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Sopyonje
(서편제)

Director – Im Kwon-Taek – 1993 – South Korea – 113m

****

Free to view in the Korean Film Archive as part of

Korean Film Nights Online: Trapped! The Cinema of Confinement

(Friday, July 17th – Thursday, August 27th)

Viewing links at bottom of review.

Itinerant pansori singer Yoobong (Kim Myung-gon) travels between small country towns to practice his trade, entertaining audiences on the streets and in their houses after meals. Travelling with him are his two small children, Songhwa and her little brother Dong-ho. In the town where first we meet him and his family, he’s involved in a passionate relationship with a woman.

However not long after we (and indeed little Dong-ho, who the couple assume to be asleep when he isn’t) watch the couple make love, she is seen in the equally ecstatic if clearly painful throes of a childbirth which kills her and from which no living child is born. Yoobong, arriving at the scene after her death, is stricken with grief and holds her body in his arms to weep over it.

What follows in basically a three-hander, with the father raising the two kids as practitioners of pansori, a traditional form of Korean folk music waning in popularity between the 1940s and 1970s when the film is set.… Read the rest

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The Chambermaid
(La Camarista)

Director – Lila Avilés – 2018 – Mexico – Cert. 15 – 102m

****1/2

A woman works long hours within a vast Mexico City hotel complex and rarely sees the world outside – now on BFI Player (extended free trial offer here)

Set inside an unnamed Mexico City hotel (actually the real life Hotel Presidente). Scenes with views of the skyline from glass windows mostly on either the 21st or 42nd floors offer a running gag about lowering the blinds to shut out the amorous window cleaner on his platform outside, ultimately paid off when the title character leaves the blind up, sits on the bed and strips off down to her knickers.

This scene is uncharacteristic of the wider film. Chambermaid Eve (Gabriela Cartol) quietly and dutifully goes about her daily workload tidying, cleaning and replenishing items in guest rooms on the 21st floor for which she is fully responsible. To do this, she must leave her home at 4am to get to the hotel by 6am and take showers at work because her home doesn’t have one… [Read the rest]

Originally published in DMovies.org. Watch the film on BFI Player (extended free trial offer here).

Trailer:

https://www.youtube.com/watch?v=fgUYNdei8QE&feature=emb_logo
Read the rest
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Animation Documentary Features Live Action Movies

Coup 53

Director – Taghi Amirani – 2019 – UK – Cert. 15 – 120m

*****

In cinemas from Friday, August 21st

Virtual premiere Wednesday August 19th, Q&A Thursday August 20th. Film available to view at https://coup53.com/

A documentary begun in 2009 interviewing many people who died before the film’s completion some ten years later, this covers the 1953 coup in Iran backed by President Eisenhower in the US and Prime Minister Churchill in the UK which replaced Iran’s democratically elected, left-wing Prime Minister Mossadegh with the Shah. The UK has never officially acknowledged its role in this coup.

Amirani’s researches lead him to a basement of documents held by Mossadech’s grandson in Paris comprising archive material from the Granada TV 1985 End Of Empire documentary series, for which he is gets access to the rushes from the BFI. Iran was included because it had been controlled by British interests for so long (because of its oil reserves). Amirani’s editor, helping pull all this together, is the legendary Walter Murch (Gimme Shelter / 1970, The Conversation / 1974, Apocalypse Now / 1979, The English Patient / 1996).

The name which keeps coming up in Amirani’s research is that of Norman Darbyshire who reportedly asked for his interview footage to be removed from the film following a pre-transmission screening at the BBC.… Read the rest

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Transgression
(Pagye,
파계)

Director – Kim Ki-young – 1974 – South Korea – 111m

*****

Buddhist, monastic drama. Celibacy confronts carnal desire and a new senior monk must be chosen as the incumbent nears death.

