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The Dark Knight
The IMAX Experience

Director – Christopher Nolan – 2008 – US – Cert. 12a – 152m

*****

If you see The Dark Knight in an ordinary cinema rather than IMAX 70mm, you haven’t seen it at all – review originally published in Third Way in 2008.

The Caped Crusader is as significant a figure in the media landscape as he is on the Gotham City skyline. Ever since revisionist graphic novel The Dark Knight Returns (1986) suggested that the methods of a so-called hero who went around beating up villains might in fact be less than heroic, the complexity of the character has become increasingly apparent. In print, the high point has been the Red Rain trilogy (1991-98), which reinvented the character as a vampire! Hollywood has jumped on the bandwagon in the last two decades with two quirky Tim Burton movies, two vacuous, family-friendly Joel Schumacher sequels and two darker Christopher Nolan outings (Batman Begins and this one).

Nolan’s entries have focused on Batman / Bruce Wayne (Christian Bale) rather than simply on Batman, whose masked vigilante is less a fabrication than his everyday millionaire playboy alter-ego. Bruce is trapped between wanting to protect the city from criminals and the dubious methods he employs to do so as Batman.… Read the rest

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Moonage Daydream

Director – Brett Morgen – 2022 – US – Cert. 15 – 135m

*****

David Bowie explored through his own words, accompanied by images of his life and art, many of his songs and extracts from numerous live performances – out in IMAX in the UK on Friday, September 16th and wide in cinemas on Friday, September 23rd.

In 2018, seasoned writer-director-editor Brett Morgen (Jane, 2017; Kurt Cobain: Montage Of Heck, 2015; The Kid Stays In The Picture, 2002) was granted unprecedented access to David Bowie’s personal archives and four years later we have the first film to be supported by the Bowie estate. Knowing all this, you enter the cinema wondering exactly what you’re going to get.

You’re immediately confronted by a quote about Nietzsche and God which is then revealed as a quote from Bowie 2002, the film immediately putting Bowie on a par with one of the nineteenth century’s greatest philosophers and arguably even God. The subject of Nietsche doesn’t come back up, but God does, quite a bit, with Bowie’s religious-leaning song “Word On A Wing” putting in an appearance and David’s voice-over talking about “something…a force directing the universe”. Like many of us today, he struggles with the word ‘God’ – is it the right word?… Read the rest

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Swan Song

Director – Todd Stephens – 2021 – US – Cert. – 105m

***1/2

Tasked with creating an open casket hairdo for his deceased, former best client, a hairdresser worn down by care home institutionalism escapes to reinvent himself – out in cinemas on Friday, June 10th

A glamourous star on a stage playing to an audience of empty chairs, Pat Pitsenbarger (Udo Kier) wakes up to the boring reality that he’s living on social security checks and wearing an old T-shirt and sweat pants in a care home in his small town of Sandusky, Ohio.

Still, he takes his pleasures where he can find them: stealing napkins from the dining room and obsessively folding them into squares a quarter of their original size, smoking ladies’ More brand cigars. The latter he lights two at once after turning the wheelchair of Gertie (Annie Kitral) – left out in the corridor – to face the window before giving her the second cigar, something in which she clearly takes pleasure despite near total paralysis.

Otherwise, though, he battles with his nurse Shaundell (Roshon Thomas) over adjusting his armchair cushion and, worse, smoking, a pleasure she forbids. He swallows a cigar to conceal the activity; she finds out and confiscates his stash.… Read the rest

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One Cut Of The Dead
(Kamera
Wo Tomeruna!,
カメラ
を止めるな!)

Director – Shinichiro Ueda – 2017 – Japan – Cert. 15 – 96m

The first 37 minutes *****; the rest ***1/2

A zombie film being shot in one long, single take and set in an abandoned warehouse is attacked by zombies… or is it? – on a Hollywood Edition Blu-ray on Monday, May 31st

With a title that translates literally as “Don’t Stop The Camera!”, this is a loving homage to both the movie shot in one take and the zombie movie. Or so it appears for its first 37 minutes, after which it turns into a comic drama about film making.

Let’s start where the film does, with its first 37 minutes. Chinatsu (Yuzuki Akiyama) is defending herself with an axe from her boyfriend Ko (Kazuaki Nagaya) who has turned into a zombie. However, like the girl facing a knife-wielding maniac at the start of Blow Out (Brian De Palma, 1981) the actress playing her is not very good and the illusion of the film collapses much as the illusion of Blow Out does when the actress delivers the most pathetic scream you’ve ever heard.

As the film delivers its first revelation – that this is not a woman defending herself against a zombie but the shooting of a movie scene of an actress portraying a woman defending herself against an actor playing a zombie – director Higurashi (Takayuki Hamatsu) storms into the scene to berate her for her shortcomings.… Read the rest