Categories
Animation Movies Shorts

Flesh Of God
(Carne De Dios)

Director – Patricion Plaza – 2022 – Argentina, Mexico, Columbia – France 16+ – 21m

*****

When a travelling monk falls prey to a fever, the folk remedy administered by an old woman causes him to experience bizarre hallucinations – from the 2023 Annecy International Animation Festival in the Official Competition section

(Warning: not suitable for work or for those of a sensitive disposition. Potentially offensive to religious i.e. Christian viewers. Also, spoilers.)

In a prologue, a young girl races through a field of crops but runs into a monk, who squishes the mushrooms she’s carrying in her bag with his foot, feels her face and checks out her teeth before she flees.

Some time later (or perhaps some time earlier), the profusely sweating monk falls off on his donkey beside his walking guide and wakes in a nearby hovel, or it might be a church, tended by an old woman muttering unintelligible rituals as she attempts to heal him. The perpendicular bars of the roof’s sole window form a makeshift cross on which hangs a Christ figure, but when mushrooms resembling the ones trampled at the start are placed in the initially reluctant monk’s mouth, glowing sprites exit his body and enter the Christ figure, which assumes a monstrous aspect and attacks him.… Read the rest

Categories
Animation Movies Shorts

Drive
(Pulsión)

Director – Pedro Casavecchia – 2019 – Argentina – 7m

*****

A series of disturbing vignettes brings to mind work by Lars von Trier, the Brothers Quay, Alfred Hitchcock and David Lynch – available to watch on YouTube (see below) from Wednesday, September 1st 2021

This Argentinan short, although computer generated, has the feel of stop-motion. It brings to mind work by Lars von Trier, the Brothers Quay, Alfred Hitchcock and David Lynch. A narrative conveyed by a series of disturbing vignettes (think: the opening minutes of Melancholia (Lars von Trier, 2011) is put together with the same kind of fastidious technical attention to detail you find in the Quay Brothers’ films. A couple of scenes borrow directly from one of the murders in Psycho (Alfred Hitchcock, 1960), but in a clever way that shocks you much as those scenes in Psycho originally did. There’s a Lynchian feel about the whole thing – not just in the strange, quasi-industrial sounds recalling Eraserhead (David Lynch, 1977) or the weird lighting and heavily controlled mise-en-scène, but also in the overall feel of strange and terrible things happening within families and local communities, people adrift within the darkness of human existence.

One single viewing is not enough for this film which really only reveals itself on repeated viewings.… Read the rest

Categories
Features Live Action Movies

The Intruder
(El Prófugo)

Director – Natalia Meta – 2020 – Argentina, Mexico – Cert. – 95m

***1/2

A woman moves between dreams and reality as she starts to fear that a foreign entity may be taking her over – on BFI Player as part of the BFI London Film Festival 2020 from 20.30 Monday, October 12th to 20.30 Thursday, October 15th

This opens with a close up of a woman’s body bound in bondage gear. She speaks in Japanese and then somewhat disorientatingly (as if this disturbing imagery hadn’t already thrown you enough) in a different voice in Spanish. Voice actress Inés (Erica Rivas) is working in a dubbing theatre. “More powerful, Inés”, says the man in the booth. After a take or two more, he’s got what he needed and they move on to the next clip.

The film’s a bit like that. The opening is representative of what is to follow: a series of bravura and often disturbing sequences that suck you in and make you wonder exactly where the film will end up. As the sequences build, one on another, I was fully expecting this to be a five star review. Alas, the film didn’t seem to know how to end and the final scene, which needed to somehow pull everything together and make sense of the larger whole, quite simply didn’t.… Read the rest