Category: Features

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Features Live Action Movies

Rocks

Director – Sarah Gavron – 2019 – UK – Cert. 12 – 93m

****

A 15-year-old, East End London schoolgirl must look after her seven-year-old brother when their mother abandons them – in cinemas from Friday, September 18th

From its opening, in which a bunch of ethnically diverse, 15-year-old girls from Hackney in London’s East End clown around together, lean on a balcony and film each other on a mobile phone, it’s clear that this is something very different. It’s been made with a young, mostly female cast many of whom have little or no acting experience via intensive workshopping and improvisation. Thrown into this mix somewhere along the process a highly personal script outline has emerged from Theresa Ikoko, one of two writers involved in the lengthy development process, which seems a perfect fit for the young cast.

Although the story source was Ikoko, I’m guessing that the input of co-writer Claire Wilson is just as significant. And while I believe you can never underestimate the importance of a good script which lays the foundations of a production, in this particular instance many other collaborators both behind and in front of the cameras have also contributed a great deal, with director Gavron and her producers holding it all together.… Read the rest

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Features Live Action Movies

Papicha

Director – Mounia Meddour – 2019 – France, Algeria, Belgium, Qatar – Cert. 15 – 108m

****

In selected cinemas (Curzons Bloomsbury and Mayfair). Also on Barbican cinema on demand, BFI Player, Curzon Home Cinema and Peccadillo Pictures On Demand from Friday, August 7th.

Algerian university fashion student Nedjma (Lyna Khoudri) is often called ‘Papicha’, a typically Algerian word that refers to a funny, attractive, liberated young woman. Nedjma and her roommates love life and think nothing of going out to nightclubs to put on fashion parades.

However, this being the late 1990s an upsurge of Islamic conservatism manifests itself throughout the narrative. First, fly posters advocating the hijab for women appear on walls (Nedjma immediately tears down these posters on seeing them). Later, she confronts a young man putting these posters up, but after challenging him notices a handgun tucked in his waistband so quickly backs off.

Groups of hijab-clad women take the law into their own hands vigilante style. They surround and take away a lecturer addressing Nadjma’s class. They turn up in the middle of the night at her shared room and threaten the occupants. And worse is to come.

One of the difficulties about writing about this film is that some of its narrative incidents would be much more shocking if you don’t know exactly what’s coming.… Read the rest

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Art Features Live Action Movies Music

Bill & Ted
Face The Music

Director – Dean Parisot – Writers – Ed Solomon and Chris Matheson – 2020 – US – Cert. PG – 91m

****

Party on, dudes! The two friends return having failed over 25 years to write the song to unite all of humanity and prevent the universe unravelling – in cinemas from Wednesday, September 16th

William ‘Bill’ S. Preston esq. and Theodore ‘Ted’ Logan (Alex Winter and Keanu Reeves) have somehow failed to fulfil their destiny and become losers. 25 years on from their two earlier outings Bill & Ted’s Excellent Adventure (Stephen Herek, 1989) and Bill & Ted’s Bogus Journey (Peter Hewitt, 1991). Bill and Ted’s band Wyld Stallyns has been reduced from selling out stadium gigs to playing open mike nights. 

Then they are taken in a time travel pod to 2700 A.D. to discover that because they never did write that song to unify all humanity, the fabric of space and time threatens to unravel by 5.17pm that very day in 2700. 

Their wives Elizabeth and Joanna (the fifteenth century English princesses from the first film here played by Erinn Hayes and Jayma Mays) have had enough and are going to couples’ counselling… so Bill and Ted travel back to join them, inadvertently making the situation worse.… Read the rest

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Features Live Action Movies

The Roads Not Taken

Director – Sally Potter – 2020 – US – Cert. 15 – 85m

*****

A man drifts through separate existences and times while his daughter struggles to look after him in present day New York City – in cinemas from Friday, September 11th

This is something of a disorienting experience because it slips and shifts effortlessly between separate realities. Molly (Elle Fanning) is taking the day off work in New York to spend time with her dad Leo (Javier Bardem) who lives in a crummy apartment the front access door of which opens onto a busy main street. Her plan is to get him to appointments at the dentists and the opticians in the morning, then be in work for an important meeting in the afternoon. However, it doesn’t work out like that.

