Tag: special effects

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Warning
From Space
(Uchujin
Tokyo
Ni Arawaru,
宇宙
人東京に現わる,
lit. Spacemen
Appear
In Tokyo)

Director – Koji Shima – 1956 – Japan – Cert. PG – 87m

***

Out on Arrow Blu-ray

The first Japanese science fiction film to be made in colour, Warning From Space (1956) features peaceful, star-shaped aliens, one of whom transforms herself into a nightclub singer to make contact with Japanese scientists. Not that the aliens possess any discernible gender themselves, but the human likenesses into which they are transformed most definitely do. If you watch the original Japanese version, the aliens’ transformation into human form doesn’t take place until a third of the way in. When the Americans got hold of the film, they not only dubbed it into English, but also did some deft re-editing to create new opening and closing sequences so that the film now both starts and ends inside the alien ship. The closing sequence is basically the transformation sequence backwards. [read more…]

The full review can be found at All The Anime.

Trailers:

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When Worlds Collide

Director – Rudolph Maté – 1951 – US – Cert. U – 79m

***

RUK PAL laserdisc review, 1997.

Originally published on London Calling Internet.

Made the year before European-born producer George Pal’s The War Of The Worlds (Byron Haskin, 1953), this science-fictional disaster outing stages the end of the world by a star and orbiting planet Zyra rushing headlong towards the Earth. A handful of scientists build a Space Ark to save a chosen few humans via a perilous voyage to Zyra. But who will go – and who will stay behind and face annihilation?

From its opening Bible with destruction quotations to match, right through to its New Start For Humanity In A New World finale, this is infused with Pal’s Christian sensibilities. The script never allows that to get in the way of the story, however: the result is a compelling yarn that remains almost unique in the annals of SF cinema.

Director Rudolph Maté was a former cameraman whose prior experience included shooting Foreign Correspondent (Alfred Hitchcock, 1940) which features one of the most spectacular plane crashes in the movies. Together with lensing Dante’s Inferno (Harry Lachman, 1935) , this stood him in good stead for pulling off the outstanding special effects work required for When Worlds Collide.… Read the rest

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Documentary Features Live Action Movies

Dick Johnson
Is Dead

Director – Kirsten Johnson – 2020 – US – 89m

*****

The director imagines the death of her dad in a film which celebrates both the man himself and the art of cinema – on Netflix worldwide from Friday, October 2nd

I was alerted to this movie both because not only was Johnson’s prior Cameraperson (2016) excellent but also the subject matter of this new film looked promising. Johnson spent three decades as the cameraperson on numerous documentaries (among them Farenheit 9/11, Michael Moore, 2004 and Citizenfour, Laura Poitras, 2014) before making her previous feature out of interesting bits and pieces of footage she had lying around. Her new film is highly personal and almost fits into the home movies or personal diary school of film making – lent an inevitable, additional gravitas given Johnson’s prior artistic and technical career.

C. Richard Johnson (b. 1932 – ) is Kirsten Johnson’s dad. One day, like all of us, he is going to die. So his daughter decided that while he was still alive she would make a film about his dying, filming his possible deaths and staging his funeral service ahead of time.

There’s a huge contradiction at the heart of this idea.… Read the rest

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Sputnik

Director – Egor Abramenko – 2020 – Russia – Cert. 15 – 113m

***** some of the underlying concepts and all of the special effects

** everything else

Available on VoD from Friday, August 14th. Now on Netflix

In the early 1980s a two-man Russian spacecraft undergoes a mysterious incident during its return to Earth leaving one of the crew dead. He has had half his helmet and half his head ripped off.

Survivor Konstantin Veshnyakov (Pyotr Fyodorov) is confined to a research base in the middle of nowhere for observation. Supervisor Kirill Averchenko (Aleksey Demidov) recruits psychiatrist Tatyana Klimova (Oksana Akinshina) who is in trouble for taking ethically questionable decisions concerning the life of a patient, believing that she did the right thing and saved a life. Averchenko needs someone who will do whatever it takes and damn the consequences and he would appear to have judged her correctly. Once there, however, she finds herself in conflict with chief scientist Yan Rigel (Anton Vasilev).

She quickly learns that the surviving, isolated cosmonaut is the host to an alien parasite which leaves his body at specific times of night then returns. And Konstantin, who suffered memory blackout during the return to Earth, doesn’t seem to know about the parasite.… Read the rest

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The Lord
Of The Rings:
The Return
Of The King

Director – Peter Jackson – 2003 – New Zealand – Cert. 12a – 201m (263m)

*****

(NB Extended Edition, in cinemas from Monday, August 10th 2020, 263m in cinemas due to extended frame rate = 252m version released on DVD 2004.)

This review of the 201m theatrical version was originally published in Third Way.

A much shorter review appeared in What’s On In London.

A pre-screening article on The Lord Of The Rings appeared in Sussed in 2001.

Tolkien’s The Lord Of The Rings is a labour of love by a brilliant academic obsessed by myth and language better at creating an alternate world than at story construction. Nowhere in the trilogy is this more evident than in The Return Of The King. Frodo’s trip to Mount Doom to unmake Sauron’s One Ring builds up incredibly to a climactic pivotal event running little more than a paragraph. This is followed by another hundred pages or so tying up loose ends, including a sequence in which evil wizard Saruman turns the Shire into a post-industrial dictatorship that’s trivial compared with the geographic enormity of what has gone before.

