Category: Live Action

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Features Live Action Movies

The Cheaters

Director – Paulette McDonagh – 1930 – Australia – 95m
***1/2

A criminal gang leader’s lifelong vow for revenge threatens the future happiness of his daughter in this beautifully restored and presented Australian silent -– free to watch on BFI Player as part of the BFI London Film Festival 2020 from 13.00 hrs Sunday, October 11th to 13.00 hrs Wednesday, October 14th

The first thing to say about this film is that it looks in remarkably good nick by any standards. Judging by the restoration trailer, this is an amazing testimony to today’s technology. Much of the footage before had deteriorated to near unwatchable. After the process, it looks fantastic.

As for the silent side of things, the current presentation on BFI Player shows the film windowboxed as you’d expect but then also the keyboard accompanist in locked off shot, keyboards and hands only, also windowboxed in a comparatively tiny image at the bottom left. This proves extremely effective and provides an excellent model for both future online screenings of silents and presentation on home video media such as Blu-ray or DVD.

The film medium has come a long way since 1929, so this film begs the question, is it any good?… Read the rest

Categories
Live Action Series Television

A Day-Off
Of Kasumi Arimura Ep. 1
(Arimura Kasumi
No Satsukyu,
有村架純の撮休 第1話)

Director – Hirokazu Kore-eda – 2020 – Japan – 42m

****

In the first episode of director Hirokazu Kore-eda’s TV series A Day-Off Of Kasumi Arimura, the actress Kazumi Arimura plays herself in a fictionalised version of her life – on BFI Player as part of the BFI London Film Festival 2020 from 13:00 Saturday, October 10th to 13:00 Tuesday, October 13th

This is a curiosity, one-off festival screening that admirers of contemporary Japanese cinema are going to want to see. Kore-eda (Shoplifters, 2018) is one of the highest profile, contemporary directors in Japan and like many other directors around the world in between his theatrical cinema films he also works in small screen television. This is the first of eight episodes of the TV series A Day-Off Of Kasumi Arimura in which actress Kazumi Arimura plays herself in a fictionalised version of her life. As the subtitle of the end title indicates, this drama is fictional. It has nothing to do with Kazumi Arimura’s real life. 

There’s a little pre-amble in which Kazumi learns that tomorrow’s shoot is cancelled because someone has gone down with the ‘flu. Which you might think makes the episode rather close to or currently perilous pandemic times, but it doesn’t really.… Read the rest

Categories
Features Live Action Movies

A Perfectly Normal Family
(En Helt Almindelig Familie)

Director – Malou Reymann – 2020 – Denmark – Cert. PG – 97m

****

A girl struggles to deal with her dad’s new female gender identity – in cinemas and on Modern Films Virtual Screening Room and Curzon Home Cinema from Friday, October 2nd

This opens, closes and is punctuated at regular intervals with 4:3 aspect ratio home movie footage of a family, two sisters growing up and precious moments with their mum and, particularly, their dad (Mikkel Boe Følsgaard). The first excerpt sees dad carrying baby Emma, showing her to the camera and herself in a mirror, showing her her mum Helle (Neel Rønholt) in bed and her elder sister Caroline / Caro in her cot, then taking her downstairs to watch the football match on TV with dad. “Are you a little football girl?”, he asks her.

The rest of the film is in 16:9 widescreen, starting off with teenage Emma (Kaya Toft Loholt) and the rest of her football team being told off by their coach. On the sidelines, dad dribbles the ball. She comes over and tackles him effortlessly. Later, when the family go to look at a dog because both girls want the family to have one, it becomes clear that something is up with their parents.… Read the rest

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Features Live Action Movies

Rialto

Director – Peter Mackie Burns – 2019 – UK, Ireland – Cert. 15 – 89m

****1/2

A man who has recently lost his father faces uncertainty about his future – in cinemas from Friday, October 2nd

Colm (Tom Vaughan-Lawlor), 48, works in middle management at a port in Dublin. Various aspects of his life are in crisis. He meets a young man (Tom Glynn-Carney) in a shopping mall public lavatory and a relationship of sorts ensues. A corporate takeover at work means Colm may lose his job which he’s had since he was a teenager. At home in the suburb of Rialto, he talks to his grown up daughter Kelly (Sophie Jo Wasson) but not so much to his wife Claire (Monica Dolan) while he and his grown up son Shane (Scott Graham) don’t get on at all. All of which is underscored by Colm’s recent loss of his dad, with whom he had a pretty lousy relationship.

This is a film which constantly surprises in the sense that, if you were to guess the synopsis based on the first ten, or 20, or 30 minutes, you’d guess wrong. It’s not directly about a rent boy, or redundancy, or relationship breakup, or alcohol dependency, although it covers all those elements in some detail.… Read the rest

Categories
Documentary Features Live Action Movies

Dick Johnson
is Dead

Director – Kirsten Johnson – 2020 – US – 89m

*****

The director imagines the death of her dad in a film which celebrates both the man himself and the art of cinema – on Netflix worldwide from Friday, October 2nd

I was alerted to this movie both because not only was Johnson’s prior Cameraperson (2016) excellent but also the subject matter of this new film looked promising. Johnson spent three decades as the cameraperson on numerous documentaries (among them Farenheit 9/11, Michael Moore, 2004 and Citizenfour, Laura Poitras, 2014) before making her previous feature out of interesting bits and pieces of footage she had lying around. Her new film is highly personal and almost fits into the home movies or personal diary school of film making – lent an inevitable, additional gravitas given Johnson’s prior artistic and technical career.

C. Richard Johnson (b. 1932 – ) is Kirsten Johnson’s dad. One day, like all of us, he is going to die. So his daughter decided that while he was still alive she would make a film about his dying, filming his possible deaths and staging his funeral service ahead of time.

