Wong Yee-Lam – 2019 – Hong Kong – Cert. N/C 15+ – 91m

****1/2

A Prince Edward resident starts to question whether marrying her boyfriend as the couple have long planned is really such a good idea – online in the UK as part of Focus Hong Kong 2021 Easter from Wednesday, March 31st to Tuesday, April 6th

Whatever your nationality, one of the great thrills of world cinema is when a film informs you about all sorts of aspects of a culture other than your own. That’s the case here. To call this a romantic drama is misleading because what it’s actually about is a woman on a culturally approved trajectory starting to question whether it really is something for her or whether she’d be better off finding a different life journey entirely by another route. That approved trajectory is: girl meets boy, girl moves in with boy, girl marries boy.

Perhaps there’s a second trajectory here too, suggesting that Hong Kong is a sealed, navel-gazing world caught up with looking at itself and that perhaps Hong Kongers need to get out of their homeland more, be that to mainland China to which the heroine travels for reasons of her complicated personal situation and later visits of her own volition, or be it to America, described by the film’s mainland Chinese lead as a place of freedom.… Read the rest

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37 Seconds

Director – Hikari – 2019 – Japan – Cert. 15 – 115m

*****

A wheelchair-bound, young woman manga artist struggles to become independent of her over-protective mother – on Netflix from Friday, January 31st, 2020

Yuma (Mei Kayama), wheelchair-bound with cerebral palsy from birth, lives with her mother Kyoko (Misuzo Kanno) who looks after her in a small Tokyo apartment. However Yuma is far from helpless with a day job as an uncredited manga artist who draws and writes the comics allegedly penned by fast rising YouTube star Sayaka (Minori Hagiwara). The uncomplaining Yuma secretly yearns for Sayaka’s celebrity, if not to actually be her at least to know what it feels like, but Sayaka bans her from attending any public events such as book signings.

Yuma starts exploring ways of going independent of Sayaka. She shows some work to Iketani (Shohei Uno) from Sayaka’s publishers who tells her that what she’s produced is good but alas too close to Sayaka’s work. Finding a bunch of porn manga magazines in a park, she phones around to see it the magazines are taking submissions and embarks on an erotic space opera series, lovingly rendered in a sequence which is not so much full animation but more like an animated peruse through pages of manga, only to be told when she goes to see a friendly editor Ms.… Read the rest

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Shape Of Red
(Red)

Director – Yukiko Mishima – 2020 – Japan – Cert. N/C 15+ – 122m

****1/2

A woman trapped in a stultifying marriage experiences freedom and laughter in both returning to work and pursuing an extramarital relationship – played online in the Japan Foundation Touring Film Programme 2021 in the UK

Married to Shin (Shotaro Mamiya) with a six-year-old girl Midori, Toko (Kaho – Our Little Sister, Hirokazu Kore-eda, 2015) is a stay-at-home mum. Shin works with a trading company and judging by the size of the house is not lacking financially. Shin’s mother is a constant fixture in their home and the first time we see Shin come in from work of an evening, he rejects the meal his wife has prepared because he’s “not hungry” only to readily accept a favourite dish his mother has prepared.

That doesn’t bode well for the marriage. In bed she dutifully performs a blow job on him which satisfies him but not her. As she wipes away the results with a tissue, you feel that she’s not so much a wife, more a sort of sexual skivvy.

As his wife, Toko accompanies Shin to various work social events where she similarly appears to be little more than an appendage.… Read the rest

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Custody
(Jusqu’à La Garde)

The Pain Of Separation

Custody

Directed by Xavier Legrand.

Certificate 15, 93 minutes

Released 13 April 2018

Husband Antoine (Denis Ménochet) and wife Miriam (Léa Drucker), whose marriage has fallen apart, attend a custody hearing regarding their son Julien (Thomas Gioria) who is 11. Their daughter Joséphine (Mathilde Auneveux) being almost 18 will soon be considered an adult under French law and is therefore legally regarded as able to take care of herself.

Antoine wants custody so he can look after and spend time with Julien at weekends. Miriam doesn’t want to grant him this. She wants as little to do with Antoine as possible. Each partner makes accusations against the other. As the judge says, it’s a question of who is telling the bigger lies. But the judge must make her decision based on this brief hearing. So Antoine will be allowed custody at weekends… [Read more]

Full review published in Reform magazine, 2018.

Trailer:

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One Night
(Hitoyo,
ひとよ)

Director – Kazuya Shiraishi – 2019 – Japan – Cert. N/C 15+ – 123m

****1/2

A woman murders her violent husband after years of his beating up the kids, goes to prison then returns 15 years later to find the siblings in turmoil – played online in the Japan Foundation Touring Film Programme 2021 in the UK

A night of torrential rain proves a defining moment in the lives of the Inamura family which owns and runs a taxi business. Koharu (Yuko Tanaka – Princess Mononoke, 1997) enters, dressed in her usual suit she wears to drive customers around, to announce to her three teenager children, “I’ve just killed your father. Nobody will ever beat you again. You can live however you want. You’re totally free.” Expressing no remorse and convinced she’s done the right thing, she promises to return in fifteen years then disappears to hand herself in to the cops.

Koharu’s designs of freeing her kids from their father’s years of violent abuse don’t quite play out the way she had hoped. Their father would beat them for any suggestion that they’d want to do anything other than work in the family taxi business. The eldest Daiki (Ryohei Suzuki – Our Little Sister, Hirokazu Kore-eda, 2015; Tokyo Tribe, Sion Sono, 2014) is a stutterer whose relationship with wife Fumiko (Megumi) is mired in divorce proceedings as he struggles to hold down a regular job.… Read the rest

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Martyr

Director – Mazen Khaled – 2017 – UK – Cert. 18 – 84m

***

Hounded by his parents to find work, a young man hangs out with friends and dives off the Beirut balustrade into the sea… and his death – in cinemas and on VoD from Friday, March 12th

A young man Hassane lives in Beirut with his parents. He can barely drag himself out of bed in the morning. They want him to go out and look for work and because he’s not yet found any, his father has a friend he’ll talk to too see if a suitable job can be found. To get his parents off his back, he promises he’ll look for work today.

He finds living at home with his parents to be a stifling experience. Masturbation in the shower might provide some respite were it not for his father beating on the door to shout the he’s taking too much time and using up the family’s water allowance.

Once he goes out on his moped, rather than look for work he joins his best mate Hmeid and other friends down at the promenade overlooking the Mediterranean, a popular diving spot. They hang out, chat for a while, then he mounts the balustrade to dive into the sea and… doesn’t come up.… Read the rest