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Moana
(2026)

Director – Thomas Kail – 2026 – US – Cert. PG – 115m

***1/2

Disney’s live action remake of its Polynesian heroine mythological romp – out in UK cinemas on Friday, July 10th

It’s a curious experience watching Disney’s live action remake of Moana (John Musker, Ron Clements, 2016), one of the Studio’s better animated movies of recent years. Of course, some audience members (particularly small children) may never have seen the orginal, or, equally, because Disney are very, very good at marketing their films to a mass audience, they may already be familiar with it. Either way, the film is likely to be enjoyed by both those who know the original and those who don’t.

The original had its roots in Maori mythology, and this live action retread follows much the same path. It’s set on the island of Te Fiti, a resting goddess whose heart (a small, round, green stone) has been stolen from her in order to give humans the power of creation by the demigod Maui, and then lost along with his giant fishhook which bestows shapeshifting powers upon him.

As a small child, the chief of the island Te Fiti’s daughter Moana can’t stop thinking about venturing beyond the reef, a trangression forbidden by her father Chief Tui (John Tui) and his ancestors.… Read the rest

A Summer Tale
(Cuento de Verano)

Director – Matías Szulanski – 2025 – Argentina – 78m

*****

A moneylender’s difficulties getting money owed back from clients on time cause his heart to play up – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

It’s a lovely Summer day. Jorge (Fabián Arenillas) is out on the street, getting up again, gathering his briefcase. What happened? A blackout? A heart attack?

The camera follows him from behind as he enters a modern building. In the hairdresser’s, the owner asks him to come back later as he’s busy with a client. A cigarette on the go, stopping for a glass of Coke, he makes his next call. When the door opens, it’s the client’s son, who turns out not to have nearly enough money to make a significant payment.

He returns to the hairdresser’s, where one of the customers heaps abuse on him. If what he had at the start was a heart attack, it’s not hard to see why. Jorge leads a highly stressful life.

Wherever he goes, he seems to want to extract money from people. A phone call to Diana (Tamara Leschner) leads to a quick meeting where he picks up $124 000 and gives her an invoice.… Read the rest