Tag: South Korea

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Features Live Action Movies

Woman of Fire
(Hwanyeo,
화녀)

Director – Kim Ki-young – 1971 – South Korea – Cert. 18 – 98m

*****

A married couple’s housemaid seduces the husband, ensnaring him in a love triangle from which there is no escape – 4K Restoration played at the London East Asia Film Festival (LEAFF) (European Premiere) and screens again 6.30 at the ICA on Friday, November 5th book here as part of a strand dedicated to actress Youn Yuh-jung (Best Supporting Actress, Minari) at the London Korean Film Festival (LKFF) which runs from Thursday, November 4th to Friday, November 19th

Kim Ki-young is probably better known for his breakthrough film The Housemaid (1960) than any other title. Not only did the film establish him as a maker of dark films about twisted relationships, it also inaugurated something of his trademark style. While a real watershed in Korean cinema generally and Kim’s career in particular, the material was something he felt he could do a lot more with: he remade it directly not once but twice as Woman of Fire (1971) and Woman of Fire ‘82 (1982). Where the highly effective original was shot in both black and white and the old 4:3 Academy format, the two remakes like many of his later films were both colour and scope, and made full use of both, giving them additional qualities lacking in the original.… Read the rest

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Features Live Action Movies

The Prayer
(Gan Ho-Joong,
간호중)

Director – Min Kyu-dong – 2020 – South Korea – Cert. 12a – 108m

*****

Just how capable are caregiver androids of looking after their terminally ill patients? – thought-provoking science fiction from the London East Asia Film Festival (LEAFF), on now

In a vast, multi-storey building complex, end of life patients are attended by Caregivers, lifelike female androids programmed to perform all the necessary tasks of palliative care, their faces modelled after their purchaser. Manufactured by the German TRS Corporation, they come in a variety of models, including an entry-level type with only basic functions and a more advanced models which can cope better with patients’ needs.

One patient is surrounded by Christian friends of his wife loudly singing praise and worship songs, to the annoyance of those living in nearby units. Adherents of the Christian religion play quite a significant part in the narrative, with nun Sister Sabina (Ye Soo-jung) going round putting stickers wherever she can in these complexes inviting people to phone her if they want to pray.

They might well want to take up her offer. A lot of the patients’ relatives / carers could do with some sort of assistance. Mrs. Choi (Yum Hye-ran from Default, Choi Kook-hee, 2018; Memories Of Murder, Bong Joon Ho, 2003) has sold the family home to pay for a Caregiver (also Yum Hye-ran) for her dementia-stricken husband (Yoon Kyung-ho from Okja, Bong Joon Ho, 2017).… Read the rest

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Ring
(Ringu,
リング )
(Collection)

Ring

Director – Hideo Nakata – 1998 – Japan – Cert. 15 – 96m

*****

Spiral (Rasen)

Director – Joji Iida – 1998 – Japan – Cert. 15 – 97m

** 1/2

Ring 2

Director – Hideo Nakata – 1999 – Japan – Cert. 12 – 95m

*****

Ring 0

Director – Norio Tsuruta – 2000 – Japan – Cert. 15 – 99m

***1/2

Ring plays in the BFI Japan 2021 season October / November at BFI Southbank, also currently streaming on BFI Player as part of the BFI Japan 2021 programme. Ring and Ring 2 are on Shudder.

You watch a short, scary video on the VCR. Then your phone rings… you have a week to show it to someone else – or die! Ring (1998) took the world by storm.

A single parent, TV journalist investigates a cursed videotape…

I review Arrow’s Ring Collection for All The Anime.

Ring plays in the BFI Japan 2021 season October / November at BFI Southbank, also currently streaming on BFI Player as part of the BFI Japan 2021 programme. Ring and Ring 2 are on Shudder.

