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Features Live Action Movies

The Last One for the Road
(Le Città di Pianura)

Director – Francesco Sossai – 2025 – Italy – Cert. 15 – 100m

****

Two older men travel around Italy by car, constantly stopping for “a last one for the road”, joined by a young architecture student – out in UK cinemas on Friday, July 10th

Night. Two men passed out in a car. A voiceover relates a local myth, shown to us in flashback as he describes it. On the day that Primo (Gianni Da Re) retires from the workforce, he is taken aside by officials and… presented with a gift from the company president (Roberto Citran from Conclave, Edward Berger, 2024; The Tulse Luper Suitcases, Part 1: The Moab Story, Peter Greenaway, 2003; Captain Corelli’s Mandolin, John Madden, 2001) who flies in by helicopter. As the latter leaves, he tells Primo the secret of life, but his words are lost in the noise of the ‘copter blades. At the back, a figure leaves.

In the car, moustache wakes up. It’s still dark. Dori (Pierpaulo Capovilla) is still out. They wake. The go for a last one for the road. Moustache, who is Carlobianchi (Sergio Romano), can’t remember what it was he was saying. It’s gone. It was something important.… Read the rest

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Features Live Action Movies

Moana
(2026)

Director – Thomas Kail – 2026 – US – Cert. PG – 115m

***1/2

Disney’s live action remake of its Polynesian heroine mythological romp – out in UK cinemas on Friday, July 10th

It’s a curious experience watching Disney’s live action remake of Moana (John Musker, Ron Clements, 2016), one of the Studio’s better animated movies of recent years. Of course, some audience members (particularly small children) may never have seen the orginal, or, equally, because Disney are very, very good at marketing their films to a mass audience, they may already be familiar with it. Either way, the film is likely to be enjoyed by both those who know the original and those who don’t.

The original had its roots in Maori mythology, and this live action retread follows much the same path. It’s set on the island of Te Fiti, a resting goddess whose heart (a small, round, green stone) has been stolen from her in order to give humans the power of creation by the demigod Maui, and then lost along with his giant fishhook which bestows shapeshifting powers upon him.

As a small child, the chief of the island Te Fiti’s daughter Moana can’t stop thinking about venturing beyond the reef, a trangression forbidden by her father Chief Tui (John Tui) and his ancestors.… Read the rest

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Features Live Action Movies

Evil Dead Burn

Director – Sébastien Vaniček – 2026 – New Zealand – Cert. 18 – 110m

*

A French-born widow visits her bereaved American husband’s family for his funeral, and demonic mayhem ensues – less fun than it sounds horror franchise entry is out in UK cinemas on Friday, July 10th

After her husband Will (George Pullar) is killed in a car accident, Alice (Souheila Yacoub) stays with his gathered family at their home for the funeral. She is French, and there’s a definite feeling that his family doesn’t like her very much, a situation compounded by his demise. Her late husband’s father Edgar (Errol Shand) is consumed with grief. Will’s younger brother Joseph (Hunter Doohan) and hs girlfriend Thya (Lucine Buchanon) don’t reallty know what to make of her. Her mother-in law Susan (Tandi Wright) is trapped in a desolate marriage with a man she was once passionate about. And the family’s half-senile grandmother Polly, (Maude Davie) is convinced Alice has stolen from her.

Polly’s late husband was obsessed with the Necronomicon, the fabled Book of the Dead that runs through the foundation of the Evil Dead franchise, and so it is that the family into whose proximity Alice finds herself thrust, turn, one by one, into demons.… Read the rest

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Features Live Action Movies

Hard Boiled
(Lat Sau San Taam,
辣手神探)

Director – John Woo –1992 – Hong Kong – Cert. 18 – 128m

*****

One of the greatest action pictures ever made – 4K Restoration plays as part of Bullets and Brotherhood: the Films of John Woo at BFI Southbank from Friday, 3rd July to Friday, 31st July, and is also out on 4K UHD and Blu-ray

Woo’s directorial valediction to Hong Kong, at least for a time as he attempted to break Hollywood, rehashes his now familiar territory of brotherhood, loyalty and betrayal, etched in trademark bullets and blood with grander and greater operatic flourish than his earlier efforts. On-screen alter-ego Chow Yun-fat (The Killer, John Woo, 1989; An Autumn‘s Tale, Mabel Cheung, 1987) is cast for the first time in Woo not as gangster but cop, bonding with a ruthless triad hit man Alan (Tony Leung Chiu-wai from Bullet In The Head, John Woo, 1990, In The Mood For Love, Wong Kar-wai, 2000; Lust Caution, Ang Lee, 2007; Shang-Chi And The Legend Of The Ten Rings, Destin Daniel Cretton, 2021). For good measure, Woo throws in therising, young gangster killing the old leader to take over the mob from A Better Tomorrow (John Woo, 1986) (here played by Anthony Wong and Kwan Hui-sang respectively).… Read the rest

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Animation Movies Shorts

A Couple Clucking Chickens Were Still Kickin’ in the Schoolyard
(Niwa ni wa
Niwa Niwatori ga ita,
庭には二羽ニ
ワトリがいた。)

Director – Seishiro Negaya – 2025 – Japan – Cert. tbc – 19m

*****

Aliens love eating humans, and two humans avoid being eaten by disguising themselves as chickens – plays in the Annecy International Animation Festival 2026 which runs from Sunday, 21st June to Saturday 27th June

It’s just another everyday schoolday for Yohei (voice: Kazuki Ura). He gets out of bed. His mum (voice: Emi Shinohara) makes breakfast and tells him not to keep the cute girl Moemi Kaneda (voice: Kimiko Saito) waiting who wants him to walk her to school. She is twice his height. He’s on animal duty, which means that he must ensure the chickens kept in the schoolyard get fed.

