Tag: action

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Spider-Man:
No Way Home

Director – Jon Watts – 2021 – US – Cert. 12a – 150m

***1/2

With Spider-man’s identity revealed as Peter Parker, he enlists Dr. Strange’s magic to restore the world to its state before that revelation – out in cinemas on Wednesday, December 15th

Hard to remember now but there was a time before the millennium when a big screen Spider-Man adaptation was something no-one thought would ever get made. Following the hugely successful Spider-Man (Sam Raimi, 2002) there have effectively been three series of movies, with reboots The Amazing Spider-Man (Marc Webb, 2012) and the Marvel Cinematic Universe (MCU)-compliant Spider-Man: Homecoming (Jon Watts, 2107) plus three further appearances of the character in the MCU since 2016 (Captain America: Civil War, 2016; Avengers: Infinity War, 2018; Avengers: Endgame, 2019; all Joe and Anthony Russo). In the 2002-initiated cycle, the character was played by Tobey Maguire, in the 2012, Andrew Garfield and in the MCU / 2017, Tom Holland. The latter in Jon Watts’ films is particularly good at portraying Peter / Spider-Man as a gawky, insecure teenager.

There’s even a (hugely inventive) animated film Spider-Man: Into the Spider-Verse (Bob Persichetti, Peter Ramsey, Rodney Rothman, 2018) which sadly isn’t referenced in the current film.… Read the rest

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Raging Fire
(Nou Fo,
怒火)

Director – Benny Chan – 2021 – Hong Kong – Cert.15 – 126m

***1/2

A cop comes up against his former disillusioned protégé who is now the mastermind behind a criminal gang – in cinemas from Friday, November 12th

A big deal is about to go down. Uber-honest cop Cheung Sung-bong (Donnie Yen) heads a unit constantly in trouble with his superiors owing to his refusal to take pay offs and play their corruption game. They consequently repeatedly block him from accessing supplies and equipment he and his men need to properly do their job. This has gone on for years, with officers cracking under the inevitable strain from time to time. One such is his protégé Yau Kong-ngo (Nicholas Tse), booted off the force for beating a suspect to death. Cheung has kept in touch with him in the interim.

The night of the big deal, Cheung is denied his team’s required equipment and consequently arrives late to the scene of the incident. The absence of Cheung’s expertise on site causes a fellow police colleague to be killed along with various gang members. Unbeknownst to Cheung, the second gang involved in the deal – which double-crosses the first – is headed up by the disillusioned Yau.… Read the rest

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Ròm

Director – Tran Thanh Huy – 2019 – Vietnam – Cert. 12a – 79m

*****

An urban street kid works as a lottery runner to survive while a slightly older boy attempts to steal his turf – from the London East Asia Film Festival (LEAFF), on now

Spending his nights alone in his slum rooftop shack under the stars shooting tin cans with a catapult, young teenager Ròm (Tran Ahn Khoa) must live by his wits. The tenants of his block, like all the city’s residents, are obsessed with the lottery, the only chance any of them have of getting out of poverty. He spends his days going around collecting bets, racing to place them with the bookies on time then racing back equally fast to deliver the results as soon as they’re announced.

If the numbers win, people collect their money and he’s a local hero. If they don’t his customers may beat him up. It’s a challenging and desperate lifestyle, right down at the bottom of the social pile, yet a part of him seems to thrive on it, almost like some indescribable, youthful affirmation of life.

In the course of trying to impress the local, pool playing gangster, older homeless teeenager Phúc (Nguyen Phuc Anh Tu) – who took his name from a Westerner he worked for some time back who used a simiar sounding word a lot – attempts to muscle in on Ròm’s customers and turf.… Read the rest

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Throne Of Blood
(Kumonosu-jo,
蜘蛛巣城,
lit. Castle
Of The Spider Web)

Director – Akira Kurosawa – 1957 – Japan – Cert. 12 – 110m

*****

Plays in the BFI Japan 2021 season October / November at BFI Southbank. Also currently streaming on BFI Player as part of the Japan programme alongside 21 other Kurosawa films together with a much wider selection of Japanese movies.

