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Mist
(Angae,
안개)

Director – Kim Soo-yong – 1967 – South Korea – 78m

****

A married man leaves Seoul to visit his dull hometown for a few days, where he embarks on a brief affair with a music teacher from the local school – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

Yun Gi-jun (Shin Seong-il from The Barefooted Young, Kim Ki-duk, 1964) is bored with his job. He sits at his desk in a huge office looking at the paperwork, seeing it crawling with insects. But when others enter the office, they don’t see any of that, so it’s clearly all in his head. In many ways, that sets the scene for the mood of this heavily introspective piece which makes much use of voice over and flashback, as Gi-jun takes time out in his hometown of Mujin, for which he claims not to feel much affection but which is nevertheless full of personal history and memories for him.

We see him at home with his wife as she straightens his tie, and later as she brings her rich father over to the house.… Read the rest

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Features Live Action Movies

Eileen

Director – William Oldroyd – 2023 – US – Cert. 15 – 97 m

***** Most of the film

* The last five minutes

NSFW

In the 1960s, the life of a young woman working in a Boston boys’ correctional facility is turned on its head by the arrival of a radical, young woman prison psychologist from New York – out in UK cinemas on Friday, December 1st.

I don’t usually start with the ending of the film – and I’m not about to deliver a spoiler – but the ending of Oldroyd’s otherwise enthralling drama (if that’s the right term – I’m not sure it is) takes everything that has gone before which appeared to be building up to something and unceremoniously dumps it, as if there were another twenty minutes that had been written but not shot and an unsatisfactory ending had been tacked on.

There’s always that feeling with a truly extraordinary movie when you watch it for the first time that you don’t want the filmmakers to screw up and let go of whatever it is that’s working. Well, this one is extraordinary right up to the last five minutes, when it completely loses it. Prior to that, it starts out as one thing, turns into something else then swerves and moves about all over the place, taking the viewer with it on a strange, unpredictable journey.… Read the rest

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Features Live Action Movies

Intimate Strangers
(Wanbyeokhan Tain,
완벽한 타인)

Director – Lee Jae-kyoo – 2018 – South Korea – Cert. 15 – 115m

****

Four couples attend a dinner party where a game with mobile phones threatens to revel all their intimate secrets – online from 2pm Friday, November 6th to 2pm Monday, November 9th, book here, from the Special Focus: Friends and Family strand of the London Korean Film Festival (LKFF) taking place right now

A group of male friends since childhood and their wives and girlfriends meet for a house-warming of one of their number. One of the wives suggests a game. Why don’t they all put their mobile phones on the table and share any call, text, email or data that comes in?

Actually, it turns out there are some very good reasons why not – as they will all discover during the course of the evening. Indeed, the film’s final five minutes or so (and, strangely, this is not a spoiler) shows the couples driving home separately and contentedly after a pleasant evening where they wisely declined to play the game. All’s right with the world.

However, in between that coda and the opening, 34 years earlier prologue in which the four men’s childhood selves catch fish through a hole in the ice of a frozen river then spend the evening together round a camp fire in the dark, the four couples do indeed play this game at the present day house-warming.… Read the rest