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Silence

Director – Martin Scorsese – 2016 – US – Cert. 15 – 161m

*****

Scorsese questions and tests the unwavering faith of the hidden Christians of Japan, and our allegiance to the director remains just as steadfast – read our verdict on the director’s latest movie, out on New Year’s Day

Religion is a subject capable of arousing great emotion among both believers and non-believers. Martin Scorsese’s Silence is essentially concerned with adherents of one religion attempting to proselytise in a foreign land where the predominant religious system is so utterly alien as to be almost unassailable. To the point where even the incoming missionaries might have to abandon the faith which they seek to spread.

That land is 17th century Japan, where Christianity has been outlawed and believers practise their faith in secret as Kakure Kirishitan (“hidden” Christians). Two Jesuit priests, Father Garupe (Adam Driver) and Father Rodrigues (Andrew Garfield) are smuggled into the country in order to find the older Father Ferreira (Liam Neeson) who is rumoured to have denounced his faith. After spending time with local believers, they are captured by the authorities who proceed to torture the Japanese Christians and make the priests watch, thereby encouraging them to renounce the Jesus they adore and serve.… Read the rest

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Jurassic Park

(Review originally published in Third Way, May 1993.)

Director – Steven Spielberg – 1993 – US – PG – 127m

*****

A wealthy philanthropist brings dinosaurs to life from preserved fragments of their DNA to populate his island theme park – in cinemas from 16th July 1993 and back out again on Friday, September 1st 2023

“God creates dinosaurs.

God kills dinosaurs.

God creates man.

Man kills God.

Man creates dinosaurs.”

– Dr. Ian Malcolm (Jeff Goldblum), chaos theoretician.

“Dinosaurs kill man.

Women take over the world.”

– Dr. Ellie Sattler (Laura Dern), palaeobotanist.

“Creation is an act of will: next time, it’ll be flawless.”

– John Hammond (Richard Attenborough), creator of Jurassic Park.

Set to become the biggest grossing movie of all time (if it hasn’t already done so by the time you read this), Steven Spielberg’s latest offering concerns rich industrialist John Hammond’s (Richard Attenborough) theme park built around his dream to delight children with wonders come to life. The wonders are dinosaurs, cloned from dino DNA ingested by prehistoric insects subsequently drowned and preserved in amber. For more on this aspect of the story, read co-screenwriter Michael Crichton’s original (and best-selling) novel; Spielberg, who races through small chunks of plot as quickly as he can, isn’t interested in them half as much as he is in dinosaurs.… Read the rest

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Breaking The Waves

Director – Lars von Trier – 1996 – Denmark, Sweden, France, Norway, Finland, Italy, Germany, US – Cert. 18 – 160m

*****

NSFW.

A mentally vulnerable, young woman in an austere Scots religious community marries an outsider only for her husband to be severely injured working on an oil rig – out in a 4K restoration in UK cinemas on Friday, Aug 4th

Divided into a series of chapter headings in which locked off camera shots are accompanied by popular 1970s rock songs which cut off or fade out before they reach their end, like much of von Trier’s work this is not a film for the faint-hearted.

Young woman Bess McNeill (Emily Watson) is questioned by the priest (Jonathan Hackett) of the local, austere Calvinist community before its elders as to her understanding of matrimony and warned against entering into that institution with an outsider. Nevertheless, she proceeds to marry non-religious oil rig worker Jan Nyman (Stellan Skarsgård). Their relationship is extremely carnal and she is deliriously happy until the time comes, as it must, for Jan to return to work on the rig. She finds his absence almost unbearable.

Then disaster strikes, with Jan seriously injured in a rig accident whilst trying to help an injured fellow worker.… Read the rest

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The Brand New
Testament
(Le Tout Nouveau
Testament)

Director – Jaco Van Dormael – 2015 – Belgium – Cert. 15 – 113m

*****

Review originally published in Reform, read the full review here.