Trailer:

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Moving On
(Nam-mae-wui
Yeo-reum-bam,
남매의 여름밤)

Director – Yoon Dan-bi – 2019 – South Korea – Cert. 15 – 105m

***1/2

A father takes his teenage daughter and her younger brother to stay with their ageing grandfather for the Summer – plays on MUBI as part of their New South Korean Cinema season

It’s the Summer, so dad (Yang Heung-joo) takes his two kids, teenage daughter Okju (Choi Jun-un) and smaller son Dongju (Park Seung-jun) off to stay with Grandpa (Kim Sang-dong). Moving location is no problem work-wise since he makes a living selling tennis shoes out of his small van on the street. It’s a precarious existence – at one point, he asks a man who runs a fabric shop whether he makes good money in that trade. And when Okju tries to sell some herself, she comes up against a buyer who has realised that the shoes are knock-offs.

There’s quite a bit of sibling rivalry – immediately on moving in, Okju refguses to let Dongju sleep in the room she has nabbed for herself after setting up her mosquito net. But as their aunt Mijung (Park Hyun-young) is later heard to remark, although the pair argue they actually get on with each other quite well.… Read the rest

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Beasts
Clawing At Straws
(Jipuragirado
Japgo Sipeun
Jimseungdeul,
지푸라기라도
잡고 싶은 짐승들)

Director – Kim Yong-hoon – 2020 – South Korea – Cert. 15 – 108m

****

A number of individuals in dire financial straits do whatever they can to get hold of a bag of money – on Curzon Home Cinema from Friday, August 6th and Digital from Monday, August 23rd

Seemingly disparate plot strands suggest a group of separate stories about to be narrated in parallel, but in fact they’re all part of the same story and eventually converge in this compelling thriller involving an ensemble of characters and a bag of money. A number of the characters are in dire and indeed impossible financial circumstances with no obvious way out. The bag of money, when it turns up in each of their lives, represents a possible escape route for each of them.

Lowly bathhouse attendant Jung-man (Bae Seong-woo) finds the abandoned carryall stuffed full of wads of banknotes in a locker on the premises. Of course, the right thing to do would be to hand it in to his boss, but his boss is a nasty piece of work who fires any employee who’s late twice. Besides, Jung-man’s incontinent mother (Youn Yuh-jung) who lives in his home has dementia, refuses to wear incontinence pads and makes life hell for his wife who works a menial cleaner’s job at the airport.… Read the rest

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Documentary Features Live Action Movies

Sound Of Nomad:
Koryo Arirang

Director – Kim So-young (as Kim Jeong) – 2017 – South Korea – 87m

****

How an indigenous theatre company kept the culture of the Koryo people alive after they were deported by the Soviet authorities from Far East Russia to Kazakhstan in 1937 – in the documentary season: Korean Film Nights: In Transit presented by LKFF, the London Korean Film Festival

The Beijing Treaty (of 1860 although the date isn’t mentioned) ceded to Russia the so-called Maritime Province – an area of land stretching down to Vladivostock. The territory bordered on the Northwestern tip of Choson (Joseon), today’s Korea, and Chosons stated migrating into the Maritime Province, calling themselves the Koryo people. In late 1937, the Soviet authorities decided that the Koryos could potentially be Japanese spies and deported them in boarded up trains to Ushtobei, Kazakhstan, Central Asia.

The journey took two days and many children died, their corpses thrown unceremoniously out of the train at night. After the journey, the deportees faced a harsh winter, the eventual death toll rising to 40 000.

This story has been documented in Korea, but little else about the Koryos has. The first Kazakhstan Koryo settlement in Ushtobei is today marked by a memorial.… Read the rest

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Documentary Features Live Action Movies

Weekends
(Wi-ken-jeu,
위켄즈)

Director – Lee Dong-ha – 2016 – South Korea – 95m

**1/2

A group of South Korean men are involved in an openly gay, male voice choir – in the documentary season: Korean Film Nights: In Transit presented by the LKFF, the London Korean Film Festival

Seoul. Fast-forward from a theatrical stage. Clubbing. Shopping. A medical check up. Buying medicines from the chemist. Serving drinks at the bar. Getting a cab. Looking at a musical score on the train. Welcome to the lives of a group of gay man, the members of South Korea’s first gay, male voice choir G-voice whose songs articulate issues of gay life and identity. Most of them readily admit to being mediocre singers and one confesses he’s only doing it because his lover is.

