Tag: fantasy

Categories
Animation Features Movies

Elemental

Director – Peter Sohn – 2023 – US – Cert. PG – 109m

*****

Can a romance between a girl of fire and a boy of water succeed in a city populated by beings of earth, air, fire and water where entrenched separate ethnic identities run deep? – latest Pixar / Disney animation is out in UK cinemas on Friday, July 7th

In search of a better life, a young fire people couple Bernie (voice: Ronnie Del Carmen) and Cinder (voice: Shila Ommi) move to Element City, which is populated by not only fire people but also earth people, air people and water people. The couple find a cheap, rundown place to rent and Bernie turns it into The Fireplace, a store selling all manner of fire products from the fire people’s culture. Cinder gives birth to a girl Ember who grows into a twentysomething (voice: Leah Lewis). The plan is that when Ember is ready, she should take over the running of the store and let Bernie peacefully retire. Managing shop customers can be challenging, however, and while Ember is good at most aspects of the job, she has one flaw that lets her down – her fiery temper: she loses it with the most difficult customers.… Read the rest

Categories
Animation Movies Shorts

Flesh Of God
(Carne De Dios)

Director – Patricion Plaza – 2022 – Argentina, Mexico, Columbia – France 16+ – 21m

*****

When a travelling monk falls prey to a fever, the folk remedy administered by an old woman causes him to experience bizarre hallucinations – from the 2023 Annecy International Animation Festival in the Official Competition section

(Warning: not suitable for work or for those of a sensitive disposition. Potentially offensive to religious i.e. Christian viewers. Also, spoilers.)

In a prologue, a young girl races through a field of crops but runs into a monk, who squishes the mushrooms she’s carrying in her bag with his foot, feels her face and checks out her teeth before she flees.

Some time later (or perhaps some time earlier), the profusely sweating monk falls off on his donkey beside his walking guide and wakes in a nearby hovel, or it might be a church, tended by an old woman muttering unintelligible rituals as she attempts to heal him. The perpendicular bars of the roof’s sole window form a makeshift cross on which hangs a Christ figure, but when mushrooms resembling the ones trampled at the start are placed in the initially reluctant monk’s mouth, glowing sprites exit his body and enter the Christ figure, which assumes a monstrous aspect and attacks him.… Read the rest

Categories
Animation Features Movies

Junk Head

All images: ©2021 MAGNET/YAMIKEN

Director – Takahide Hori – 2021 – Japan – Cert. 15 – 101m

****1/2

A cyborg is dropped from the planet’s surface into its depths by his immortal but impotent masters to investigate the beings who have evolved in the levels below – feature length, stop-frame epic is out in UK cinemas on Monday, April 24th

More, I suspect, by accident than design, Junk Head looks and feels like the wandering little sister of Mad God (Phil Tippett, 2021). The latter was made by a top Hollywood stop-frame effects animator as a 34-year, independent, labour of love, the former by a Japanese visionary as a seven-year, independent, labour of love. Hori had worked on puppetry at Tokyo Disneyland and became obsessed with stop-motion, inspired by Motoko Shinkai’s one-man debut 2D animated production Voices of A Distant Star (2002). He made a half hour version Junk Head 1 in 2013, and used it as a building block to this version, which he completed in 2017.

The production mode of stop-frame can be a solitary one involving one person alone in a room with a camera and armatured puppets, the approach typified by Willis O’Brien, Ray Harryhausen, the bolexbrothers, Jiri Trnka, Kihachiro Kawamoto, the early David Lynch and many others – a single person or very small number of people producing the work, either complete films or stop-frame effects sequences within live action films.… Read the rest

Categories
Animation Features Movies

Weathering With You
(Tenki No Ko,
天気の子,
lit. Child Of Weather)

Director – Makoto Shinkai – 2019 – Japan – Cert. 12a – 112m

***1/2

A runaway teenage boy in a constantly raining Tokyo falls for a girl who can replace rain with sunshine – Makoto Shinkai’s feature returns to cinemas for one day only on Wednesday, April 5th, ahead of the release of Shinkai’s new film Suzume on April 14th

A bravura opening shot pulls from rainswept Tokyo in through a hospital window to a girl waiting by a patient’s bedside, recalling nothing so much as the heroine of everyone’s favourite anime identity thriller Perfect Blue (Satoshi Kon, 1997) reflected against a train carriage window with a Tokyo cityscape visible beyond, but where Kon uses such imagery as an entry point to multilayered realities, Weathering With You’s vision never really extends beyond trying to recreate and repeat the formula that rendered its director’s previous Your Name (Makoto Shinkai, 2016) such a runaway success.

