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Io Capitano
(Io Capitano)

Director – Matteo Garrone – 2023 – Italy – Cert. 12a – 121m

*****

Two teenage Senegalese boys set out on a journey to Europe and a better life – out in UK cinemas on Friday, April 5th

Garrone’s earlier features (Gomorrah, 2008; Tale of Tales, 2015; Dogman, 2018; Pinocchio, 2019) have a particular, muted look, making considerable use of browns and, to a lesser extent, greys or greyish colours. These were all films set in Garrone’s native Italy, featuring characters with an Italian perspective of one sort or another. This new film eschews all that and, while it’s recognisably the work of the same director, exhibits a completely different colour palette in accordance with its different location. It’s brighter and much less dingy.

The different look very much fits with the different intent. Garrone wanted to deal with migrants crossing the Mediterranean from Africa to Europe, but portray the journey from the migrants’ perspective rather than that of their destination countries. So this starts with two teenage, Senegalese boys who want to run away to Europe and is made in various African dialects, with the main one spoken by the two boys being recognisable as French.… Read the rest

Categories
Features Live Action Movies

Suna
(Suna Kahevahel)

Director – Çigdem Sezgin – 2022 – Turkey, Spain, Bulgaria – Cert. none – 102m

*****

A fifty-year-old woman finds herself in conflict with conservative values when she moves in with a widower – premieres in the 26th Tallinn Black Nights Film Festival

In a hotel room, sitting on two beds at right angles to each other, she says to him: “you won’t be too controlling, right? I don’t want anybody interfering with my life.” Then he sets out his own stall. “I’ll eat whatever you cook me,” he says. “When necessary, I’ll take a bath immediately.” You get the impression that that might not happen all that often.

Played by Turkish singing star Nurcan Eren, Suna craves the security of a relationship without any of the male domination that so often accompanies it. The man she has chosen, Veysel (Tarik Pabuccuoglu), has recently become a widower and wants a companion and partner in life. Not only that, he seems to want someone very like his former wife. He seems a kind, gentle man.

So they have an Imam wedding, a discreet Muslim ceremony with the local Imam present, which joins them in the eyes of Allah but may not have quite the same legal force as a regular marriage in Turkish society.… Read the rest