Tag: illegal

Next Sohee
(Da-eum So-hee,
다음 소희)

Post author By Jeremy Clarke
Post date 14 June 2024
1 Comment on Next Sohee
(Da-eum So-hee,
다음 소희)
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Director – July Jung – 2022 – South Korea – Cert. 18 – 134m

*****

A schoolgirl on an internship is appallingly exploited by her employers, and a police detective is called in to investigate – out in UK cinemas on Friday, June 14th

Here’s a film which presents a real problem for reviewers. Something monumental happens in the middle of the film which entirely changes it. It’s a little bit like the shift from the traumatic drama to the police manhunt in High and Low (Akira Kurosawa, 1963) and a bit like the infamous shower scene in the middle of Psycho (Alfred Hitchcock, 1960). And yet, the film is like neither of those classics in any other way (except, perhaps, the fact that it’s a remarkable film that will leave you with an indelible impression afterwards). Still, how much can a reviewer give away without ruining the film for audiences?

It’s very much a film of two halves. The first half centres around Sohee (Kim Se-eun), a star pupil at an average secondary school. She is obsessed with dancing, specifically the kind of dance moves associated with K-pop girl- and boy-bands. Among her friends are another former intern from her school who dropped out of her intern position and now spends her evenings getting paralytically drunk.… Read the rest

Tags alcohol abuse, alcohol poisoning, apologise, bonus, boy band, bullying, call centre, capitalism, car park, class tutor, company profits, competition, contracts, customer queries, customer scripts, customers, dance studio too, dancing, dead, depression, detective, difficult customer, Doona Bae, drinking, drunk, education inspection board, employee, employer, ethics, exploitation, factory, friends, girl-band, government agencies, harassment, heavy drinking, high school, hospitalisation, illegal, internet, internship, investigate, investigation, job, July Jung, justice, K-pop, Kim Se-eun, Korea, Korean Telecom, manager, manipulation, meet targets, mind control, neoliberalism, not quit, open and shut case, overwork, parents, parents and children, police, police procedural, pressure, real life case, reservoir, right-wing society, routine assignment, school, schoolgirl, secondary school, sign, Sim Hee-seop, South Korea, speakerphone, subcontractor, suicide, targets, terminate contract, visit from head office, vulnerable workers, walk, work pressures, workers' rights, workforce, workplace

Features Live Action Movies

Three Colours: Red
(Trois Couleurs: Rouge)

Post author By Jeremy Clarke
Post date 11 April 2023
No Comments on Three Colours: Red
(Trois Couleurs: Rouge)
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Director – Krzysztof Kieślowski – 1994 – France – Cert. 15 – 99m

*****

An up-and-coming model strikes up a friendship with a retired judge after her car accidentally runs over his dog one night – 4K restoration is out in UK cinemas on Friday, April 14th

This represents the third part of a trilogy based on the three colours of the French national flag, with each film representing one of that nation’s three values of liberté, égalité, fraternité (liberty, equality, brotherhood). I interviewed Kieślowski for this back in 1994, the second time I’d interviewed him. The first was in 1993 for Three Colours: Blue.

Like Three Colours: Blue and Three Colours: White before it, Three Colours: Red is about human connection or lack of it. As if to underscore the point, it starts off with an international phone call which fails to connect. In a nod to Dial M For Murder (Alfred Hitchcock, 1953) where a phone call is shown via images of telephony, little mechanisms springing into brief action to make a phone call happen, Kieślowski has his camera race along telephone cables on the ground, at one point following them down a beach into the sea and out again onto land on the other side of a lake or ocean.… Read the rest

Features Live Action Movies

Run

Post author By Jeremy Clarke
Post date 13 March 2020
No Comments on Run
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Tramps like us

Run
Directed by Scott Graham
Certificate 15, 77 minutes
Released 13 March 2020

Now on BBC iPlayer until early November 2022, also on BFI Player subscription and iTunes. Review first published in Reform, March 2020.

Finnie (Mark Stanley) hates his job in a fish factory in Fraserburgh, Aberdeenshire. He and his wife Katie (Amy Manson) have Springsteen’s legend ‘Born to Run’ tattooed on his chest and her ankle, but as he says to her: ‘We never did run very far, did we?’ This is a story about regret and longing, about not getting out, family and relationships.

