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Open The Door
(Opeun Deo Do-eo,
오픈 더 도어)

Director – Chang Hang-jun – 2022 – US, South Korea – Cert. 15 – 72m

*****

Serial bad decisions in five reverse chronology episodes of a New Jersey, Korean migrant family’s life suggest terrible consequences – from LKFF, the London Korean Film Festival 2023 which runs in cinemas from Thursday, November 2nd to Thursday, November 16th

Chi-hoon (Seo Young-joo from The Age Of Shadows, Kim Ji-Woon, 2016; Moebius, Kim Ki-duk, 2013) drives over to the house of his sister and brother-in-law Moon-suk (Lee Soon-won). Moon-suk is alone, and invites him in, digging out a bottle of whiskey and the best food that can be eaten with it, kimchi. In the ensuing conversation, as the pair get more and more inebriated, various unpleasant family truths emerge. Their mother has severe health issues, the couple are in financial trouble, and Moon-suk casts doubt on his wife’s character, suggesting that she’s not the good person her brother believes her to be and accusing her of wanting to murder their mum.

However, Chi-hoon has a different agenda: he wants to know why Moon-suk has been regularly hitting his sister. At one point, Moon-suk goes into the bedroom, retrieves a revolver and hides it on his person.… Read the rest

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One Fine Spring Day
(Bomnaleun Ganda,
봄날은 간다)

Director – Hur JIn-ho – 2001 – South Korea – Cert. 15 – 113m

*****

The romance between a sound engineer and a radio DJ from winter through spring to its falling apart in summer – from LKFF, the London Korean Film Festival 2023 which runs in cinemas from Thursday, November 2nd to Thursday, November 16th

Winter. Twentysomething sound recordist Sang-woo (Yoo Ji-tae) lives at home with his family including his grandmother, to whom he’s completely devoted. He is hired by a radio station in a nearby town and finds himself working alongside DJ and talk radio host Eun-su (Lee Young-ae), travelling there in his van. They spend time in the local countryside recording sounds such as the wind across the tall grass and she invites him to her flat for the night. One thing almost leads to another, but woken by his trying to kiss her as she lies on a mattress on the floor after she let him use her bed, she tells him, let’s wait until we know each other better.

They quickly become inseparable, with much walking together, holding and hugging, although she won’t shout about it from the rooftops because, as she explains to him, if the radio station found out they were in a relationship, he’d get the sack.… Read the rest

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Gurkha Warrior

Director – Milan Chams – 2022 – Nepal – Cert. 15 – 115m

**

A small Gurkha unit is dropped into the Malayan jungle by helicopter on a search and rescue mission to save a number of the comrades who have been captured – previews in UK cinemas on Saturday, November 4th, out in UK cinemas on Friday, November 10th

There’s a very sweet frame story bookending Gurkha Warrior in which an old man takes his young and curious grandson to a hilltop in Nepal with mountains in the background for his annual ritual of laying a commemorative wreath at its foot and saluting in memory of fallen war comrades. When he explains this to his grandson as they walk away along the ridge, the latter picks a flower off a nearby bush and runs back to leave the flower beside the old man’s wreath. His grandfather is deeply moved by this.

That very much sums up this film, the director and star of which both served as Gurkhas. The narrative takes place against the backdrop of the Malaya Emergency (1948-1960), but since that’s never explained and given that audiences are likely to be unfamiliar with the historical background, the film floats in an unfortunate war film netherworld lacking any sort of context.… Read the rest

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A Normal Family
(Bo-tong-ui Ga-jog,
보통의 가족)

Director – Hur Jin-ho – 2023 – South Korea – Cert. – 116m

***

Lacking any moral sense of right and wrong, the teenage children of two brothers, a lawyer and a doctor, kick a homeless man to death – from LKFF, the London Korean Film Festival 2023 which runs in cinemas from Thursday, November 2nd to Thursday, November 16th

After a road rage incident in which an out of order, rich twentysomething wilfully runs down an irate baseball player who objects to his driving, and puts the baseball player’s young daughter in a coma, the twentysomething hires defence lawyer Jae-wan (Sol Kyung-gu from The Boys; Chung Ji-young, 2022; 1987: When That Day Comes, Jang Joon-Hwan, 2017; Memoir Of A Murderer, Won Shin-yeon, 2017; Peppermint Candy, Lee Chang-dong, 2000) who is motivated not by justice but by doing everything he can to get his client off scot-free. Jae-wan has a new, young wife Ji-su (Claudia Kim from Fantastic Beasts: The Crimes Of Grindelwald, David Yates, 2018; The Dark Tower, Nikolaj Arsel, 2017; Avengers: Age Of Ultron, Joss Whedon, 2015) with a small baby and a teenage daughter Hye-yoon (Hong Yi-ji) by his late first wife.… Read the rest

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#Manhole
(#マンホール)

Director – Kazuyoshi Kumakiri – 2023 – Japan – LEAFF Cert.15 – 99m

***

A man falls down a manhole following his stag night and turns to social media to get help and, hopefully, escapeplays in the Official Selection at the 2023 London East Asia Film Festival (LEAFF) which runs from Wednesday, October 18th to Sunday, October 29th.

The opening minutes of #Manhole resemble any number of Japanese movies you can think of as Shunsuke Kawamura (Yuto Nakajima) attends a surprise party put on by work colleagues at his local watering hole. It’s a good night, suggesting he’s well loved (albeit on a fairly superficial level) and he leaves extremely drunk, briefly saying goodbye to best mate Etsuro Kase (Kento Nagayama from Love Life Koji Fukada, 2022; Villain, Lee Sang-il, 2010) whose well-intentioned present – a lighter – may not be so much use to Kawamura now that he’s given up smoking. Or so it would seem at that point in the proceedings.

Kawamura must have drunk a good deal more than he realised because as he staggers home, he falls down a manhole off of which someone, by accident or design, has left the cover. His upper leg is badly cut.… Read the rest

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Moebius
(Moebiuseu,
뫼비우스)

Director – Kim Ki-duk – 2013 – South Korea – Cert. 18 – 99m

*****

An extreme film even by Korean enfant terrible Kim Ki-duk’s own standards, Moebius is an oedipal cocktail of sex and violence shot without dialogue. Traversing (among other things) castration and gang rape, it’s a character study involving a family: an adulterous father, a jealous mother and (from early in the first reel) a castrated son with the father and son becoming involved with the former’s otherwise unattached lover. An essay employing psychological archetype to great effect, it holds the viewer in its vice-like grip from start to finish. A key work from a master, highly recommended, although definitely not for the faint-hearted.

Capsule review for Film Review Annual.

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