Tag: UK

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SCALA!!!
Or, the incredibly strange rise and fall of the world’s wildest cinema and how it influenced a mixed-up generation of weirdos and misfits

Directors – Ali Catterall, Jane Giles – 2023 – UK – Cert. 18 – 96m

*****

From 1978 to 1993, London’s Scala Cinema programmed everything from art house to sexploitation, ushering in the upcoming generation of anti-establishment musicians, filmmakers, and others – out in UK cinemas on Friday, January 5th

Whatever the strengths of this film – and they are legion – it may be impossible for me to write an objective review of it. From my first visit to Tottenham Street to watch an afternoon programme of back-to-back Tex Avery animation shorts on Saturday, 25th October 1980, I could often be found at London’s Scala cinema in the 1980s, broadening my mind as I lapped up welcome servings of movies long or short, old or new, highbrow or trashy. So there are a few additional titbits in what follows which come from my own personal, mental Scala archive of memory rather than from the documentary itself.

As for the date, my memory’s not actually that good. Such information can, however, be discerned from the wondrous if unfeasibly large-sized book SCALA CINEMA 1978-1993, which amongst other things contains all the monthly Scala programmes. It was written by co-director and former Scala employee / programmer Jane Giles’ and edited by fellow co-director Ali Catterall.… Read the rest

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Animation Documentary Features Live Action Movies Top Ten

Top Ten Movies
(and more)
2023

Full Tiime

Work in progress – subject to change. Because I am still watching movies released in 2023, so it’s always possible that a new title could usurp the number one in due course. Before that, I have a lot more movies still to add / sort.

All films received either a theatrical or an online release in the UK between 01/01/23 and 31/12/23.

This version includes re-releases, but those aren’t numbered. It’s hard to imagine movies improving on Powell and Pressburger’s i know where i’m going or The Red Shoes, Powell’s Peeping Tom or Von Trier’s Melancholia.

In addition to re-releases, this version also includes films seen in festivals which haven’t had any other UK release in 2023.

The star ratings may occasionally differ from the star rating I gave a particular film at the time of review.

Beyond the first 25 numbered titles, there may be numerous errors (missing links to reviews where I wrote one, year of release, country, and maybe more). All this will be fixed in time, but I wanted to get something online in the holidays.

Finally, last year’s list is here.

Top Ten Movies (and more) 2023

Please click on titles to see reviews. (Links yet to be added.)… Read the rest

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Documentary Features Live Action Movies

Next Goal Wins
(2014)

Directors – Mike Brett, Steve Jamison – 2014 – UK – Cert. 15 – 97m

*****

DVD review for Third Way, 2014.

In 2001, American Samoa suffered the worst ever defeat for a soccer team in a World Cup qualifier when they lost to Australia by a staggering 31 goals to nil. Ten years later, FIFA still ranked the side at the bottom of its league table. Where most football teams dream of winning, American Samoa dreamed of not conceding a goal. Sensing herein the seed of a subject for a documentary film, Brit filmmakers Mike Brett & Steve Jamison headed for the tiny, English-speaking, Pacific island and spent months there hanging out with and filming the team in the training run up to the 2014 World Cup. What they captured on camera and edited into a feature film is both remarkable and compelling, whether or not you’re interested in football.

Rather than the expected group of losers, they find the team are steeped in the culture of American Samoa which is all about community, family and (Christian) religion, a very different cultural underpinning to Brett and Jamison’s. Western capitalism – and football within it – is all about competing, pushing yourself and your team as far as you / they can go and, ultimately, winning.… Read the rest

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Features Live Action Movies

The Red Shoes

Producers-Writers-Directors – The Archers (Michael Powell and Emeric Pressburger) – 1948 – UK – Cert. PG – 135m

*****

A young dancer gives her all to the art of ballet, symbolised by the story’s centrepiece of the Ballet of the Red Shoes, in which the heroine is danced to death by the eponymous footwear – out in UK cinemas on Friday, December 8th; major season Cinema Unbound: The Creative Worlds Of Powell + Pressburger continues at BFI Southbank and on BFI Player until the end of December with a free exhibition The Red Shoes: Beyond The Mirror (booking essential) running until Sunday, January 7th 2024

