Tag: gangster movie

Crazy Thunder Road
(Kuruizaki
Sanda Rodo,
狂い咲きサンダーロード)

Post author By Jeremy Clarke
Post date 10 June 2022
No Comments on Crazy Thunder Road
(Kuruizaki
Sanda Rodo,
狂い咲きサンダーロード)
Sticky post

Director – Sogo Ishii – 1980 – Japan – Cert. 15 – 97m

*****

Following on from Arrow’s superb BD of Sogo Ishii’s Burst City (1982) comes Third Window’s equally impressive BD release of its predecessor in the Ishii canon Crazy Thunder Road (1980) – on Blu-ray from Monday, February 21st 2022 and, as of January 2024, available to stream on Amazon Prime UK

This was Ishii’s Nihon University student graduation project, his first to be shot on 16mm rather than Super 8, which somehow got picked up for distribution by major Japanese Studio Toei which led to their giving him a budget for Burst City. Tom Mes, who as with Burst City supplies a commentary for the film, describes Crazy Thunder Road as “one of the Holy Grails of Japanese film releases if not the Holy Grail.”

When Toei presented Ishii with what seemed like astronomical funding for Burst City, it led him to overreach himself. In retrospect, he considers Burst City unfinished… [Read the full review at All The Anime]

Crazy Thunder Road was out on Blu-ray in the UK on Monday, February 21st, 2022 and, as of January 2024, available to stream on Amazon Prime UK.… Read the rest

Tags 16mm, 1970s, 1976, Adam Torel, amateur, amateur film, amateur film movement, anti-establishment, army, aspiring filmmakers, Autonomous Film, barmaid, bike, biker, bikers, bookend, camera spin, car, commentary, concrete, defence, defend, destruct, doom, enthusiasm, entry points, eruption, film club, film production, funding, Gakuryu Ishii, gang, gang leader, gangster movie, gone soft, graduation, Holy Grail, improvisation, independent, Japan, Japanese film production, Jasper Sharp, Jishu Eiga, Kinji Fukusaku, Kiyoshi Kurosawa, leader, listings magazine, maboroshi, microbudget, Naomi Kawase, nationalist, Nenji Kobayashi, Nihon. student, no money, on your own terms, p, paramilitary, performance, phantom, Pia, Pia Film Festival, production, project, punk, punk ethos, rage, raining, renegade, right-wing, script, Shinya Tsukamoto, shooting at different speeds, Sogo Ishii, stopped hiring, Super 8, Tatsuo Yamada, Time Out, Toei, Tokyo, Tom Mes, UK, unfinished, university, university film club, volcanic ash, volcano, Yamagata International Documentary Film Festival, YIDFF

Features Live Action Movies

Breakout Brothers
(To Yuk Hing Dai,
逃獄兄弟)

Post author By Jeremy Clarke
Post date 10 July 2022
No Comments on Breakout Brothers
(To Yuk Hing Dai,
逃獄兄弟)
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Director – Mak Ho-pong – 2020 – Hong Kong – 12 (Camden Council) – 90m

****

Three prison inmates attempt to escape so that they can attend to various pressing, personal issues– online in the UK as part of Focus Hong Kong 2022 Making Waves from Friday, July 8th to Sunday, July 10^th

The generic side of Hong Kong movies (kung fu, supernatural, swordplay, gangster, horror, comedy) has long been one of the strengths of that territory’s film production. This one has already spawned two sequels (Breakout Brothers 2, 2021 and Breakout Brothers 3, 2022, both Mak Ho-pong). In essence, it’s deceptively simple: three inmates in prison attempt to break out. This is hardly an original concept, however two elements makes it different.

One, it’s conceived and shot as a caper movie. It’s not really a comedy, but it most definitely has a lightweight feel. This is brilliantly established from the get-go with the introduction of the score by Pong Chow and Noel Li, which follows a long tradition of themes in caper movies and TV series typified by Mission: Impossible (composed by Lalo Schifrin, 1966) with its driving yet off-kilter bass-line. In Breakout Brothers, this is accompanied by a striking, graphic,opening title sequence as good as that for Collectors (Park Jung Bae, 2020), the difference here being that Breakout Brothers lives up to the promise of its superlative title sequence whereas Collectors doesn’t.… Read the rest

Documentary Features Live Action Movies Music

Ennio: The Maestro
(Ennio)

