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Features Live Action Movies

Shark Skin Man
and Peach Hip Girl
(Samehada Otoko
to Momojiri Onna,
鮫肌男と桃尻女)

Director – Katsuhito Ishii – 1998 – Japan – Cert. 15 – 108m

*****

Arresting and highly inventive thriller is out as a standalone Blu-ray release in the UK from Monday, April 14th 2025, also on digital, having previously appeared as the first disc of the three disc release Katsuhito Ishii Collection from Third Window Films just over a year ago (when the following piece was written for All the Anime).

Deriving its odd title from a literal translation of the leads’ surnames, Katsuhito Ishii’s highly original gangster movie from 1998 is based on a familiar plot: a man runs off with the mob’s money, and a lady companion. Or, as pioneering French New Wave director Jean-Luc Godard once put it: all you need to make a movie is a girl and a gun.

Shark Skin Man and Peach Hip Girl has much the same strengths as Godard when he’s on form. Ishii demonstrates a similar flair for taking actors or actresses and having them do what they do on camera so that it’s completely absorbing to watch: look no further than the extraordinary title sequence which starts about five minutes in and consists of little more than names and images of all the major cast members against a white background with overlaid black line animation images.… Read the rest

Categories
Documentary Features Live Action Movies Music

Ennio: The Maestro
(Ennio)

Director – Giuseppe Tornatore – 2021 – Italy – Cert. 15 – 156m

****

Documentary Ennio: The Maestro looks at the career of Italian film composer Ennio Morricone – out in cinemas on Friday, April 22nd

It’s difficult to know where to start with Ennio Morricone, whose career in film music covers some 70 years. Tornatore adopts the chronological approach, starting with his early life. The composer’s father was a trumpeter who pushed young Ennio to learn that same instrument, leading to entry into Rome’s Santa Cecilia Conservatory where he studied both trumpet and composition. His father had raised him with a strong work ethic – using the trumpet to feed your family – and much of his early work was as a trumpeter on movie soundtrack sessions, including Othello (Orson Welles, 1951).

His wife secured him a brief stint at TV channel RAI where she was working, but on being told that he wouldn’t be able to perform anything recorded there anywhere else, Morricone quit almost immediately. Inspired by seeing experimental composer John Cage perform live, he formed the Nuovo Consonanza Improvisation Group to experiment with what he called “traumatic sounds”. This approach would inform a number of his later soundtracks.… Read the rest