At the start, the phone rings and the buzzer goes repeatedly. Molly is in a taxi and his Leo’s maid Xenia (Branca Katic) is outside his front door. Eventually they’re inside, Molly having presumably forced their way in. “Everything is open”, he says to her as he lies, in a daze, in bed. “It’s not, actually, dad,” she replies. “The front door is closed.” She brings him the photo of his late and beloved dog Nestor from the mirror across the room.… Read the rest

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Features Live Action Movies

Memories
Of Murder
(Salinui chueok,
살인의 추억)

Director – Bong Joon Ho – 2003 – South Korea – Cert. 15 – 131m

*****

Three cops attempt to track down a serial sex killer. Based on a real life, unsolved murder case. With Song Kang-ho – in cinemas and on Curzon Home Cinema from Friday, September 11th

On one level, there’s nothing remarkable about Memories Of Murder, a crime movie about cops hunting a serial killer. This is a sub-genre done to death in Hollywood and elsewhere. On another level, however, it has the hallmarks of a really rich and strange talent getting hold of a well-worn formula and doing something fresh, new and original with it.

For one thing, it never dwells on the gore or fetishises the detail of the crimes. At the same time, like much Korean cinema, it never shies away from this material either. It’s unafraid to have an autopsy scene in which the pathologist discovers nine pieces of peach inside a corpse’s vagina but feels just as at ease that a testimony from a survivor throws up an important clue like, I didn’t see the killer’s face because if I had looked at him he’d have killed me, but I did notice he had soft hands.… Read the rest

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Features Live Action Movies

The Painted Bird
(Nabarvené ptáče)

Director – Václav Marhoul – 2019 – Czech Republic – Cert. 18 – 169m

****1/2

An orphan boy meets a series of adults, a few kind but most cruel, travelling around Eastern Europe during World War Two – in cinemas and online at Amazon, BFI Player, Curzon Home Cinema, IFI@HOME, Rio Cinema Online and Vimeo On Demand in the UK from Friday, September 11th

You’re really not quite sure where you are for the first hour of this mammoth Czech production stuffed with Hollywood stars speaking not a word in English. A boy (Petr Kotlár) whose name we won’t discover until the film’s final minutes flees through a wood before being caught by bullies who burn and kill his pet ferret.

That proves prophetic because soon afterwards at night, he discovers that his aunt, with whom he lives, has died upright in her chair. He is so startled that he knocks over an oil lamp and burns the house down. Now he’s an orphan at the mercy of the world, which is not a pleasant one being Eastern Europe at the time of the second world war. The rural people are primitive. Christianity is largely a matter of ritual and superstition; belief in vampires is so widespread that a local witch can claim the boy is a vampire and be believed.… Read the rest

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Features Live Action Movies Shorts

Melancholic
(メランコリック)

Melancholic

Director – Seiji Tanaka – 2018 – Japan – Cert. 15 – 114m

*****

Melancholic

Director – Seiji Tanaka – 2016 – Japan – Cert. 15 – 15m

*****

On Dual Format Blu-ray/DVD, rental on Apple TV and Amazon from Monday, September 7th

Quiet, unemployed Tokyo University graduate Kazuhiko (Yoji Minagawa, also the film’s producer) lives with his similarly introverted parents. When one night his mum prematurely empties the family hot tub, he pays his first visit to the local bathhouse where he runs into chirpy classmate Yuri (Mebuki Yoshida) who talks him into attending their upcoming high school reunion.

At that event, he’s a fish out of water while everyone else gathers around the nondescript student Tamura (Yuta Okubo) who has since made good as a businessman and investor. Then Yuri rescues Kazuhiko and the pair sit conversing deeply on the staircase ignored by everyone else. A series of dinner dates follows, romance blossoms and before you know it he’s staying overnight at her flat.

