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Features Live Action Movies

Cairo Conspiracy,
(original title:
Boy From Heaven,
Walad Min Al Janna,
صبي من الجنة)

Director – Tarik Saleh – 2022 – Sweden, France, Finland – Cert. 12a – 126m

***

A naive, young, Egyptian student at a top Islamic university is recruited as a spy for the secret police – out in UK cinemas on Friday, April 14th

Adam (Tawfeek Barhom), a bookworm born and raised in rural Egypt where he works as a fisherman like his father before him, visits the local mosque where his trusted Imam gives him a letter informing him he’s been accepted into Cairo’s prestigious Al-Azhar University, the top seat of Sunni Muslim learning and thought. He’s worried his widowed father won’t let him go, but his father fatally accepts it as the Will of Allah. In his university dorm, Adam finds his bed taken by fellow student Raed (Ahmed Laissaoui) and winds up in the bunk below. (The university is for men only: no women. At least, we see none here.)

Unexpectedly, the Grand Imam, the head of the university, dies and a successor must be chosen. At the security forces building, the General (Mohammad Bakri) listens to the analysis by Colonel Ibrahim (Fares Fares) of the possible candidates, throwing all files on the floor except one – the one with whom the President’s views align, the candidate who must win.… Read the rest

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Features Live Action Movies

Renfield

Director – Chris McKay – 2023 – US – Cert. 15 – 93m

**

Guided by American self-help industry ideas of escaping toxic relationships with narcissists, Dracula‘s servant Renfield wants out of his relationship with his master – out in UK cinemas on Friday, April 14th

Renfield (Nicholas Hoult) has had enough of working for his boss, Count Dracula (Nic Cage) who gives him the ability to manifest great power from eating insects in exchange for his tending to Dracula’s every need, the main item on which list is a supply of fresh, virtuous humans on who to feast. As here portrayed, Renfield is an honourable Englishman who has changed the rules: he goes out and brings back a never ending supply of one sort or another of less than virtuous people for the Count. Unfortunately, this doesn’t really fit the bill.

Enter pampered gangster boy Tedward Lobo (Ben Schwartz) who, whilst trying to find the people who double-crossed him in a drugs deal, stumbles on the Prince of Darkness and, impressed, resolves to introduce the vampire to his ruthless crime boss mother Bellafrancesca Lobo (casting coup Shohreh Aghdashloo) to help him in his newly-formed goal of world domination.

Meanwhile, traffic cop Rebecca (Awkwafina), the only cop not on the take in the corrupt local precinct, otherwise bought to a man by the Lobos, is determined to get the evidence to put the crime family behind bars.… Read the rest

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Features Live Action Movies

Pirates

Director – Reggie Yates – 2021 – UK – Cert. – 80m

**1/2

Party like it’s 1999! Three 18-year-old, childhood friends from London attempt to see in the new millennium in style – on BFI Player as a Subscription Exclusive from Thursday, April 13th

They’re called pirates because in this year, 1999, they’ve made it onto the air in London pirate radio, DJ-ing and MC-ing from their flat as the ICC, the Ice Cold Crew. Well, two of them, Two Tonne (Jordan Peters) and Kidda (Redda Elazouar), have. Third member Cappo (Elliot Edusah), just back from university, never really felt he contributed much to the ICC even though he was their manager, so he’s been rehearsing his one-line speech to tell the guys he’s leaving the crew.

However, when he drops in on Two Tonne at the latter’s glue factory job, before he can say his piece, his friend spots Sophie (Kassius Nelson), the girl with whom Two Tonne is smitten and with whom he’d like to be at midnight, and the conversation goes in a whole other direction. The lads concoct a plan to get into the best party of the night, the Y2K, but to do that, they need to get tickets at this last minute.… Read the rest

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Features Live Action Movies

Three Colours: White
(Trois Couleurs: Blanc)

Director – Krzysztof Kieślowski – 1994 – France – Cert. 15 – 92m

****

A Pole down on his luck and facing legal proceedings from his French wife, smuggles himself on a plane from Paris to Warsaw in order to get his life and dignity back – 4K restoration is out in UK cinemas on Friday, April 7th

This represents the second part of a trilogy based on the three colours of the French national flag, with each film representing one of that nation’s three values of liberté, égalité, fraternité (liberty, equality, brotherhood). Or perhaps it’s not as straightforward as that – at least, that’s what actress Julie Delpy suggested when I interviewed her about the film in 1994.