The second movie by the Archers not to deal with wartime issues in any way, shape or form (the first being Black Narcissus, 1947) deals with art in the story of a young dancer torn between love and her chosen art form. Student Julian Craster (Marius Goring) is outraged to discover, during its debut performance, that his music tutor Professor Palmer (Austin Trevor) has lifted several passages of Craster’s college work to pass them off as part of his latest dance score Heart of Fire. His subsequent interview with ballet company head and creative genius Boris Lermontov (Anton Walbrook, who appeared in four Productions of the Archers and later in The Queen Of Spades, Thorold Dickinson, 1949) secures him a lowly job as music arranger for the prestigious Ballet Lermontov.… Read the rest

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Animation Features Movies

Chicken Run:
Dawn of the Nugget

Director – Sam Fell – Co-Director – Jeff Newitt – 2023 – UK – Cert. PG – 101m

****

Which came first – the chicken or the egg? Having escaped the farm for an island paradise, the chickens must break into and wreck a food processing factory masquerading as a holiday camp to lure unwitting chickens to their doom – out in UK cinemas on Friday, December 8th and on Netflix from Friday, December 15th

More than two decades after the original Chicken Run (Nick Park, Peter Lord, 2000), its poultry return. They can hardly escape from the farm again, having established themselves on a secluded island in a lake well away from human beings. So the original’s co-screenwriter Karey Kirkpatrick, a veteran of The Rescuers Down Under (1990), James And The Giant Peach (1996), The Little Vampire (2000), Charlotte’s Web (2006), makes use of a number of very clever tricks to have the chickens break in to a facility that endangers chicken lives rather than break out of one.

He effectively redeploys the escapees from the original, but it being over two decades since its production, he races through what would be just over a decade in chicken years if their lifespans were comparable to humans and has the hero Rocky (voice: Zachary Levi) and the heroine Ginger (voice: Thandiwe Newton) get together and produce a family in the form of a daughter, Molly (voice: Bella Ramsey) , who in the opening minutes’ montage grows into a teenager.… Read the rest

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Animation Features Live Action Movies

Wonka

Director – Paul King – 2023 – US – Cert. PG – 112m

Movie ****

Hugh Grant as an Oompa Loompa when he eventually appears*****

How the youthful Willy Wonka became the world’s most celebrated maker of chocolate – musical based on one of Roald Dahl’s best-known characters is out in UK cinemas on Friday, December 8th

Willy Wonka is familiar to generations of children through both the book in which he first appeared, Roald Dahl’s Charlie and the Chocolate Factory (1964) and its two film adaptations Willy Wonka & the Chocolate Factory (Mel Stuart, 1971) and Charlie and the Chocolate Factory, Tim Burton, 2005). Rather than remake the novel a third time, Warner Bros. have taken the bold step of creating a Willy Wonka origin story. Who was Wonka before he became the innovative and eccentric chocolate factory owner that book and movie audiences know and love? It’s a great idea for a film.

Paul King, who previously breathed cinematic life into another well-known figure from British children’s literature in his two Paddington movies (2017 and 2014), has, together with Paddington 2 co-screenwriter Simon Farnaby, come up with an original story which feels like a Dahl adaptation – although it isn’t.… Read the rest

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Animation Documentary Features Live Action Movies Shorts

The Picks that spoiled our film critic!

Tallinn viewed from the Nordic Hotel Forum.

Jeremy Clarke returns to the Tallinn Black Nights Film Festival in order to cover the Critics’ Picks section (which is now on its second year); he encounters what’s probably the strongest section of the event

Some people have a fear of flying. I don’t, but dislike of all the bureaucratic paraphernalia that surrounds airports. Not to mention London’s transport system, which is good most of the time, but not so much when it goes wrong. Coming home from the Festival last year, I got caught up in a tube strike. That didn’t happen this year. Indeed, the travel to and from the airport worked better for a number of reasons.