Like Your Name, Weathering With You centres on a teenage boy / girl romance but instead of the gender body swap and time travel devices in the earlier film – which probably shouldn’t have worked but somehow did – Weathering has an equally flimsy plot device about a girl named Hina who possesses the ability to turn rain into sunshine.… Read the rest

Categories
Features Live Action Movies

Shazam!
Fury Of The Gods

Director – David F. Sandberg – 2023 – US – Cert. – 130m

***1/2

Three Daughters of Atlas enter present day Philadelphia to repossess a staff which contains power that has been stolen from them; immature teenager recast as adult superhero Shazam! and his six superhero companions must stop them – out in UK cinemas on Friday, March 17th

Something of an oddity in the DC Comics canon, Shazam! concerns Philadelphia teenager Billy Batson (Asher Angel) who inadvertently absorbs superpower energy which enables him to transform into the adult superhero Shazam! (Zachary Levi) by merely uttering the word “Shazam!” However, despite the adult physique, he still thinks like a teenager. Outside of superhero life, he is one of seven orphans who, since the end of the original Shazam! (David F. Sandberg, 2019), have had the same thing happen to them. So, seven children, seven superheroes. And their two put-upon foster parents, Rosa and Victor Vásquez (Marta Milans and Cooper Andrews).

To be honest, I could take or leave the title character (as played by teenager Angel and adult Levi) but the other kids are likeable enough – at least to the extent that their characters are fleshed out here… and some are fleshed out far more than others in the narrative.… Read the rest

Categories
Animation Features Live Action Movies

Strawberry Mansion

Directors – Kentucker Audley, Albert Birney – 2020 – US – Cert. 12a – 91m

*****

A strange and compelling tale, at once whimsical and terrifying, of a tax inspector sent to audit an artist’s dreams – out in UK cinemas and on demand Friday, September 16th

Nothing can prepare you for the experience of watching this extraordinary film. A man sits in his strawberry-coloured kitchen. In his strawberry-coloured fridge are strawberry-coloured boxes of food and strawberry-coloured cartons of drink. A knock at his door opens to reveal billowing clouds floating into the room like fog. It’s his friend who has arrived with a golden bucket container of fried chicken pieces and a bottle of cola. They eat and enjoy.

If you think this is weird, the scene turns up on the man’s video alarm clock. And the film has barely got started. Our hero’s work today involves a long drive to a lone house in the middle of a field. At the door, James Preble (Kentucker Audley) announces to the elderly occupant Arabella “Bella” Isadora (Penny Fuller) that he’s here to audit her dreams. As government legislation of seven year requires. She has over 2 000 VHS tapes, but it seems she hasn’t yet got around to fulfilling the legal requirement of the latest software.… Read the rest

Categories
Animation Features Movies

The House
Of The Lost
On The Cape
(Misaki
No Mayoiga,
岬のマヨイガ)

Director – Shinya Kawatsura – 2021 – Japan – 100m

*****

Two children separated from their respective parents are taken in by an old woman in a benevolent, magical house with a malevolent monster nearby – plays in the Annecy Animation Festival 2022 which is taking place in a 100% on-site edition this year right now in the Official Competition section

A younger girl and an older girl find themselves at Kitsunezaki (Fox Cape) Bus Station that’s been wrecked in the 2011 Tohoku earthquake and tsunami. An old lady appears and takes them under her wing. They walk through forests, then up a hill, until eventually they arrive at a huge bungalow with a thatched roof which is to be the girls’ home. Kiwa, the old lady, claims to be their granny.