There are some curious editing decisions at the start – bits of stories told in fuller detail later on, such as shots of a suitcase on an airport conveyor belt, and a glimpse of a happy bride (Julie Delpy) in her white bridal dress leaving the church building for the fresh air and bright sunlight outside to meet waiting guests as, in front of her, a host of pigeons take off, an image to which the editing returns several times during what follows.… Read the rest

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Features Live Action Movies

Julie Delpy
talks about
Three Colours: White

Transcript of interview from 1994 with actress Julie Delpy on Three Colours: White. She plays the short but pivotal role of the main character’s ex-wife, whose appearances bookend the film. At the time, the third film in the trilogy had yet to be screened to press.

She was based in LA., on which subject our conversation started:

“I’m doing everything. Both European and American films. My project there is similar to what I was doing before – American films and European films and co-productions, whatever. I’m not trying to see where I should be, I’m just trying to find something that I like to do. It’s a bigger choice when you’re over there.”

Three Colours: White is very much a European film – not a film set in any one country but partly in Paris and largely in Poland. How did she get involved?

“I knew Kieślowski, I met him a few times, he’s a friend of Agnieszka Holland with whom I had worked on Europa Europa. I had tested on The Double Life Of Veronique, but knew that I wouldn’t get that part because he told me before the casting began that I wasn’t right for it, but he wanted to audition me because he was thinking of something else later.… Read the rest

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Documentary Features Live Action Movies Music

In The Court
Of The
Crimson King:
King Crimson
At 50

Director – Toby Amies – 2022 – UK – Cert. 15 – 86m

****1/2

Life behind the scenes members of the latest iteration of the band King Crimson, the revolving door institution helmed for half a century by musician Robert Fripp, as they rehearse and perform a tour – out in UK cinemas from Friday 7th April

Rather like the band King Crimson, what you see here is at once what you get and something entirely different.

The phrase “Toby’s camera” (which I’ll use later) seems apt. One doesn’t usually speak so personally of a director, and it’s not the case that I personally know Toby Amies or anything like that. Yet there’s a beguiling intimacy about this documentary. From the evidence here, King Crimson founder, guitarist and keyboard player Robert Fripp is a perfectionist liable to be thrown if something isn’t quite right: he describes all previous iterations of the band, something of a revolving door in which he’s been the sole constant member over the years, as painful and tells us that the current version of the band (together since 2013) is the one with which his experience has been happiest.

At one point, Toby mentions that he feels like he’s interviewing for the job of making the film as he’s shooting it.… Read the rest

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Animation Features Live Action Movies

Monty Python’s
Life Of Brian

Director – Terry Jones – 1979 – UK – Cert. 12a – 93m

****

An absurdist comedy about of Brian, Jesus Christ’s next-door neighbour, who falls in with left-wing activists, develops a religious following and ends up crucified – back out in UK cinemas in Glorious Standard Definition on Friday, April 7th

Like The Last Temptation Of Christ (Martin Scorsese, 1988), a Biblical epic made by a New Yorker who tries to bring first century Palestine to life on the screen by filling it with actors who speak as if they’re on the streets he knows, so too Monty Python’s Life Of Brian, made by the Monty Python team, nurtured first by Oxbridge student drama society culture then by British radio and television, attempts a comic equivalent of the Christian Gospel narrative by filling it with characters possessing such quintessentially English names as Brian and Reg and sporting English accents. For the Pythons and their audience, this strategy works because of its familiarity from Britain’s hugely popular Monty Python’s Flying Circus television show, made for the BBC. It’s what everyone attending the film in the UK expected.

