Tag: fall in love

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Timestalker

Director – Alice Lowe – 2024 – UK – Cert. 15 – 90m

*****

A reincarnated woman falls for the same man in different, historical time periods – hilarious romantic comedy of errors is out in UK cinemas on Friday, October 11th

Agnes (Alice Lowe) is a woman falling madly in love. Sadly, the object of her affection Alex (Aneurin Barnard from Dunkirk, Christopher Nolan, 2017) isn’t really interested. And her attempts at forming relationships seem to always end badly. Although not in the way you might expect – for instance, with her head being lopped off. Yet all is not lost: in the world of the Karmic cycle: you die one day only to be reborn in another time the next. However, Agnes seems destined to make the same mistakes over and over again, consistently falling for Alex the wrong man in each of her different lives at different times in history.

The whole thing plays out like a series of repeated cycles by the same characters in different generations. In that sense, it’s not entirely unlike The Beast (Bertrand Bonello, 2023), a serious art house science fiction costume drama mashup. Timestalker isn’t necessarily in the same league as that film, but then again, The Beast isn’t a comedy and Timestalker is really, really funny.… Read the rest

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Killers
Of The Flower Moon

Director – Martin Scorsese – 2023 – US – Cert. 15 – 206m

*****

A returning WW1 veteran marries into Oklahoma’s Osage Indian tribe at the time of the Osage Indian Murders – plays the 2023 London Film Festival which runs from Wednesday, October 4th until Sunday, October 15th, and will be out in UK cinemas on Friday, October 20th

At slightly over 80 years of age, Martin Scorsese has now been making movies for over 60 years. Like his last, fictional, narrative feature The Irishman (2019), this one is pushing three and a half hours. I always have issues with films that long: the vast majority are that way due to director’s ego and / or inability to tell a story concisely. Some of them might have been better suited to a TV mini-series ( a medium in which, incidentally, Scorsese also works). Yet if you try and imagine Killers Of The Flower Moon cut down in length, it’s difficult. Maybe you could take out the frame story – the performance of a crime drama on the radio on the subject of the Osage Indian Murders – but that sets the scene nicely at the start and takes you back out of the movie equally nicely at the end, so it would be a shame to do so.… Read the rest

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Never Look Away
(Werk Ohne Autor)

Director – Florian Henckel von Donnersmarck – 2018 – Germany – Cert. 15 – 189m

*****

A German boy wishes to become an artist, but his desire is affected by the events of WW2 and its aftermath, in possibly the best narrative piece you will see this year – twice Oscar-nominated film is now available on VoD

What is art? Why do artists make art? These questions lie behind Florian Henckel von Donnersmarck’s latest film, like his earlier The Lives Of Others (2006) a German story exploring that country’s history and identity. It clocks in at over three hours, but don’t let that put you off because it needs that time to cover the considerable ground it does. Never Look Away spans the bombing of Dresden by the Allies in WW2, the liquidation of people considered by the Nazis inferior and therefore unfit to live and the very different worlds of post-war art schools in first East and later West Germany. This means it also spans two generations: those who were adults during the war, and those who were children at that time and became adults in post-war Germany… [Read the rest at DMovies.org…]

Never Look Away is out in UK cinemas on Friday, July 5th 2019.… Read the rest

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Features Live Action Movies

The Shop
Around The Corner

Director – Ernst Lubitsch – 1940 – US – Cert. PG – 99m

*****

Two store employees argue constantly, unaware they are perfect for one another – out in cinemas on Friday, December 3rd

It’s quite a shock to see an old Hollywood classic for the first time and realise that you’re seeing one of the greats of which you’ve somehow never heard, but that’s exactly what happened to me watching this extraordinarily charming film which is likely to appeal to anyone who loves the much more familiar It’s A Wonderful Life (Frank Capra, 1946). Both have stories that culminate at Christmas, both star American everyman James Stewart, and both give off what you might call a generosity of spirit. But in other ways, they’re two very different films.

For a start, this is not set anywhere in the US but rather in Europe, specifically the Hungarian capital Budapest. And then, its subject is not so much a town and the people who live there as a department store and the people who work there. There are no rich people dubiously making money by exploiting the poor: certainly there are bosses and workers, but the former treats the latter well and might reasonably be described as benevolent.… Read the rest