Post author By Jeremy Clarke
Post date 22 April 2022
No Comments on Ennio: The Maestro
(Ennio)

Director – Giuseppe Tornatore – 2021 – Italy – Cert. 15 – 156m

****

Documentary Ennio: The Maestro looks at the career of Italian film composer Ennio Morricone – out in cinemas on Friday, April 22nd

It’s difficult to know where to start with Ennio Morricone, whose career in film music covers some 70 years. Tornatore adopts the chronological approach, starting with his early life. The composer’s father was a trumpeter who pushed young Ennio to learn that same instrument, leading to entry into Rome’s Santa Cecilia Conservatory where he studied both trumpet and composition. His father had raised him with a strong work ethic – using the trumpet to feed your family – and much of his early work was as a trumpeter on movie soundtrack sessions, including Othello (Orson Welles, 1951).

His wife secured him a brief stint at TV channel RAI where she was working, but on being told that he wouldn’t be able to perform anything recorded there anywhere else, Morricone quit almost immediately. Inspired by seeing experimental composer John Cage perform live, he formed the Nuovo Consonanza Improvisation Group to experiment with what he called “traumatic sounds”. This approach would inform a number of his later soundtracks.… Read the rest

Tags ¡Queimada!, A Fistful Of Dollars, A Quiet Place In The Country, arpeggio, Brian De Palma, Bruce Springsteen, Burn!, chronology, Cinema Paradiso, Clint Eastwood, composition, conservatory, counterpoint, Dario Argento, documentarian, documentary filmmaker, Edda Dell’Orso, Elio Petri, Ennio Morricone, experimental music, fathers and sons, feed your family, For a Few Dollars More, Four Flies On Grey Velvet, gangster movie, Gillo Pontecorvo, Giuliano Montaldo, Giuseppe Tornatore, Glenn Phillips, Gunfight In The Red Sands, Hollywood, I Cannibali, Il Barattolo, improvisation, Investigation Of A Citizen Above Suspicion, Italy, Joan Baez, John Cage, La Scorta, Legend Of 1900, Liliana Cavali, maestro, Metallica, movies, Nuovo Consonanza, Nuovo Consonanza Improvisation Group, Once Upon A Time In America, Once Upon A Time In The West, orchestra, Orson Welles, Pier Paolo Pasolini, Quentin Tarantino, RAI, RCA, recording session, Ricki Tognazzi, Roland Joffé, Rome, Sacco & Vanzetti, Salvatore Argento, Santa Cecilia Conservatory, school, Sergio Leone, soundtrack, Terrence Malick, The Bad And The Ugly, The Battle Of Algiers, The Bird With The Crystal Plumage, The Cat O’ Nine Tails, The Good, The Hateful Eight, The Hawks And The Sparrows, The Mission, The Untouchables, The Year Of The Cannibals, traumatic sounds, trumpet, tumpeter, TV, US, Western, work ethic, Yojimbo

Features Live Action Movies

A Dirty Carnival
(Biyeolhan Geori,
비열한 거리)

Post author By Jeremy Clarke
Post date 15 November 2017
No Comments on A Dirty Carnival
(Biyeolhan Geori,
비열한 거리)

Director – Yoo Ha – 2006 – South Korea – 140m

*****

As GoodFellas as it gets! Yoo Ha’s gangster film compares favourably to Scorsese’s classic on many levels, an underrated dirty gem of Korean noir – from the London Korean Film Festival (LKFF) 2017

Byung-doo, 29, (Jo In-sung) is a smart, lean and hungry gangster on the mean streets of Seoul, in A Dirty Carnival. As a debt collector he successfully collects payments from difficult customers. Yet his immediate boss Sang-chul (Yun Je-mun) pays him so little that Byung-doo must constantly beg him for the money to pay his mother’s apartment rent. Looking out for those beneath him and determined to better himself in the wider organisation, Byung-doo realises that its overall boss Hwang (Chun Ho-jin) would like nothing more than to get the sycophantic Prosecutor Park (Kwon Tae-won) off his back. Sang-chul clearly isn’t going to do anything about it so Byung-doo takes the task upon himself. He and one of his men drive into the back of Park’s car in a secluded spot and he kills the prosecutor when they get out of their cars to exchange details.

Byung-doo’s best mate Min-ho (Min Nam-koong) is an aspiring film director who can’t sell the script for the gangster film on which he’s working because the studio producer he approaches doesn’t think it’s realistic enough.… Read the rest