Encouraged by Yuri, Kazuhiko gets himself one of two attendants’ jobs at the bathhouse run by the genial Mr. Azuma (Makoto Hada). Kazuhiko never wanted to go to work for a top company like most graduates and the work suits his temperament.… Read the rest

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Features Live Action Movies

By The
Grace Of God
(Grâce À Dieu)

Abuse in church

By the Grace of God (Grâce à Dieu)
Directed by François Ozon
Certificate 15, 137 minutes
London Film Festival, 5 and 6 October
Released 25 October

First published in Reform magazine. Now on Amazon and Curzon Home Cinema.

Over two hours long, this gripping and hugely topical affair dramatises the scandal of child abuse at Catholic summer camps over 20 years ago in the diocese of Lyon, France. The case has shaken the Church there since it became public in recent years. Despite Father Bernard Preynat (Bernard Verley) admitting his guilt, his superior, Cardinal Barbarin (François Marthouret) failed to curtail Preynat’s access to children thereby enabling his abuse of more victims in the ensuing years.

At a press conference, the cardinal uses the phrase ‘by the grace of God’ about the statute of limitations on many of the abuse cases. He is immediately criticised for the comment but it reveals how Barbarin is concerned more with protecting the institution of the Catholic Church than in caring for his flock.

Writer-director François Ozon constructs his narrative around three survivors… Read the rest

First published in Reform magazine. Now on Amazon and Curzon Home Cinema.

Trailer:

Categories
Features Live Action Movies

Koko-di Koko-da

Director – Johannes Nyholm – 2019 – Sweden, Denmark – Cert. 18 – 86m

***

Streaming exclusively on BFI Player (extended free trial offer here) and released on Blu-ray from Monday, September 7th

A bizarre procession through the woods. A man in a light summer suit, spats and a boater (Peter Belli) cheerfully and enthusiastically sings a song about “my rooster is dead, never again will he sing, koko-di, koko-da” (‘da’ is pronounced ‘day’). Behind him walk a tall, black-haired woman (Brandy Litmanen) with a dog on a lead and a thick set man (Morad Khatchadorian) carrying a dead dog. The man with the boater’s attitude is one of delight yet here he is singing about the death of a bird. Most unsettling.

This procession will later intrude on the lives of the central characters, couple Tobias (Leif Edlund) and Elin (Ylva Gallon). Their daughter Maja (Katarina Jakobson) is attracted to a traditional toy that plays the same nursery rhyme that the procession sings.

The family go to a holiday resort with entertainers. In the restaurant, mum gets sick. Food poisoning? Allergic reaction to mussels? She’s airlifted to hospital and slowly recovers. In the hospital, on the morning of Maja’s birthday, Maja doesn’t wake up.… Read the rest

Categories
Features Live Action Movies

Sócrates

Director – Alexandre Moratto – 2018 – Brazil – Cert. 15 – 71m

*****

In selected UK cinemas and digital rental platforms including Barbican Cinema on Demand, BFI Player, Curzon Home Cinema and Peccadillo Player from Friday, September 4th

It’s morning in coastal São Paulo. Sócrates (Christian Malheiros), 15, goes in to see his mum in her room. But she doesn’t wake up. He is consumed with grief. The lady social worker talks to him, but his emotions are so consuming he can’t hear her. She tells him, if a guardian can’t be found, he’ll be put in a home.

He doesn’t want that, but if he’s to stay where he is, the rent has to be paid. He works his mum’s literally crappy job cleaning lavatories with a co-worker, but the boss won’t give Sócrates his mum’s money, she must collect it in person. He prints out fliers of his resume, negotiating a three payments of 50 cents deal with the shop manageress, and hands them out. He gets a lead on a shop that’s hiring and lies about his age on the form, an untruth that will disqualify him for the job when they fact-check.

A thick, red comb in the bathroom holds some of his mother’s hair.… Read the rest