Tag: Annecy

Categories
Animation Features Movies

Chicken
For Linda!
(Linda Veut
Du Poulet !)

Directors – Sébastien Laudenbach, Chiara Malta – 2022 – France, Italy – 75m

*** 1/2

A mother’s relationship with her young daughter lurches into farce as a domestic misunderstanding spirals out of control – from the Annecy International Animation Festival 2023 in the Official Competition section

This starts off with a poem in French – which, alas, has lost its rhyming in the translation to English subtitles – about the blackness of night and the empire of memory, illustrated by images within a little circle, including a ring. Then it moves to another series of floating circles, one of which is little, yellow-coloured, toddler Linda sitting in a high chair being fed spicy chicken – her favourite – by her muted-red-coloured father (voice: Pietro Sermonti) and her orange-coloured mum (voice: Clothilde Hesme), while amidst a popping of champagne corks – the muted red lines of dad’s colour against the black background – mother calls out papa’s name Giulio in horror and little Linda is upset…

The present, years later; an image not now in small circles but filling the whole movie picture frame. Schoolgirl Linda (voice: Mélinée Leclerc) badgers her mum into letting her borrow mum’s special ring, plays with it for a day then takes it to school the next day where she hangs out with her purple-coloured friend Annette (voice: Scarlett Cholleton), whose mum had bought her a beret in the exact same colour as Linda’s yellow, which Annette lends her.… Read the rest

Categories
Animation Features Movies

The Old Man
Movie
Lactopalypse!
(Vanamehe Film)

Directors – Oskar Lehemaa, Mikk Mägi – 2019 – Estonia – Cert. 15 – 88m

***

A farmer and his grandchildren must recapture his unmilked cow before its udders burst into lactopalypse – stop-frame epic is out in UK cinemas on Friday, June 2nd and currently screening in previews

Estonia’s answer to Britain’s Shaun The Sheep, this feature spin-off from long-running, popular, puppet animation TV comedy series Vanamehe Multikas (Old Man Cartoon) shows Estonian sensibilities to be very different from those of the British. This is aimed at not as you might expect children but rather the young adult market – it’s stuffed full of sexual innuendo and toilet or other bodily function humour. Since I can imagine it being an uproarious experience with the right audience, it’s a shame to have first seen this online rather than in a packed movie theatre owing to the COVID-19 pandemic.

Bookended by black and white newsreel of Old Milker’s disastrous failure to stop a cow’s unmilked udders exploding into a lactopolypse complete with milk mushroom cloud, the plot has three kids sent to stay with their grandpa on his farm for the summer. Their family car back seat introduction shows us teenage boy Priidik and girl Aino constantly on their mobile phones while their pre-teen boy sibling Mart has built an incredible, fully functioning, miniature robot cow for grandpa.… Read the rest

Categories
Animation Features Movies

Son
Of The White Mare
(Fehérlófia)

Director – Marcell Jankovics – 1981 – Hungary – Cert. 12 – 86m

*****

The Hungarian animated epic Son Of The White Mare (1981) is one of the great, largely unknown treasures of animation, if not of cinema. Its late director Marcell Jankovics (1941-2021) made a number of shorts and commercials before his two features at the Pannoia Film Studio. Eureka!’s Blu-ray contains both features, as well as some of his most significant shorts. While Son Of The White Mare remains his indisputable masterpiece, the other films on the disc go a long way to explaining how he got there. [Read the full article at All The Anime]

See my longer review on this site

and my shorter review for Reform magazine.

Son Of The White Mare is out on Eureka! Video Blu-ray.

Trailer:

Festivals

2021

Annecy

Categories
Animation Documentary Features Live Action Movies

Claydream

Director – Marq Evans – 2021 – US – 96m

****

The rise and fall of stop-frame Claymation pioneer Will Vinton and the Portland, Oregon animation studio that bore his name – out on digital from Monday, November 21st

Will Vinton, founder of Will Vinton Studios and the man who made Claymation a US household name, is in the middle of legal proceedings between himself and Phil Knight, founder of multimillion shoe company Nike. How could these two very different individuals have come into contact with one another? Well, they had a number of things in common. Both were residents of Portland, Oregon who had built up businesses there based on a successful brand name.

