Tag: mother and baby

Categories
Animation Features Live Action Movies

Godzilla Minus One
/ Minus Color
(Gojira-1.0 / C,
ゴジラ -1.0 / C)

Director – Takashi Yamazaki – 2023 – Japan – Cert. 12a – 124m

*****

Japan, defeated and demoralised after World War Two, must somehow defeat the seemingly unstoppable menace of Godzilla when it rises from the depths of the ocean – now in black & white – out in UK cinemas from Friday, November 1st

Something happens when you watch this / Minus Color version of Gozilla Minus One, which director Yamazaki has gone through cut by cut and personally overseen. You are watching a 2023 movie, yet you feel as if you’re watching a 1954 one. Because the film is about Japan, World War Two and its immediate aftermath, the film seems to play better in black and white.

World War Two, Pacific theatre. Unwilling Kamikaze pilot Koichi Shikishima (Ryunosuke Kamiki) feigns engine trouble and lands on an island for aircraft maintenance, where he is grounded. While there, he notices deep sea fish curiously floating on the surface of the surrounding ocean: they presage the arrival of a huge monster, named Godzilla by the locals. With Koichi failing to fire his 20mm aircraft guns at the creature to kill it, almost everyone else on the small island is killed.… Read the rest

Categories
Animation Features Live Action Movies

Godzilla Minus One
(Gojira -1.0,
ゴジラ -1.0)

Director – Takashi Yamazaki – 2023 – Japan – Cert. 12a – 124m

*****

Japan, defeated and demoralised after World War Two, must somehow defeat the seemingly unstoppable menace of Godzilla when it rises from the depths of the ocean – Godzilla Minus One is back out and Godzilla Minus One / Minus Color out for the first time in UK cinemas from Friday, November 1st

World War Two, Pacific theatre. Unwilling Kamikaze pilot Koichi Shikishima (Ryunosuke Kamiki) feigns engine trouble and lands on an island for aircraft maintenance, where he is grounded. While there, he notices deep sea fish curiously floating on the surface of the surrounding ocean: they presage the arrival of a huge monster, named Godzilla by the locals. With Koichi failing to fire his 20mm aircraft guns at the creature to kill it, almost everyone else on the small island is killed. (Whether his guns would have had any effect in halting the creature’s advance is debatable. They probably wouldn’t have had any effect whatsoever.) The only other survivor, who had previously congratulated Koichi for a near impossible landing on a tiny runway, blames him for the multiple deaths because he didn’t pull the trigger.

In 1945, in the ruins of post-war Tokyo, Shikishima is accused by a survivor – a woman whose children have died – of being a disgrace.… Read the rest

Categories
Features Live Action Movies

The End We Start From

Director – Mahalia Belo – 2023 – UK – Cert. 15 – 102m

***1/2

As parts of the UK are flooded and submerged by an ecological disaster, a woman births a baby she must then bring up – on Digital from Monday, March 4th following its release in UK cinemas on Friday, January 19th

On the one hand, this starts off with a woman (Jodie Comer) giving birth and then experiencing the process of being a new mother, with all the joys and stresses that entails. On the other, this shows the UK being overtaken and flooded by an eco-disaster, and how people respond to that situation both individually and en masse. The second scenario is reminiscent of any number of disaster and / or science fiction movies about flooding, apocalypse or dystopia (When Worlds Collide, Rudolph Maté, 1951; Children of Men, Alfonso Cuarón, 2006; Waterworld, Kevin Reynolds, 1995): if you approach this movie expecting something like that, you’re going to be disappointed, because although that element is very much present in the film, it’s little more than the backdrop.

It plays more like a road movie, in which the heroine – the husband having dropped out of the narrative towards the end of the first reel – meets a series of people on her travels, each of whom offer their own individual insight into the state of things and how the new mother might move forward.… Read the rest

Categories
Features Live Action Movies

Broker
(Beurokeo,
브로커)

Director – Hirokazu Kore-eda – 2022 – South Korea – Cert. 12 – 129m

***

Kore-eda’s second feature outside his native Japan is a curious tale of two traffickers of abandoned babies to childless couples whose business is disrupted by their latest charge’s mother– out in UK cinemas on Friday, February 24th

It’s an intriguing pitch. Kore-eda. the great humanist Japanese director of such extraordinary films as (among others) films After Life (1998), I Wish (2011), Like Father, Like Son (2013), The Third Murder (2017) and the Best Foreign Film Oscar nominee Shoplifters (2018), directs a movie in South Korea. And yet, Broker, like his previous The Truth (2019), similarly made in a country other than his native Japan – in this instance France – is strangely unmoving compared to his home-shot, Japanese work. Although he hasn’t lost his touch as can be seen from some of his work for Japanese TV (A Day-Off Of Kusumi Arimura, 2020).

Whatever the problems are with his working abroad, the the calibre of the cast the director attracts is not one of them. The Truth had Catherine Deneuve, Juliette Binoche and Ethan Hawke, two of the finest living French actresses and arguably one of the best American actors; for Broker, the cast includes top South Korean talent Song Kang Ho and Doona Bae.… Read the rest

Categories
Features Live Action Movies

Eastern Promises

Director – David Cronenberg – 2007 – Canada, UK – Cert. 18 – 100m

****

After a London midwife delivers a dying woman’s baby she finds herself attracting the attention of the Russian mafia – reviewed in Third Way, 2007; on BBC iPlayer until Thursday, October 6th 2022

An immediately recognisable, ethnically diverse London unseen in previous movies about the capital. A Chechen unexpectedly gets his throat cut in a barber’s shop; a pregnant Russian teenager walks into a chemist’s, asks for help and collapses in a pool of her own blood. Given the director, you’d be forgiven for expecting such imagery to pervade the whole film, but Eastern Promises originated not with Cronenberg but screenwriter Steven Knight, whose acclaimed screenplay for Dirty Pretty Things (Stephen Frears, 2002) explored the hidden, ethnic workforce in the underbelly of contemporary, multicultural London. (He also wrote the recent Wilberforce biopic Amazing Grace, Michael Apted, 2006).

Eastern Promises takes us into related territory, again in the capital – this time Russian Vory V Zakone gangsters, sex trafficking and murder. Cronenberg puts this on the screen with all the precision and finesse one would expect, eliciting terrific performances and contributions from cast and crew.

Trafalgar hospital midwife Anna Khitrova (Naomi Watts), the daughter of a Russian father and an English mother, provides our point of entry into this unfamiliar world as the midwife who must deliver the baby from the dying teenager.… Read the rest