Showing on BFI Player from Thursday, July 20th, 2023

At the end of Time Bandits (Terry Gilliam, 1981), the Supreme Being (Ralph Richardson) bumbles around in a lounge lizard suit mumbling, “I think it has to do with free will, or something.” A similar sense of whimsy pervades the latest film from Flemish director Jaco Van Dormael (Toto The Hero/1991, The Eighth Day/1996) who reworks God The Father as a slobbish despot. Many people in contemporary Western culture struggle with the idea of a loving, patriarchal God so if you’re going to have a crack at exploring Christian theology for the unchurched, this is not a bad place to start… [Read the rest]

Review originally published in Reform, September 2016, to coincide with the film’s UK DVD release.

See also alternative review originally published in (the final issue of) Third Way, May 2016, to coincide with the film’s UK theatrical release.

Showing on BFI Player from Thursday, July 20th, 2023.

Trailer:

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Are You
There God?
It’s Me,
Margaret.

Director – Kelly Fremon Craig – 2023 – US – Cert. PG – 105m

****

An 11-year-old girl navigates the difficult waters of religion and womanhood, talking privately to God as she does so – bestselling novel adaptation is out on digital Tuesday, July 18th and on Blu-ray & DVD Monday, August 7th

Is God there, can you talk to God, and does doing so make any difference? 11-year-old Margaret Simon (Abby Ryder Fortson) talks to God, beginning with the “Are You There?” question and then continuing to talk to God as if God’s presence were real. Whether God is real or not, the practice of talking with God has a history in certain Christian traditions, and probably in other religious traditions with which I’m less familiar too. It does not, of itself, prove the existence or non-existence of God one way or the other.

In terms of organised religion, Margaret finds herself in a confusing place. She is the sole child of Jewish father Herb (Benny Safdie) and Christian mother Barbara (Rachel McAdams) Simon. It’s a good marriage and the Simons are a very happy family, living in a cramped New York apartment with his Jewish mother Sylvia Simon (an hilariously dour yet joyous Kathy Bates).… Read the rest

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Moonage Daydream

Director – Brett Morgen – 2022 – US – Cert. 15 – 135m

*****

David Bowie explored through his own words, accompanied by images of his life and art, many of his songs and extracts from numerous live performances – out in IMAX in the UK on Friday, September 16th and wide in cinemas on Friday, September 23rd.

In 2018, seasoned writer-director-editor Brett Morgen (Jane, 2017; Kurt Cobain: Montage Of Heck, 2015; The Kid Stays In The Picture, 2002) was granted unprecedented access to David Bowie’s personal archives and four years later we have the first film to be supported by the Bowie estate. Knowing all this, you enter the cinema wondering exactly what you’re going to get.

You’re immediately confronted by a quote about Nietzsche and God which is then revealed as a quote from Bowie 2002, the film immediately putting Bowie on a par with one of the nineteenth century’s greatest philosophers and arguably even God. The subject of Nietsche doesn’t come back up, but God does, quite a bit, with Bowie’s religious-leaning song “Word On A Wing” putting in an appearance and David’s voice-over talking about “something…a force directing the universe”. Like many of us today, he struggles with the word ‘God’ – is it the right word?… Read the rest

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Animation Features Movies

Mad God

Director – Phil Tippett – 1987-2021 – US – 83m

*****

A man in a gas mask descends into a dark, dangerous world on a mysterious mission, encountering strange creatures, humanoids and societal constructs along the way – stop-frame epic 34 years in the making as of Tuesday, June 28th, has become the most watched premier of 2022 on Shudder, where it plays in both the UK and the US from Thursday, June 16th; also plays London’s Prince Charles Cinema Tuesday. July 5th to Friday, July 8th and from Monday, December 5th is on Blu-ray, DVD and digital

