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The Shape Of Water

Loving the alien

The Shape Of Water
Directed by Guillermo del Toro
Certificate 15, 123 minutes
Released 14 February 2018

There’s a tradition in horror films and fairytales that the monster is bad. The Shape Of Water is a fairytale that features a monster (Doug Jones) who is viewed very differently by different characters. To the military security man, Strickland (Michael Shannon), it’s an affront to the image of God, in which man is created, which must be brutally subdued. To the scientist and Russian agent, Hoffstetler (Michael Stuhlbarg), he’s an intelligent being from whom our species has much to learn and who should be kept alive at all costs and treated with respect – rather than killed and dissected as the authorities suggest. And to the mute cleaning lady, Elisa (Sally Hawkins), who subsequently falls in love with him, he’s someone who responds to hard-boiled eggs and Benny Goodman records, and sees her for herself rather than for her so-called disability… [read more]

Read the full review in Reform, February 2018.

Trailer:

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Occupation: Rainfall

Director – Luke Sparke – 2020 – Australia – Cert. 15 – 128m

*

Australian alien invasion epic with lots of seasoned actors and heaps of special effects. What could possibly go wrong? out in cinemas on Friday, July 9th

A sequel to Australian alien invasion outing Occupation (2018) by the same director, this big effects movie spends much time and effort on spectacular alien spaceships and dogfights, prosthetics alien costumes and the occasional creature that couldn’t possibly be portrayed by a human actor in a suit. These visual effects do the job but aren’t particularly engaging. The piece overall lacks original ideas and panache. 

The sketchy plot has the world (i.e. Australia) invaded by aliens called ‘Greys’ because of their skin colour while a military force under Wing Commander Hayes (Daniel Gillies from Spider Man 2, Sam Raimi, 2004) is fighting back. Hayes believes force is the only way to deal with the invaders and has consequently sidelined peace negotiator Amelia The Human (Jet Trantor from Thor: Ragnorok, Taika Waititi, 2017) who has made the effort to learn to speak the alien language. Greys unsympathetic to the invasion live amongst the humans. 

A wise elder named Abe (David Roberts from The Matrix Reloaded and The Matrix Revolutions, Lana & Lilly Wachowski, 2003) despatches a two-man recon mission to find and discover the exact nature of the eponymous Project Rainfall.… Read the rest

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The H Man
(Bijo
To Ekitai-ningen,
美女と液体人間)

*****

Director – Ishiro Honda – 1958 – Japan – Cert. X – 86m

The H Man (lit. Beauty And The Liquid People) was scripted by Takashi Kimura, who, as Jasper Sharp notes in the accompanying booklet, wrote monster movies for Honda where the monsters were liquid, gas (The Human Vapor, 1960) and mutant man-mushrooms (Matango, 1963). All these can be read as the elements constituting the clouds – or mushroom clouds – of nuclear bombs dropped on Japan or tested near it.

Yet after opening with nuclear explosion stock footage, the film swiftly morphs into a police procedural in which various characters mysteriously disappear… [read more]

Over at All The Anime, I review Eureka!’s Ishiro Honda Blu-ray double bill of The H Man and Battle In Outer Space.

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Ishiro Honda
Double Feature
The H Man
(Bijo
To Ekitai-ningen,
美女と液体人間)
and
Battle
In Outer Space
(Uchu Daisenso,
宇宙大戦争)

The H Man

*****

Director – Ishiro Honda – 1958 – Japan – Cert. X – 86m

Battle in Outer Space

*****

Director – Ishiro Honda – 1959 – Japan – Cert. U – 90m

Alongside the standalone release of Mothra (1961) comes a double bill of two more Toho science fiction movies directed by Ishiro Honda with special effects by Eiji Tsuburaya: , The H Man (1958) and Battle In Outer Space (1959). The Toho studio is associated more with monster movies than any other genre, notably Godzilla (1954) and Mothra. The superior entries in this cycle tend to be the ones they directed, including the initial 1954 film which ticked all the right boxes to prove a massive success.

When no-one at Toho was quite sure what had made Godzilla work, the pair collaborated on a number of different SF films before everything came together on Mothra. The H Man is a monster film dressed up in gangster trappings while Battle in Outer Space is an epic with space stations, flying saucers, rocket ships, an alien moon base and alien mind control… [read more]

Over at All The Anime, I review Eureka!’s Ishiro Honda double bill Blu-ray.