There’s a huge contradiction at the heart of this idea.… Read the rest

Categories
Features Live Action Movies Music

Schemers

Director – Dave Mclean – 2019 – UK – Cert. 15 – 91m

**1/2

A local Dundee lad and his two mates get into the promotions end of the music industry and find themselves dealing with gangsters – in cinemas from Friday, September 25th

Dundee lad Davie (Conor Berry) arouses the ire of a man who catches Davie sleeping with the man’s girlfriend. Cue a couple of on foot chase sequences and, subsequently, Davie’s running into the guy at a local football game where the guy breaks Davie’s knee, putting his leg in plaster and his football career in limbo.

In hospital, Davie becomes smitten with student nurse charged with his care Shona (Tara Lee) and running into her later at a dancing venue asks her out. In the process, he talks himself up as a promoter of music gigs, so has to make good on that promise if the date with Shona is to happen. She’s keen on Simple Minds, so that’s the first act he books.

So he enlists his two mates – the happy-go-lucky Scot (Sean Connor) who has his finger in various dodgy and likely illegal dealings and the more responsible (and married) John (Grant Robert Keelan).… Read the rest

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Features Live Action Movies

Journey
To The Shore
(Kishibe
No Tabi,
岸辺の旅)

Director – Kiyoshi Kurosawa – 2015 – Japan – Cert. 12 – 127m

****

Currently on BFI Player (extended free trial offer here) as part of 21st Century Japan, MUBI as part of The Uncanny Universe of Kiyoshi Kurosawa and Eureka Video Dual Format BluRay/DVD.

Review published in All The Anime.

Loner Mizuki (Fukatsu Eri) is alone one evening when her husband Yusuke (Tadanobu Asano) appears out of a dark corner into the light as if through a door. There doesn’t seem to be anything odd about this even though as she says, “it’s been three years”. “I’m dead,” he affirms. “In the sea off Toyama. My body’s been eaten by crabs. You wouldn’t find it even if you searched.”

Before departing, the dead come to terms with their death and help those close to them do the same.

This quiet, subtle, underplayed affair works as a gentle romance… Read the rest

Currently on BFI Player (extended free trial offer here) as part of 21st Century Japan, MUBI as part of The Uncanny Universe of Kiyoshi Kurosawa and Eureka Video Dual Format BluRay/DVD.

Review published in All The Anime.

Categories
Animation Features Live Action Movies

Capital
In The
21st Century

Director – Justin Pemberton – 2019 – France, New Zealand – Cert. 12 – 103m

*****

An adaptation of Thomas Piketty’s controversial economic treatise Capital In The 21st Century – in cinemas from Friday, September 25th

The content of French economist Thomas Piketty’s eponymous book couldn’t be more relevant. Far from being dry economics, Piketty’s thesis begins that there has always been a minority of wealthy people whose wealth derives from nothing more than being born into wealth. They have done nothing to merit wealth. They do not own it because of any sort of achievement.

The industrial revolution, he argues, gave those with capital (financial assets) the means to substantially increase the amount of capital they own.

Throughout history, the rich have not looked after the whole of society but rather have merely defended their own interests, i.e. maintaining and if possible increasing their position of wealth. They have shown a disdain for the other 99% of people. In the eighteenth and nineteenth centuries, society was broken into those two groups, wealthy and poor.

The rise of the middle class after World War One changed everything, with middle class people wanting their say in how things were run. Changes since the 1970s however threaten the power of the middle class and we may be seeing a return to a majority of very poor people beholden to a wealthy minority – unless we take the action necessary to prevent it.… Read the rest

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Features Live Action Movies

Nocturnal

Director – Natalie Biancheri – 2019 – UK – Cert. 15 – 84m

***

A man becomes obsessed with a schoolgirl and starts spending more and more time with her at night – in cinemas and on BFI Player and Curzon Home Cinema from Friday, September18th

A Yorkshire seaside town. Teenage schoolgirl Laurie (Lauren Coe) is training to be a sprinter and spends much of her time training at the school track. She’s spotted by odd job painter and decorator Pete (Cosmo Jarvis) whose regular girlfriend has just moved out of his apartment. Pete starts to take an interest in Laurie, eventually driving her out to a club then talking with her for hours in his flat.

From Laurie’s life at home with her mother Jean (Sadie Frost), it’s clear that they’ve only recently moved into the area. The girl has a healthy distrust of the older man who starts stalking her. She points out that he might be a serial killer, which he turns into a running joke. His interest seems pretty creepy though, so you do wonder if there’s any truth behind this banter. She’s a teenager playing at being an adult. When he takes her to a bar and they drink shots of whiskey, she is being sick soon after.… Read the rest

Categories
Features Live Action Movies

Rocks

Director – Sarah Gavron – 2019 – UK – Cert. 12 – 93m

****

A 15-year-old, East End London schoolgirl must look after her seven-year-old brother when their mother abandons them – in cinemas from Friday, September 18th

From its opening, in which a bunch of ethnically diverse, 15-year-old girls from Hackney in London’s East End clown around together, lean on a balcony and film each other on a mobile phone, it’s clear that this is something very different. It’s been made with a young, mostly female cast many of whom have little or no acting experience via intensive workshopping and improvisation. Thrown into this mix somewhere along the process a highly personal script outline has emerged from Theresa Ikoko, one of two writers involved in the lengthy development process, which seems a perfect fit for the young cast.

Although the story source was Ikoko, I’m guessing that the input of co-writer Claire Wilson is just as significant. And while I believe you can never underestimate the importance of a good script which lays the foundations of a production, in this particular instance many other collaborators both behind and in front of the cameras have also contributed a great deal, with director Gavron and her producers holding it all together.… Read the rest