Free to view in the Korean Film Archive as part of

Korean Film Nights Online: Trapped! The Cinema of Confinement

(Friday, July 17th – Thursday, August 27th)

Viewing links at bottom of review

From its opening, a lengthy shot of a mountain hillside slope, this throws anyone unfamiliar with the more complex tenets of Buddhism in at the deep end, peppering voice-over and dialogue with words like ‘yulseong’ (“a monk that learns Buddha’s words”), ‘seonseong’ (“a monk that tries to emulate Buddha’s mind”) and ‘hwadu’ (“a kind of question that leads to seon”). A student disguises himself as a monk to gain admission to a Buddhist temple and see for himself what goes on there.

The temple monks meet to discuss their food problem. There are fifty older monks of more than twenty years’ standing and twenty younger newcomers. One of the old monks Doshim stole and sold some of the temple food. Another old monk tells newcomers that old monks are treated badly at the monastery, suffering deprivation of food, sleep and clothes.… Read the rest

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Papicha

Director – Mounia Meddour – 2019 – France, Algeria, Belgium, Qatar – Cert. 15 – 108m

****

In selected cinemas (Curzons Bloomsbury and Mayfair). Also on Barbican cinema on demand, BFI Player, Curzon Home Cinema and Peccadillo Pictures On Demand from Friday, August 7th.

Algerian university fashion student Nedjma (Lyna Khoudri) is often called ‘Papicha’, a typically Algerian word that refers to a funny, attractive, liberated young woman. Nedjma and her roommates love life and think nothing of going out to nightclubs to put on fashion parades.

However, this being the late 1990s an upsurge of Islamic conservatism manifests itself throughout the narrative. First, fly posters advocating the hijab for women appear on walls (Nedjma immediately tears down these posters on seeing them). Later, she confronts a young man putting these posters up, but after challenging him notices a handgun tucked in his waistband so quickly backs off.

Groups of hijab-clad women take the law into their own hands vigilante style. They surround and take away a lecturer addressing Nadjma’s class. They turn up in the middle of the night at her shared room and threaten the occupants. And worse is to come.

One of the difficulties about writing about this film is that some of its narrative incidents would be much more shocking if you don’t know exactly what’s coming.… Read the rest

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Love You Forever
(Wo Zai Shijian
Jintou Deng Ni,
我在时间尽头等你)

Director – Yoyo Yao Tingting – 2019 – China – Cert. PG – 115m

***1/2

Exclusively in cinemas from Tuesday, August 25th (Chinese Valentine’s Day this year).

Hands write in a notebook. In a voice-over, Lin Ge (Lee Hongchi) describes himself as “a man who doesn’t exist… No memories of me in this world.” He will repeat these words later on. He talks of the past and we see the images of the day in 1991 when his mum died, he got beaten up by a bunch of other little boys and he was rescued by little girl Qiu Qian who became his playmate that summer.

Ge loses a marble in a pond and, looking for it, finds an old, stopped watch. He and Qian start playing the game of “Wolf, Wolf, what’s the time?” until one day her family moves and he runs after the departing car until his little legs will run no more.

As a teenager to the horror of both his teacher and his bereaved father he and two friends set up a business selling “magic bottles”, running breathlessly along multi-storey school walkways to avoid being caught until they / he chance(s) upon a group of boys blocking a gangway, looking at the beautiful new girl recently transferred to the school and doing ballet training.… Read the rest

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Perfumes
(Les Parfums)

Director – Grégory Magne – 2019 – France – Cert. tbc – 100m

****

In Cinemas and on Curzon Home Cinema from Friday, August 21st

GuGuillaume (Grégory Montel) is a chauffeur. His boss Arsène (Gustave Kervern) is thoroughly fed up with him, so gives him a job with a known difficult customer Mademoiselle Walberg. Guillaume is currently trying to get 50/50 custody of his daughter, so needs his job. And must put up with any nonsense his client comes up with. Like throwing his cigarette packet out of the car window. Or insisting he help her change the hotel bedsheets because she doesn’t like the smell of the chambermaid’s perfume.