Macbeth is one of Shakespeare’s most familiar plays. In 1957, Kurosawa reworked it against the backdrop of feudal, 16th Century Japan. Ascendant samurai Washizu (Toshiro Mifune) and Miki (Minoru Chiaki) hear from an old crone at a spinning wheel in the forest that Washizu will become Lord of Cobweb Castle, later to be succeeded by Miki’s son. Washizu’s wife Asaji (Isuzu Yamada, her face rigidly fixed in Noh mask poses) preys on his insecurities to convince Washizu to murder his way to the top. Slayings, ghost sightings, hand washing and his demise duly ensue.

Not only does Kurosawa jettison all Shakespeare’s dialogue, he also makes the material thoroughly his own even while remaining true to its essence. For instance, when Washizu, eating in public, sees Miki’s ghost, Mifune with the camera following him starts running around like a man possessed, slashing wildly at an unseen apparition.… Read the rest

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Ran
(乱)

Director – Akira Kurosawa – 1985 – Japan – Cert. 15 – 162m

*****

This spectacular samurai period epic is currently streaming on BFI Player as part of the Japan programme alongside 21 other Kurosawa films together with a much wider selection of Japanese movies.

The following review originally appeared in Funimation UK. It was published to coincide with the film’s 2016 restoration. Stray Dog, Rashomon, Yojimbo, I Live In Fear, The Hidden Fortress, Throne Of Blood, The Lower Depths and High And Low, all of which are in the current season’s 22, also get a mention. As does Kagemusha which, curiously, isn’t.

—

Jeremy Clarke on Akira Kurosawa’s live action epic.

Ran is Akira Kurosawa’s remarkable 1985 free adaptation of King Lear, rereleased in cinemas worldwide in 2016 on the back of the 400th anniversary of William Shakespeare’s death.

More than any other Japanese film director, Akira Kurosawa (1910-1998) is responsible for bringing that country’s movies to the attention of international audiences. His first big exposure abroad came with the jidaigeki or period drama Rashomon (1950) which dramatised the story of a rape victim from different, successive character viewpoints.… Read the rest

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Occupation: Rainfall

Director – Luke Sparke – 2020 – Australia – Cert. 15 – 128m

*

Australian alien invasion epic with lots of seasoned actors and heaps of special effects. What could possibly go wrong? – out in cinemas on Friday, July 9th

A sequel to Australian alien invasion outing Occupation (2018) by the same director, this big effects movie spends much time and effort on spectacular alien spaceships and dogfights, prosthetics alien costumes and the occasional creature that couldn’t possibly be portrayed by a human actor in a suit. These visual effects do the job but aren’t particularly engaging. The piece overall lacks original ideas and panache. 

The sketchy plot has the world (i.e. Australia) invaded by aliens called ‘Greys’ because of their skin colour while a military force under Wing Commander Hayes (Daniel Gillies from Spider Man 2, Sam Raimi, 2004) is fighting back. Hayes believes force is the only way to deal with the invaders and has consequently sidelined peace negotiator Amelia The Human (Jet Trantor from Thor: Ragnorok, Taika Waititi, 2017) who has made the effort to learn to speak the alien language. Greys unsympathetic to the invasion live amongst the humans. 

A wise elder named Abe (David Roberts from The Matrix Reloaded and The Matrix Revolutions, Lana & Lilly Wachowski, 2003) despatches a two-man recon mission to find and discover the exact nature of the eponymous Project Rainfall.… Read the rest

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Black Widow

Director – Cate Shortland – 2021 – US, UK – Cert. 12a – 133m

****

Marvel’s latest is less about mysterious former spy Black Widow than the relationship between her and her younger sister – out in cinemas on Wednesday, July 7th

The nuclear family of a father, mother and two young daughters growing up in Ohio in the mid-1990s turns out not to be a nuclear family at all but a man, a woman and two unsuspecting children planted there to look like one by mysterious Russian organisation the Red Room. Natasha (Ever Anderson) is both highly competitive with and protective of her little sister Yelena (Violet McGraw). When someone gets hurt, their mother Melina (Rachel Weisz) is always there for comfort and support.