In the sixties, while studying architecture at Berkeley, Vinton discovered Gaudi’s organic sculptured shapes which were to influence his animation work. Borrowing his dad’s 16mm camera, he started shooting anything and everything going on around campus. At an experimental film community he set up tabletop clay animation sessions, which would often turn out pornographic footage. He became fascinated by the magical process which imbued this material with life.

Closed Mondays

He built a studio in his house where in collaboration with artist and sculptor Bob Gardiner he made the short film Closed Mondays (1974) as an excuse to show off the techniques developed by the pair.… Read the rest

Categories
Animation Features Movies Shorts

Memories
(Memorizu,
メモリーズ)

1/ Magnetic Rose (Kanojo no Omoide, 彼女の想いで)

2/ Stink Bomb (Saishu Heiki, 最臭兵器)

3/ Cannon Fodder (Taiho no Machi, 大砲の街)

Directors

– 1/ Koji Morimoto, 2/ Tensai Okamura, 3/ Katsuhiro Otomo

– 1995 – Japan – Cert. 12 – 113m

*****

Executive producer Katsuhiro Otomo’s anime anthology adapts three of his dystopian-themed manga stories into animation – out on Blu-ray from All The Anime, Monday, 12th September, details below review

The film that made Otomo’s name and the one with which he’s most frequently associated is Akira (1988). It wasn’t his first film, though. Previously, he was one of nine directors who collaborated on the uneven portmanteau Robot Carnival (1987), a compendium of different animated stories based around robots of various types. One of the other directors was Koji Morimoto.

Memories is loosely similar – it only has three stories (and three directors), allowing each of the segments a bit more room. Its three episodes are very different yet perfectly complement each other. Otomo directed the third section Cannon Fodder.

Parts of the roughly two hour Akira drag, while Otomo’s later Steamboy (2004) gets lost within a massive set piece after a near perfect opening first reel or so.… Read the rest

Categories
Animation Features Movies

Lightyear

Director – Angus MacLane – 2022 – US – Cert. PG – 107m

**1/2

Stranded on a hostile planet, Buzz Lightyear sets out on a series of missions which eventually lead to his first confrontation with the evil Emperor Zurg – plays in the Annecy Animation Festival 2022 which is taking place in a 100% on-site edition this year right now as a Screening Event on Friday, June 17th, and opens in UK cinemas the same day.

A caption at the start explains that this was the favourite film of child protagonist Andy (from Pixar’s Toy Story franchise) and the reason he got a Buzz Lightyear toy in the first place. Other than that, though, this is a completely separate and self-enclosed film.

As the literal meaning of its title implies, Lightyear delivers a narrative that races through vast periods of time at a stretch, so that we and ace space pilot Buzz Lightyear (voice: Chris Evans) and his colleague Alisha Hawthorne (voice: Uzo Aduba) land their spaceship on an unexplored planet which turns out to be populated with hostile life-forms, specifically (1) plant tendrils which burst out of the planet’s surface and try to drag anything they can back under the ground and (2) giant, flying bugs.… Read the rest

Categories
Animation Features Movies

The House
Of The Lost
On The Cape
(Misaki
No Mayoiga,
岬のマヨイガ)

Director – Shinya Kawatsura – 2021 – Japan – 100m

*****

Two children separated from their respective parents are taken in by an old woman in a benevolent, magical house with a malevolent monster nearby – plays in the Annecy Animation Festival 2022 which is taking place in a 100% on-site edition this year right now in the Official Competition section

A younger girl and an older girl find themselves at Kitsunezaki (Fox Cape) Bus Station that’s been wrecked in the 2011 Tohoku earthquake and tsunami. An old lady appears and takes them under her wing. They walk through forests, then up a hill, until eventually they arrive at a huge bungalow with a thatched roof which is to be the girls’ home. Kiwa, the old lady, claims to be their granny.