One was that the Festival’s hospitality team were kind enough to book my flights to and from Heathrow. This meant I could use the Elizabeth Line to travel to and from the airport. I currently live on the Victoria Line, which connects directly with three major rail terminals (Kings Cross, Euston, Victoria) but not the Elizabeth Line. The Elizabeth was all a bit too new last year, but Londoners who frequently travel into the centre of town as I do have got rather more used to it, and the Oxford Circus (Victoria Line) to Bond Street (Central Line) to Heathrow (Elizabeth Line) is reasonably easy to navigate.… Read the rest

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Art Documentary Features Live Action Movies Music

Exhibition on Screen:
Klimt & the Kiss

Gustav Klimt

Director – Ali Ray – 2023 – UK – Cert. 12a – 90m

*****

A look at one of the world’s favourite paintings, housed in Vienna’s Belvedere Museum, and the wider body of work of the artist who created it – out in UK cinemas on Monday, October 30th for one day only

All lovers of art have their blind spots. That’s partly why we go to exhibitions, to fill in the gaps in our knowledge. Gustav Klimt’s The Kiss is one of those images everyone knows, since it’s been widely reproduced as prints, while movie buffs know it from the opening museum sequence of Bad Timing (Nicolas Roeg, 1980) and as a major influence on the visuals of The Thief And The Cobbler (Richard Williams, 1993). Beyond that, however, my knowledge of both Klimt and the painting itself are sparse. This latest entry in producer Phil Grabsky’s excellent Exhibition On Screen series about art is therefore most welcome since it proves highly informative about both.

Accompanied by a perfectly judged piano score of sequences of notes rising and falling, it opens on out of focus images of gold surfaces before showing us a detail of the two heads in the painting viewed not, as you might expect, straight on, but from a side angle.… Read the rest

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Features Live Action Movies

Peeping Tom

Director – Michael Powell – 1960 – UK – Cert. 15 – 101m

*****

“It’s just a film – isn’t it?” The obsessive home moviemaker who lives in the attic is photographing women as he kills them, leaving an inexplicable look of abject terror on his victims’ faces as they die – back out in UK cinemas on Friday, October 27th; major season Cinema Unbound: The Creative Worlds Of Powell + Pressburger continues at BFI Southbank and on BFI Player until the end of December

What would have happened to Michael Powell if he and Emeric Pressburger had never met each other? Powell cut his teeth making ‘quota quickies’ in the 1930s British film industry: low budget films whose function was to ensure British talent got a chance in an international industry dominated by product from Hollywood. His final film before he and Pressburger began working together is the impressive The Edge Of The World (1937) about a remote Scottish island. One of his first after they went their separate artistic ways was Peeping Tom (1960), now widely regarded as his strongest solo outing.

It was made the same year Hitchcock released Psycho, but where that film about a psychopathic killer worked wonders for Hitch’s career in Hollywood, this one saw Powell vilified by contemporary critics.… Read the rest

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Features Live Action Movies

Typist Artist Pirate King

Director – Carol Morley – 2022 – UK – Cert. 12a – 106m

****1/2

Road movie in which her psychiatric nurse drives an artist with mental health issues from London to an open entry exhibition in the North – in cinemas from Friday, October 27th following premieres in the 2023 Raindance Film Festival (UK premiere) and 2022 Tallinn Black Nights Film Festival (world premiere)

In these days of US-style promotion, branding and media, it’s easy to think of artists as high profile, rich and successful. While some are, that’s not what an artist is: an artist is, quite simply, someone who makes art. (If they’re a good artist, they make good art. Whatever that is.) The subject of Morley’s new road movie is the artist Audrey Amiss (1933-2013) who, although she exhibited her work a number of times during her lifetime, received scarcely any recognition in that period. She suffered from mental health issues and was in and out of mental hospitals throughout her life.

Audrey (Monica Dolan) is regularly visited in her London flat by psychiatric nurse Sandra (Kelly Macdonald). One day, she asks Sandra to drive her to an exhibition which has an open call for artists, as she’s never exhibited and feels the time has come.… Read the rest