“You remember how we said one day we’d have an adventure?” says dad Alexei (David Harbour). “Well, that day has come.” He has the only remaining copy of computer files on a disc. There’s an hour to pack before first police cars then S.H.I.E.L.D. SUVs turn up looking for them. By the time the SUVs find them, the family are busy taking off in a private plane from a hidden airfield. When they reach Cuba, the mother is dying from a bullet wound while the father is revealed as a mercenary, happy to see the two children who aren’t actually their daughters at all sedated and taken away after the older Natasha has pulled a gun on her ‘dad’.… Read the rest

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Fast & Furious 9

Director – Justin Lin – 2021 – US – Cert. 12a – 145m

***

The hero’s embittered younger brother must be prevented from assembling a device with which he can conquer the world – in cinemas from Thursday, June 24th

Latest instalment of the long running franchise features stalwart characters Dom Toretto (Vin Diesel) and Letty (Michelle Rodriguez) who at the start are living off-grid as Dom is attempting to be a good father to his small son Brian. Cue a surprisingly gripping scene where their isolated residence receives visitors and it becomes apparent that Brian has been trained to hide himself in a specially constructed trunk on such occasions while the two adults, guns at the ready, prepare for what might be coming. (Strangely, this scene has an emotional resonance rare in the rest of the film; it’s one of the best things in it.)

The visit is friendly – it’s Roman (Tyrese Gibson), Tej (Chris ‘Ludacris’ Bridges), Ramsey (Nathalie Emmanuel, exploiting her English accent to the full) and Dom’s sister Mia (Jordana Brewster), members of the crew with whom the adults have shared adventures in previous The Fast And The Furious instalments, and they lay out what’s to follow which involves further characters from previous instalments: the shady intelligence operative Mr.… Read the rest

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Shock Wave 2,
(Chai Dan
Zhuan Jia 2,
拆彈專家 2)

Director – Herman Yau – 2020 – Hong Kong – Cert. N/C 15 – 120m

****

A former bomb disposal expert suspected of a terrorist atrocity must prevent a terrorist organisation from destroying the Hong Kong International Airport and taking numerous innocent lives in the process – now available to rent online in the new Chinese Cinema Season 2021 in the UK & Ireland as part of the Hong Kong, Reimagined strand until Wednesday, May 12th

If you’ve seen Shock Wave (Herman Yau, 2017) you’ll know that a sequel with Andy Lau reprising his character wouldn’t be possible. Both director and star clearly wanted to capitalise on the first film, however, so they’ve simply dumped character names and most of what happened in the first film, reinvented the main character and started all over again with a completely different story. This has the effect of making the audience feel that they’re seeing another film in the series but at the same time seeing something that’s brand new, not at all a carbon copy.

Except that in the broadest outline it IS a carbon copy: once again, Andy Lau plays an heroic member of the Hong Kong Police’s Explosive Ordnance Disposal Bureau (EOD) with Philip Keung as a friend and colleague in the force, this time round named Lee Yiu Sing, while the plot involves the potential huge bombing of an important Hong Kong landmark – here the Hong Kong International Airport which is blown up at the start only for a voice-over to explain that this terrorist atrocity has been prevented thanks to one man.… Read the rest

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Shock Wave
(Chai Dan
Zhuan Jia,
拆彈專家)

Director – Herman Yau – 2017 – Hong Kong – Cert. 15 – 118m

****

A bomb disposal expert must prevent a bomber from destroying the Cross Harbour Hong Kong Tunnel and taking numerous innocent lives in the process – now available to rent online in the new Chinese Cinema Season 2021 in the UK & Ireland as part of the Hong Kong, Reimagined strand until Wednesday, May 12th

Undercover police bomb disposal expert JS Cheung (Andy Lau – Infernal Affairs, Andrew Lau, Alan Mak, 2002, Days Of Being Wild, Wong Kar-wai, 1990, As Tears Go By, Wong Kar-wai, 1988) of the Hong Kong Police’s Explosive Ordnance Disposal Bureau (EOD) blows his cover during a daring operation by a gang of criminals to kill as many cops as possible using car bombs. The car chase mayhem ends with the arrest of Biao Hong (Leo Wang Zi-yi) the explosives nerd and little brother of gang leader Peng Hong (Jiang Wu – Wrath Of Silence, Xin Yukun, 2017; Monster Hunt, Raman Hui, 2015). Some time later, Peng Hong Blocks traffic in the busy Cross Harbour Hong Kong Tunnel running from Kowloon to Hong Kong, trapping motorists and passengers as hostages and threatening to blow up the tunnel unless his brother is released.… Read the rest