The Monty Python team (Terry Jones, Terry Gilliam, John Cleese, Graham Chapman, Eric Idle & Michael Palin) all wrote the film between them and take on multiple acting roles, with Jones also directing, animator Gilliam also taking on production design, and Chapman, who had studied medicine, also taking on the role of set medic.… Read the rest

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Features Live Action Movies

Air

Director – Ben Affleck – 2023 – US – Cert. 15 – 112m

***1/2

In 1984, a Nike executive lifts the company out of its financial rut by building a line of running shoes around an unknown basketball player named Michael Jordan – out in UK cinemas on Wednesday, April 5th

A curious combination of sports movie and corporate drama, this retells the story of how, in 1984, the failing Nike corporation managed to successfully reinvent itself by signing a sponsorship deal with the then-unknown basketball player Michael Jordan and building a product line of running shoes around him. Jordan would go on to become a huge cultural icon in the US and Nike a hugely profitable multinational, due in no small part to its Air Jordan running shoes, which the player endorsed.

This is a Warner Bros. movie and that Studio already has a long-standing connection with Michael Jordan through Space Jam (Joe Pytka, 1996), the live action / animation composite feature that combined basketball with Looney Tunes characters and spawned a sequel in 2021. Air isn’t a Michael Jordan film as such: as a character, he barely appears, but there’s a sense that he’s at the centre of the events portrayed as everything here revolves around him.… Read the rest

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Animation Features Live Action Movies

The Mad Fox
aka
Love, Thy Name
Be Sorrow
(Koiya Koi
Nasuna Koi,
恋や恋なすな恋)

Director – Tomu Uchida – 1962 – Japan – Cert. PG – 109m

*****

On MUBI from Tuesday, April 4th; also Amazon Prime (rental) and Arrow Channel

The second Tomu Uchida film to receive a Blu-ray release after the black and white Bloody Spear At Mount Fuji (1955) is the colour The Mad Fox a.k.a. Love, Thy Name Be Sorrow (1962). This extraordinary and arresting Heian period (794-1185) fantasy drama involves an astrologer, his adopted daughter, her wicked stepmother, the two women’s lovers, the daughter’s identical twin sister and a family of shape-shifting fox spirits. Contrasting heavily with the earlier samurai road movie using Mount Fuji as an excuse to block a road for a picnic, The Mad Fox again invokes the iconic volcano in a far more active role as it threatens to erupt, presaging a time of great chaos. The film, meanwhile, makes judicious use of Toei’s animation wing, lending out staff to provide integrated effects.

The opening five minutes set the tone, via a lengthy voice-over detailing the plot’s setup to a calm, tranquil music score, while a scroll is unrolled and the camera pans steadily along its portrayed landscape.

I review The Mad Fox for All The Anime.… Read the rest

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Features Live Action Movies

EO
(IO)

Director – Jerzy Skolimowski – 2022 – Poland – Cert. 15 – 88m

*****

Forced to leave his home in the circus, a donkey undergoes a series of adventureson BFI Player as a Subscription Exclusive along with three other Skolimowski titles on Monday, April 3rd, following its release in UK cinemas on Friday, February 3rd

After an absence of some seven years from the cinema, Skolimowski has chosen to make a movie with an animal as its central character rather than a human being. EO is a donkey (played by some six donkeys over different parts of the film) who undergoes a series of adventures as things happen around him. He starts out as a performer in a circus with a girl called Kasandra (Sandra Drzymalska), who takes good care of him and treats him with genuine affection.

Life is good. But then he finds himself co-opted by (and Kasandra arguing with) another circus person Wasyl (Maciej Stepniak) who uses a whip on him to get him to drive a cart of rubbish to the local tip. These two episodes set the tone for what is to follow: while all the humans here use the animal for their own ends, some treat him with kindness while others don’t, rather using him as a means to an end without any sense of his being a conscious creature.… Read the rest