My immediate reaction after watching this was two-fold. On the one hand, wow!!! On the other, how on earth do I put the experience of watching this into words? Mad God definitely has a structure, yet what’s amazing about it is the visuals, the animation, the effects. Even though I’m familiar with the work of its director Phil Tippett (as one of the heirs apparent to stop-motion maestro Ray Harryhausen in the world of visual effects – career highlights include RoboCop, 1987; Jurassic Park, 1993, Starship Troopers, 1997) this film is something altogether different (even if its roots can be seen in his VFX work).… Read the rest

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Wake Wood

Director – David Keating – 2009 – UK, Ireland – Cert. 18 – 90m

*****

Things are not what they seem, supernatural power is abroad and terrible prices have to be paid in a mysterious, close-knit village community – out in UK cinemas from Friday, March 25th, 2011

This review originally appeared in Third Way.

This presages the recent relaunching of Hammer Films, a huge cultural force back in the 1950s and 60s reworking such horror staples as Dracula and Frankenstein. So far UK cinemas have hosted (1) Let Me In‘s arguably pointless US remake of terrific Swedish vampire effort Let The Right One In and (2) predictable, New York tenant in peril outing The Resident. Wake Wood is not only far and away the best of the three, but also fits in with the Hammer ethos – here represented by a mysterious, close-knit village community where things are not what they seem, supernatural power is abroad, and terrible prices have to be paid for misjudged actions. A fair bit of blood and gore is added for good measure.

After their only daughter Alice (Ella Connolly) is fatally savaged by a dog, Irish city dwellers vets Patrick and Louise Daly (Aidan Gillen from The Wire and Eva Birthistle) move to the isolated village of Wake Wood to start over.… Read the rest

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23 Walks

Director – Paul Morrison – 2020 – UK – Cert. 12a – 102m

****1/2

A man over sixty meets a woman of around the same age over 23 walks with their respective dogs – in cinemas from Friday, September 25th

Walk 1. Dave (Dave Johns) is out walking his Alsatian Tilly (Sheila) in a narrow, muddy alleyway one day when he runs into Fern (Alison Steadman) walking her terrier Henry (Dennis). Not that either they or we know their names at this stage – he is the bloke with the big dog without a lead that she has to get past, and she’s not impressed. He should have a lead, she says. He’s deeply apologetic.

Walk 2. He now has a lead and apologises for the previous day. They walk, they talk. Thus begin the eponymous 23 walks, with interruptions after a while mostly on Dave’s side of the story but a few on hers too. Both are in difficult relationship situations – his wife is catatonic and residing in a care home, the cost of which is putting him behind on the rent of his long-standing council home, her husband has run off with a younger model, his secretary. When we finally, briefly meet her husband, he appears cruel and uncaring in his treatment of his ex.… Read the rest

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The Brand New
Testament
(Le Tout Nouveau
Testament)

Director – Jaco Van Dormael – 2015 – Belgium – Cert. 15 – 113m

*****

Original UK release date 25/03/2016, cert.15, 113 mins

Review originally published in Third Way, read the full review here.

Showing on BFI Player from Thursday, July 20th, 2023

The idea of God being an utter bastard sounds theologically none too edifying, yet in the hands of Flemish director Jaco Van Dormael (Toto The Hero/1991, The Eighth Day/1996) that’s not the case. It’s whimsical in the same way as Ralph Richardson playing the Supreme Being bumbling around at the end of Time Bandits (Terry Gilliam, 1981) in a lounge lizard suit mumbling, “I think it has to do with free will, or something.”

Empty, present day Brussels replaces the Garden of Eden where Adam wanders around nude save for a black rectangular special effect covering his privates to meet Eve (her name tag) behind a deserted cafeteria counter. Much begatting extends their family. Grumpy old man God (Benoît Poelvoorde) writes rules for creation on his study computer, e.g. another queue always moves faster than the one you’re in. His son, as we know, went off to garner twelve disciples and four testaments.… Read the rest