The reclusive Anne Walberg (Emmanuelle Devos) is a ‘nose’. She combines smells to create perfumes and had a stint with the Dior company before her career took a wrong turn. These days, all her agent can get her is recreating the smells of caves or making the fumes from unpleasant factories smell nice. But she longs to make perfumes again.

This is a stylish and charming movie with unusual, olfactory subject matter. You can’t smell in movies, so this element is instead conjured by verbal description. In a trip to a cave – the real cave, not the duplicate nearer the highway for which she must compose the smells, Anne feels, rubs and sniffs cave interior surfaces, getting Guillaume to write everything she says in a notebook.… Read the rest

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Ava

Director – Sadaf Foroughi – 2017 – Iran – 102m

** 1/2

Available on VoD from Friday, August 21st

Ava (Mahour Jabbari) is a schoolgirl studying music – against the wishes of her parents, particularly her straight-laced and conservative mother Bahar (Bahar Noohian) who thinks music isn’t a real job and her daughter should consider a career that pays. Bahar is a hospital doctor and her husband Vahid (Vahid Aghapoor) is a freelance architect.

By way of a prank, Ava makes a bet with her friends and classmates Melody (Shayesteh Sajadi) and Shirin (Sarah Alimoradi) that she can get a date with Nima (Houman Hoursan) who is currently dating another classmate Yasi (Mona Ghiasi). Her mother hates the fact that Ava and Melody are best friends and spend a lot of time together, not least because Melody’s mum is a single parent.

Meanwhile, Bahar recounts a difficult hospital shift where a girl was found screaming wandering at night although she can’t bring herself to use words as explicit as “pregnancy” or “abortion”. This recent experience is in the back of her mind when she discovers one Saturday that Ava is not round at Melody’s but somewhere else. (Ava is spending time with Nima and misses the bus to get back.)… Read the rest

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Fish Story
(フィッシュストーリー)

Director – Yoshihiro Nakamura – 2009 – Japan – Cert. 15 – 112m

*****

I review Fish Story for All The Anime.

A comet threatens to destroy life on Earth. Three years earlier a religious cult attempts a ferry hijack. In the 1970s a punk band records and disbands before the Sex Pistols do. Welcome to the bizarre and quirky vision of Yoshihiro Nakamura’s Fish Story (2009). As well as being the screenwriter of Dark Water, Nakamura is also a prolific writer-director whose films include the likeable See You Tomorrow, EveryoneFish Story had a DVD release back in 2009 and distributors Third Window are now putting out a Blu-ray with a lovely new transfer and a heap of excellent albeit standard definition extras.

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The story is touted as how a song by a punk band can change the world… which, while a good bit of PR spin, makes this highly entertaining and enjoyable film sound far more focused than it actually is.

I review Fish Story for All The Anime.

Trailer:

https://www.youtube.com/watch?time_continue=20&v=vC5E4-LRrTk&feature=emb_logo
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Young Ahmed
(Le Jeune Ahmed)

Directors – Jean-Pierre & Luc Dardenne – 2019 – Belgium, France – 85m

***1/2

Exclusively on Curzon Home Cinema from Friday, August 7th

Belgian teenager Ahmed (Idir Ben Addi) is having problems with his teacher Miss Inès (Myriem Akheddiou). As he sees it, she disrespects his Muslim faith. His life timetable is governed by the time table of not, as you might expect, his school but his mosque. He must attend prayers at a specific time. Actually, his teacher and school are more than accommodating of these demands, but that’s not how Ahmed sees it.

He has long and deep discussions with his local Imam, Youssouf (Othmane Moumen), a radical jihadist and frankly a pretty creepy individual. Ahmed looks up to and trusts him. More than he does his teacher who he accuses on various occasions of betraying the faith, having a Jewish boyfriend and being an infidel. (Incidentally, this being a French language movie the word ‘infidel’ has a direct meaning of ‘unfaithful’ in that language, something I’ve never noticed before.) More than he does his mother (Claire Bodson) who he berates for having the occasional drink or two. It doesn’t help that he seems to regard women and girls as unclean and inferior.… Read the rest