There’s something odd about the house, though. The older girl Yui accidentally makes a hole when she puts a finger through a paper wall. Later, the hole has mysteriously vanished. Then there are the drinks which appear out of nowhere when Yui says she’d like such and such a drink. At night, outside, strange turtle spirits (kappa) gather.

The younger girl Hiyori never speaks. This appears to be the result of some sort of trauma.… Read the rest

Categories
Animation Features Movies

No.7 Cherry Lane
(Jiyuantai Qihao,
繼園臺七號)

Director – Yonfan – 2019 – Hong Kong – Cert. 12A – 125m

*****

The tutor of an 18-year-old girl falls for her mother who hired him against the background of the 1967 protest marches in Hong Kong – plays in the Annecy Animation Festival 2022 which is taking place in a 100% on-site edition this year right now as a Screening Event

Insofar as this is like anything else – which it really isn’t – it’s like a reworking of The Graduate (Mike Nichols, 1967) filtered through In The Mood For Love (Wong Kar-wai, 2000). Oh, and it’s 3D rendered then 2D animated. Broadly speaking, The Graduate is about a young man seduced by a much older, bored housewife before later becoming romantically involved with her daughter. In The Mood For Love is set in early 1960s Hong Kong and includes a sequence on a sloping pedestrian street where a man passes a women walking in the opposite direction, the whole thing charged with a sense of romantic longing. There;’s a similar scene in No.7 Cherry Lane, although it’s considerably less central to the plot than the one in In The Mood For Love.

Yonfan, here making his first film in ten years, would certainly agree that filmic and literary references abound in the film.… Read the rest

Categories
Features Live Action Movies

I’ve Heard
The Mermaids
Singing

Director – Patricia Rozema – 1987 – Canada – Cert. PG – 84m

****

A naive, amateur photographer comes unstuck as she gets to know a sophisticated art gallery owner – on MUBI from Wednesday, March 23rd

Polly (Sheila McCarthy) – an obsessive amateur photographer with her own darkroom – is blessed with a rich imagination and accompanying fantasy life in which she walks on water and climbs up the side of buildings. Being a scatterbrained social disaster area she is unable to hold down a job. She tells confessionally how the position of temporary secretary in the svelte Gabrielle’s art gallery didn’t work out – a tale relevant to us all, especially in these days of high unemployment. Sheila McCarthy is a perfect piece of casting with her sparklingly expressive eyes.

Gabrielle (Paule Baillargeon) is everything Polly admires – beautiful, intelligent, successful and articulate. Polly falls in love with Gabrielle and dreams of the two of them dressed in fine clothes, talking about art. The reality is that Polly dresses in polyester clothing, is completely inarticulate, and has a poor employment record.

Gabrielle is secretly involved in an art world scam with her business partner; inevitably, Polly’s naive, private world comes up against the sophisticated cunning of Gabrielle’s.… Read the rest

Categories
Features Live Action Movies

Spider-Man:
No Way Home

Director – Jon Watts – 2021 – US – Cert. 12a – 150m

***1/2

With Spider-man’s identity revealed as Peter Parker, he enlists Dr. Strange’s magic to restore the world to its state before that revelation – out in cinemas on Wednesday, December 15th

Hard to remember now but there was a time before the millennium when a big screen Spider-Man adaptation was something no-one thought would ever get made. Following the hugely successful Spider-Man (Sam Raimi, 2002) there have effectively been three series of movies, with reboots The Amazing Spider-Man (Marc Webb, 2012) and the Marvel Cinematic Universe (MCU)-compliant Spider-Man: Homecoming (Jon Watts, 2107) plus three further appearances of the character in the MCU since 2016 (Captain America: Civil War, 2016; Avengers: Infinity War, 2018; Avengers: Endgame, 2019; all Joe and Anthony Russo). In the 2002-initiated cycle, the character was played by Tobey Maguire, in the 2012, Andrew Garfield and in the MCU / 2017, Tom Holland. The latter in Jon Watts’ films is particularly good at portraying Peter / Spider-Man as a gawky, insecure teenager.

There’s even a (hugely inventive) animated film Spider-Man: Into the Spider-Verse (Bob Persichetti, Peter Ramsey, Rodney Rothman, 2018) which sadly isn’t referenced in the current film.… Read the rest