There’s something odd about the house, though. The older girl Yui accidentally makes a hole when she puts a finger through a paper wall. Later, the hole has mysteriously vanished. Then there are the drinks which appear out of nowhere when Yui says she’d like such and such a drink. At night, outside, strange turtle spirits (kappa) gather.

The younger girl Hiyori never speaks. This appears to be the result of some sort of trauma.… Read the rest

Categories
Animation Features Movies

No.7 Cherry Lane
(Jiyuantai Qihao,
繼園臺七號)

Director – Yonfan – 2019 – Hong Kong – Cert. 12A – 125m

*****

The tutor of an 18-year-old girl falls for her mother who hired him against the background of the 1967 protest marches in Hong Kong – plays in the Annecy Animation Festival 2022 which is taking place in a 100% on-site edition this year right now as a Screening Event

Insofar as this is like anything else – which it really isn’t – it’s like a reworking of The Graduate (Mike Nichols, 1967) filtered through In The Mood For Love (Wong Kar-wai, 2000). Oh, and it’s 3D rendered then 2D animated. Broadly speaking, The Graduate is about a young man seduced by a much older, bored housewife before later becoming romantically involved with her daughter. In The Mood For Love is set in early 1960s Hong Kong and includes a sequence on a sloping pedestrian street where a man passes a women walking in the opposite direction, the whole thing charged with a sense of romantic longing. There;’s a similar scene in No.7 Cherry Lane, although it’s considerably less central to the plot than the one in In The Mood For Love.

Yonfan, here making his first film in ten years, would certainly agree that filmic and literary references abound in the film.… Read the rest

Categories
Animation Features Movies

A Silent Voice
(Koe
No Katachi,
聲の形)

Director – Naoko Yamada – 2016 – Japan – Cert. 12a – 130m

****

Groundbreaking and innovative Japanese drama about school children, bullying, remorse, isolation and self-loathing – plays in the Annecy Animation Festival 2022 which is taking place in a 100% on-site edition this year right now in the Special Programmes section (A Special Screening for the Hard of Hearing)

Egged on by Naoka Ueno (voice: Yuki Kaneko) then later shunned by classmates for his bullying of new girl in class Shoko Nishimiya (Saori Hayami), who happens to be deaf, Shoya Ishida (Miyu Irino) stops interacting with them and withdraws. This is represented onscreen by the extraordinary graphic device of an ‘X’ over the faces of his fellow schoolmates whenever they appear. It’s a very powerful way of expressing his isolation. Five years on, wrecked with guilt about his treatment of Nishimiya, he learns sign language and decides to befriend her and to make amends…

This film may well broaden your idea of what animation is capable. It’s nothing like Disney and equally it’s light years from Japanese SF action fest Akira (Katsuhiro Otomo, 1988) although it likewise started life as a manga and concerns teenagers.… Read the rest

Categories
Animation Dance Features Live Action Movies Music

Coppelia

Directors – Jeff Tudor, Steven de Beul, Ben Tesseur – 2021 – Netherlands, Germany, Belgium – Cert. U – 82m

****

People in an idyllic town must thwart the nefarious plans of a mad scientist in this extraordinary amalgam of dance, live action performers and animation – out in cinemas in the UK on Friday, April 1st

This isn’t the first movie to combine live action with animation nor will it be the last and while it has numerous echoes of movies intentional or otherwise, it’s very much its own vision. First and foremost a dance piece but far from mere ‘filmed dance’, it will appeal as much to admirers of the twin arts of cinema and animation as to devotees of dance. Being entirely devoid of verbal language, it’ll attract lovers of silent cinema too. (One can imagine the film shown mute with a live orchestra playing the score.)

The lack of verbal language means that the characters are never named (just like in a ballet where you’d refer to a cast list in an accompanying programme) although tags for a number of them are obvious – several shop owners include a bicycle repair man (Daniel Camargo), a florist, a hairdresser (Jan Kooijman) and a baker of bread and cakes (Irek Mukhamedov) while a dance studio hosts a ballet teacher (Igoné de Jongh) and her child student troupe.… Read the rest