College student Sander finds himself thrust into the limelight when he volunteers to take over as the group’s leader. Musical director Jaewoo is a doctor while bass singer Cheolho is a pharmacist. “It’s hard to find songs dealing with gay love affairs”, says Jaewoo. When a friend asked him for some advice, he thought the words would make a great song and turned them in to one. He clearly has a gift for this – this documentary is awash with many such songs he’s written.… Read the rest

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Samjin Company
English Class
(Samjin Group
Yeong-aw TOEIC-ban,
삼진 그룹영어토익반)

Director – Lee Jong-pil – 2020 – South Korea – Cert. 12 – 110m

*****

Three undervalued corporate women employees investigate an environmental cover up at their company – a teaser screening from the London Korean Film Festival

1995, Korea. Three twentysomething women working in the Samjin Company are consistently undervalued. They meet up after work and swap stories about their respective departments.

Lee Ja-young (Go Ah-sung from Snowpiercer, 2013; The Host, 2006, both Bong Joon Ho) is a Girl Friday smarter than most of the male employees in her office, including her immediate superior and corporate conformist Choi Dong-soo (Cho Hyun-chul), which would probably cease to function without her. Jeong Yu-nah (Esom from Microhabitat, Jeon Go-woon, 2017) is a marketing minion constantly held back by an immediate superior who does everything they can to take credit for her ideas. Sim Bo-ram (Park Hye-su) is a maths prodigy working in the accounts department where her forward-thinking, male boss Bong Hyeon-cheol (Kim Jong-soo), against the prevailing sexist norm, is possessed of the ability to recognise talent in employees regardless of gender and treat them decently as co-workers.

Sent to clear out the old offices of the boss’ son Oh Tae-young (Baek Hyeon-jin), Lee is told by a male colleague to flush a pet goldfish down the toilet “to set it free”.… Read the rest

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Voice Of Silence
(Sorido Eopsi,
소리도 없이)

Director – Hong Eui-jung – 2020 – South Korea – Cert. 15 – 99m

****

Things go from bad to worse for a mute forced to look after an 11-year-old girl for her kidnapper when the latter disappears in this ostensible crime drama – screened as a teaser screening for the London Korean Film Festival

From its opening this appears a crime film, but somewhere along the line, while remaining a crime film about two men involved in executing a kidnap who are increasingly out of their depth, it turns into…well, it’s hard to say. A drama? A comedy? One of those films like The House Of Us (Yoon Ge-eun, 2019) where the children seem far more important than the adults?

Chang-bok (Yoo Jae-myung) and Tae-in (Yoo Ah-in from Burning, Lee Chang-dong, 2018; Default, Choi Kook-Hee, 2018) drive their lorry into town to sell their eggs to anyone who’ll buy. Then the pair dress for their other job. In cagoules. To project their clothing from the blood. They work as a clean-up crew for gangsters – putting protective sheeting on the floor, cleaning up the mess afterwards. Not, however, the actual dirty work of killing, of which they keep well clear.… Read the rest

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The Man Standing Next
(Namsanui Bujangdeul,
남산의 부장들)

Director – Woo Min-ho – 2020 – South Korea – Cert. 15 – 113m

****

The head of the Korean CIA becomes increasingly sidelined by President Park and decides to assassinate him – in Virtual Cinemas including Curzon Home Cinema from Friday, 25th June and on Digital Download from Monday, July 5th

Adapted from a novel, part historical truth, part guesswork and invented fiction, this is the story of Kim Gyu-Peong (Lee Byung-hun from The Fortress, Hwang Dong-hyuk, 2017; The Age Of Shadows, 2016; I Saw The Devil, 2010; The Good, The Bad And The Weird, 2008; A Bittersweet Life, 2005, all by Kim Jee-woon, and Joint Security Area, Park Chan-wook, 2000), the last director of the Korean Central Intelligence Agency (KCIA) under President Park Chung-hee ( Lee Sung-min from The Good, The Bad And The Weird, 2008) who was in power in South Korea between leading a coup and winning the subsequent elections in 1963 and his assassination by Kim in 1979. Confusingly, a second character bears the same surname as the President, Kim’s predecessor at the KCIA Park Yong-gak (Kwak Do-won from The Wailing, Na Hng-jin, 2016).

It starts off in 1979 with Kim entering the presidential safe house and vowing to the gate security detail that the president “dies tonight”.… Read the rest