Tag: private eye

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La Femme Infidèle
(The Unfaithful Wife)

La Femme Infidèle (The Unfaithful Wife)

Director – Claude Chabrol – 1969 – France – Cert. 15 – 98m

*****

A man suspects his wife is having an affair, hires a private detective, and then acts upon what emerges… – back out in UK cinemas on Friday, September 11th; Claude Chabrol – Elements of Crime, a season of the director’s films, plays at BFI Southbank from Tuesday, September 1st to Tuesday, October 6th 2026.

Charles Desvallées (Michel Bouquet from Just Before Nightfall, 1971; Cop au Vin, 1985, both Claude Chabrol; The Bride Wore Black, François Truffaut, 1966) lives outside Paris with his wife Hélène (Stéphane Audran, then the director’s wife, from Les Biches, 1968, Le Boucher, 1970, both Claude Chabrol; Babette’s Feast, Gabriel Axel, 1987) and pre-teenage son Michel (Stéphane Di Napoli from Que la Bête Meure, Claude Chabrol, 1969).

He works in an office in Paris, to which he commutes by car. She often goes into town, for instance to get her hair done or visit the cinema. One day, he becomes suspicious and hires a private detective to follow her, who reports back that she is visiting the apartment of another man Victor Pegala every few days.… Read the rest

Categories
Features Live Action Movies

Ridley, Ripley,
Thelma & Louise

Ridley, Ripley, Thelma & Louise

Alien

Director – Ridley Scott – 1979 – US – X – 116 mins 35 secs

*****

Blade Runner

Director – Ridley Scott – 1982 – US – AA – 117 mins 04 secs

*****

Thelma & Louise

Director – Ridley Scott – 1991 – US – 15 – 129 mins 22 secs

*****

Bumped back to the front of this website on the occasion of Film Tottenham’s screening of Thelma & Louise in their Action Woman season on Sunday, May 17th

At the end of Alien, Ripley (Sigourney Weaver), having defeated the monster, strips down to her underwear only to discover that she hasn’t defeated it at all and it’s still in the space shuttle with her in the archetypal Hollywood false ending of recent years. It begged the question, why did Ripley remove her clothing at this point if not for the obvious gratification of the male members of the audience (and, one should add, the accompanying box office returns)?

At the end of Thelma & Louise, the eponymous heroines (Geena Davis and Susan Sarandon respectively), on the run after the former’s rapist has been murdered after the event by the latter, find themselves trapped between the Grand Canyon’s gaping precipice on one side of them and massed hordes of police marksmen, ready to open fire if they don’t surrender, on the other.… Read the rest

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Features Live Action Movies

Blade Runner –
The Director’s Cut

Director – Ridley Scott – 1993 (1982) – US – 15 – 116 mins 29 secs

*****

DO FILM EXECS DREAM OF ELECTRIC UNICORNS?

One of the two main motivating forces behind the current Tetsuo II: Body Hammer (Shinya Tsukamoto, 1992) – the other was Videodrome, (David Cronenberg, 1983) – Blade Runner turns up in the cinema here some ten years after its original release in a Director’s Cut.

According to the press handouts, this isn’t just the original cut prior to Warner Bros.’ encouraging director Ridley Scott to remove the downbeat ending and insert a film noir voice over to explain what was going on – the film has additionally been re-edited by the director to make it work for a nineties audience.

Thus, the redundant voice over has gone and the original down ending is back – to make more sense of the story. There’s also a new and crucial sequence in which Harrison Ford as Deckard (an ex-cop, or ‘blade runner’, who forcibly retires renegade androids known as ‘replicants’) dreams of a unicorn which looks suspiciously like an out-take from the director’s later big budget fairytale flop Legend (1985). The relationship between Deckard and the state-of-the-art replicant Rachel (Sean Young) (“she doesn’t even know,” he comments bitterly) is expanded too.… Read the rest