Finnie’s older son Kid (Anders Hayward) has just got his girlfriend Kelly (Marli Siu) pregnant, isn’t talking to and has been dumped by her. Kid throws a wobbly at work, in the same plant as Finnie, and loses his job. When Katie gives Finnie the come on, he just wants to shower because he stinks of fish. Out of nowhere, he borrows Kid’s car keys and takes his son’s car out for a spot of illegal night time street racing, something he used to do when younger… Read the rest

Now on BBC iPlayer until early November 2022, also on BFI Player subscription and iTunes.… Read the rest

Features Live Action Movies

A Far Shore
(Tooi Tokoro,
遠いところ)

Post author By Jeremy Clarke
Post date 6 July 2022
No Comments on A Far Shore
(Tooi Tokoro,
遠いところ)
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Director – Masaaki Kudo – 2022 – Japan – 128m

****

An underage Okinawa bar hostess attempts to raise her small son while worsening circumstances conspire against her – world premiere in the Karlovy Vary International Film Festival (KVIFF) 2022 which runs from Friday, July 1st to Saturday, July 9th

A man in Okinawa club Night Babylon asks her age of a hostess: “you don’t seem very old”. It turns out the girls in question are under 18 (the legal age limit for working there; in Japan, it’s also illegal to consume alcohol under the age of 20). In fact, these girls are 17 and proud of the fact that in “wild Okinawa”, the hostesses in bars are so young. The hostesses in question are Aoi (Kotono Hanase) and her friend Mio (Yumemi Ishida), and when not working, they like to party hard, for instance to celebrate a friend’s birthday, which involves much drinking and dancing in a club. There don’t appear to be any men in their immediate peer group: they’re all women.

Once she returns home from her club night shift, Aoi calls in on her grandmother to pick up her two-year-old son Kengo (Tsuki Hasegawa).… Read the rest

Tags age limit, alcohol, assault, bar hostess, bathroom, chase, child-rearing, compensation settlement, drinking, drinking club, employment, financial hardship, financial pressures, gambling, grandmother, hiding money, hospital bill, hostess, hostess work, hostessing, hourly rate, illegal, illegal alcohol consumption, Japan, job, Karlovy Vary, Karlovy Vary 2022, Karlovy Vary International Film Festival, Karlovy Vary International Film Festival 2022, Kotono Hanase, KVIFF, legal drinking age, make ends meet, Masaaki Kudo, Okinawa, parents and children, partying, police raid, prostitution, pursued by cops, rent, shirking responsibility, single mother, small child, small son, social services, social services snoopers, Tsuki Hasegawa, underage, unfit mother, unfit parent, violence, wife-beating, work, Yoshiro Sakuma, Yumemi Ishida

Features Live Action Movies

Benediction

Director – Terence Davies – 2021 – UK – Cert. 12a – 137m

****

The life of First World War poet Siegfried Sassoon, his homosexual lifestyle and his heterosexual marriage – out in cinemas on Friday, May 20th

It’s been five years since Davies’ previous film A Quiet Passion (2016) and the curious thing is, both these films have been about poets and poetry. The earlier film was about Emily Dickinson, with its discussion about religion and Christianity very much to the fore; the new film is about Siegfried Sassoon and while the Catholicism he embraced in later years is in the mix, alongside that element Davies’ research revealed others of far greater interest to the writer-director, notably that Sassoon was gay. As you might expect, the first half hour or so concentrates on the First World War, but more time is spent in the middle of the film exploring some of Sassoon’s gay relationships with a small section towards the end skimming over his later years and heterosexual married life.

Siegfried Sassoon (Jack Lowden) saw action in the First World War and had the utmost respect for the men under his command – and they for him. He was appalled by the conditions under which they found themselves serving.… Read the rest

Tags active service, Anton Lesser, Ben Daniels, Catholicism, chief medical officer, conflict, conversion, court-martial, Craiglockhart, Craiglockhart War Hospital, dance, Edinburgh, Emily Dickinson, fathers and sons, First World War, fit for active service, gay, gay illegal, gay relationships, gay sex, Gemma Jones, George Sassoon, Hester Gatty, heterosexual marriage, high command, homosexual illegal, hospital, illegal, Ivor Novello, Jack Lowden, Jeremy Irvine, Julian Sands, Kate Phillips, law, literary, marital breakdown, marriage, Matthew Tennyson, military command, narcissist, offspring, Peter Capaldi, poet, poetry, relationships, Richard Goulding, Robbie Ross, separation, sex, sexual preference, shell shock, Siegfried Sassoon, Simon Russell-Beale, Terence Davies, theatre, top brass, war, Wilfred Owen, World War One, WW1

Features Live Action Movies

Benediction

Glum heroes

Benediction
Directed by Terence Davies
Certificate 12a, 137 minutes
Released 20 May

Films about poets are few; however, the director Terence Davies has now made two in a row as different as their historical subjects. The earlier A Quiet Passion (Reform, April 2017) concerns the introverted, isolated, American spinster Emily Dickinson while the current Benediction is about First World War poet Siegfried Sassoon (Jack Lowden) – a homosexual man when this sexual preference was illegal, before the word ‘gay’ was used to describe such things.

His Military Cross earned for bravery as a First World War officer drops into a stream then sinks, an image expressing Sassoon’s dissatisfaction with the way the war is being run, and the hardships endured by the troops. He writes in protest to the top brass, but instead of the court-martial and platform to speak he expects, he is diagnosed with ‘shell shock’, partly thanks to literary mentor Robbie Ross (Simon Russell-Beale). Sent to Craiglockhart War Hospital near Edinburgh… [Read more…]

Full review published in Reform magazine.