Jackson and co-writers wisely omit that sequence; indeed, in its last weeks of post-production his The Lord Of The Rings: The Return Of The King has chopped its scenes of Saruman (Christopher Lee) at Isengard – on the grounds that it slowed down the start.… Read the rest

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Books Features Live Action Movies

The Birds
(BFI Film Classics)

Author – Camille Paglia – 2020, 1998 – BFI / Bloomsbury – £11.99

****

I immediately warmed to Camille Paglia in her 2020 introduction to the new edition of her book about Alfred Hitchcock’s avian shocker The Birds (1963), originally written in 1998, when she lambasted academic film criticism as “egregiously unhelpful, failing in the crucial humanistic mission of interpretation and enlightenment”. She talks about a shift in audiences from wanting to see film in a cinema as essential experiences in the sixties and seventies to films as one of a range of possible technological entertainments in our own time.

She then goes on to talk about her issues with #metoo and the problem of expecting great artists to live exemplary lives as a premise of Victorian moralism. And discusses in passing the one minor change she would make to the book were she to write it today. (Really? Only one?) Which is to do with interpreting one character in the film as gay.

In addition to watching the film multiple times, it’s clear that Paglia has read many of the books and articles written about the film itself of Hitchcock’s wider body of work. Robin Wood keeps coming up and there are honourable mentions for, among others, Francois Truffaut and Elizabeth Weiss.… Read the rest

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The Lord
Of The Rings:
The Fellowship
Of The Ring
(Extended Edition)

The Lord Of The Rings: The Fellowship Of The Ring (Extended Edition)

Director – Peter Jackson – 2002 (2001) – New Zealand – Cert. PG – 229m

*****

(NB Extended Edition, in cinemas from Monday, July 24th 2020, 227m in cinemas due to extended frame rate = 218m version released on DVD 2004. Original theatrical cut: 178m)

It’s a very different thing writing about a new movie which you’re watching for the first time and an old movie with which you’re familiar. Even stranger when the movie concerned is an adaptation of a book with which you’re equally familiar. Odder still when the property exists in its original form (which was actually a side project of something else, Professor J.R.R.Tolkien’s Middle-earth project) but also in a highly regarded 13 x 1 hour BBC radio adaptation skilfully adapted by Brian Sibley.

Although it’s Tolkien’s material, for me it’s as if The Lord Of The Rings existed somewhere out there and Tolkien wrote it down in book form (Where does artistic creativity come from? Discuss) after which Sibley successfully wrote it down in radio drama form and Jackson and his two screenwriting collaborators Fran Walsh and Philippa Boyens turned it into a movie trilogy.… Read the rest

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Animation Features Live Action Movies

The Lost World
(1925)

Director – Harry O. Hoyt – 1925 – US – Cert. U – 110m

*****

Review of PAL VHS release originally published in Starlog UK, mid-1990s.

£12.99, Original Aspect Ratio (Academy), Mono (Golden Age Films)

Before Michael Crichton and Steven Spielberg purloined the name for their Jurassic Park sequel, The Lost World was Sir Arthur Conan Doyle’s first Professor Challenger novel. In the book, the bombastic scientist leads an expedition to a plateau deep in the Amazon cut off from the rest of the world which he claims to be populated by dinosaurs.

This 1925 silent Hollywood adaptation (here released in 1993’s restored, untinted, black and white print with piano accompaniment) features prominently in any serious shortlist of live action movies featuring dinosaurs along with King Kong, The Beast From 20,000 Fathoms, Godzilla, One Million Years BC and Jurassic Park. Indeed, leaving aside 1954’s Japanese, man‑in-a-rubber-suit entry Godzilla, the remaining titles are The Lost World’s descendants via their use of optical trickery and stop‑motion animation.

The Lost World’s miniature model dinosaurs and their incorporation as fully articulated giant beasts into live action cinematography was primarily the work of stop-frame animator cum special effects genius Willis O’Brien, later to put the dinosaurs into 1933’s King Kong and win a belated special effects Oscar on the back of 1949’s Mighty Joe Young.… Read the rest

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The Lord
Of The Rings:
The Two Towers
(Extended Edition)

Director – Peter Jackson – 2003 (2002) – New Zealand – Cert. 12a – 225m

*****

(NB Extended Edition, in cinemas from Monday, July 27th 2020, 235m in cinemas due to extended frame rate = 225m version released on DVD 2004. Original theatrical cut: 199m)

This always had the problem that it’s the second film in a trilogy. If you think you might want to watch all three, you’ll watch the first movie. If you want to see how the story ends up, you might possibly jump straight in at the last movie (although to be honest, you’d be better watching the first movie The Lord Of The Rings: The Fellowship Of The Ring and then if you like it the other two as well.)

That said, both this second movie The Lord Of The Rings: The Two Towers and the third film The Lord Of The Rings: The Return Of The King deal with the problem of opening the film admirably, in both cases doing so in creative ways. This one leaps back to Gandalf being dragged down a chasm by a Balrog in FOTR and then, once we think we’re getting closer to finding out what happened, has Frodo waken from a dream.… Read the rest

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Cam

Director – Daniel Goldhaber – 2018 – US – Cert. 15 – 94m

***1/2

An erotic webcam performer discovers to her horror that her online presence has been hacked by an unknown rival, in a film conceived by a real-life cam artist– from the 62nd BFI London Film Festival and on Netflix from Friday, November 16th 2018

Alice (Madeline Brewer) is in charge of her destiny, or so it seems. From a secret and self-contained, fluffy pink studio set up in her apartment, she promotes herself as her online persona Lola who hosts her own live online erotic shows where enthusiastic fans can encourage her to do specific things by sending her virtual currency. Her goal is to become number one on the site which hosts her and many thousands of other hopefuls, but she seems to have got stuck somewhere around the rank of 60th. What’s a camgirl to do in order to boost her ratings?

Clearly, spicing the sex up with a little violence is a winner, so when one of her admirers encourages her to use a knife, while others egg her on and other still try to talk her out of it, Lola cuts her throat online.… Read the rest