This might sound like nothing out of the ordinary, but Yohei’s strange blue skin and odd face tells a different story, as do Moemi’s mandibles. They are aliens who defeated the humans when they invaded Earth in 2019. And they ate most of the humans, who were particularly tasty to aliens. They would love tto eat more, only, apparently, they’ve eaten all the humans.

Somehow, however, two humans Yuto (voice: Kensho Ono) and Ami (voice: Shin Sakurai) have survivived by disguising themselves as chickens, which aliens don’t like the taste of so much.… Read the rest

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Features Live Action Movies

Bullet in the Head
(Diexue Sietou,
喋血街头)

Director – John Woo – 1990 – Hong Kong – Cert. 15 – 126m

*****

Three teenage friends forced to leave Hong Kong by a gang war find themselves in the middle of the horrors of war-torn Vietnam – plays as part of Bullets and Brotherhood: the Films of John Woo at BFI Southbank from Friday, 3rd July to Friday, 31st July

John Woo’s American canon never quite produced anything comparable to his earlier, groundbreaking Hong Kong actioners which, as well as being much more violent, possess a stronger emotional core – perhaps none more so than Bullet In The Head, a Far East Asian cross between Rebel Without A Cause (Nicholas Ray, 1955) and The Deer Hunter (Michael Cimino, 1978) with Salvador (Oliver Stone, 1986) thrown in for good measure.

Arguably Woo’s most personal HK outing, falling as it does outside the cop / triad actioners for which he’s best known, it was originally intended as a prequel to the two A Better Tomorrow films (1986, 1987) Woo made with producer Tsui Hark. However, following creative differences, Tsui retained megastar (and Woo onscreen alter-ego) Chow Yun Fat for A Better Tomorrow III Love and Death In Saigon (Tsui Hark, 1989) while Woo took the material and developed it on his own, acting uncharacteristically as his own producer.… Read the rest

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Features Live Action Movies

Hard Target

Director – John Woo – 1993 – US – Cert. 18 – 100m (UK version), 86m (US version)

****

John Woo’s US debut is a New Orleans remake of The Most Dangerous Game with action star Jean-Claude Van Damme – plays as part of Bullets and Brotherhood: the Films of John Woo at BFI Southbank from Friday, 3rd July to Friday, 31st July

Essentially the first of two remakes of The Most Dangerous Game / The Hounds Of Zaroff (Ernest B. Schoedsack, Irving Pichel, 1932, shot using the same cast, crew and jungle sets as King Kong, (Merian C. Cooper, Ernest B. Schoedsack, 1933) – the second being Surviving The Game (Ernest R. Dickinson, 1994) – this updates the original’s remote island to the urban jungle of and countryside surrounding New Orleans, making its mad game hunter (Lance Henriksen taking on the role originally played by Leslie Banks) prey not on lost seafarers but unemployed down and outs on dry land.

In true New Right nineties spirit, the hunter of humans has now graduated from being merely a gratifying personal sport for deranged psychopaths to a lucrative business attracting high rolling, thrill-seeking clients who get to pull the trigger themselves.… Read the rest

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Once a Thief
(Chung Hang Sei Hoi,
縱橫四海,
lit: Criss-Cross
Over Four Seas)

Director – John Woo – 1991 – Hong Kong – Cert. 15 – 107m

****1/2

Lightweight caper movie bult around three orphans – two boys in love wth the third child, a girl – raised to become professional art thieves – 4K Restoration plays as part of Bullets and Brotherhood: the Films of John Woo at BFI Southbank from Friday, 3rd July to Friday, 31st July, and is out on 4K UHD on Friday, 3rd August

Three orphans adopted from the street are raised together in Hong Kong by gang boss Chow (Kenneth Tsang) to become professional art thieves – with the two boys Red Bean Pudding (Chow Yun Fat from Hard Boiled, 1992; The Killer, 1987; A Better Tomorrow, 1986, all John Woo) and James (Leslie Cheung from Happy TogetherWong Kar-wai, 1997; A Chinese Ghost Story, Tsui Hark, 1987; A Better Tomorrow, John Woo, 1986) growing up equally in love with the girl Red Bean (Cherie Chung from Wild Search, Ringo Lam, 1989, An Autumn’s Tale, Mabel Cheung, 1987; Peking Opera BluesTsui Hark, 1986).

Its best set piece is the opener in which the trio steal a Modigliani painting from a moving lorry, and the whole thing benefits greatly from expertise of Remy Julien (from Bond movies Goldeneye, Martin Campbell, 1995; The Living Daylights, John Glen, 1987; For Your Eyes Only, John Glen, 1981) in the car and motorbike stunt / chase department.… Read the rest

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Features Live Action Movies

The Killer
(Dip Huet
Seung Hung,
喋血雙雄)

Director – John Woo – 1989 – Hong Kong – Cert. 18 – 110m

*****

Having accidentally blinded a nightclub singer in a hit, a gunman takes on one last job to fund the operation to restore her eyesight – 4K Restoration plays as part of Bullets and Brotherhood: the Films of John Woo at BFI Southbank from Friday, 3rd July to Friday, 31st July

Following the success of A Better Tomorrow (1986), this secured John Woo the international interest that would eventually bring Hollywood offers. Woo further distils A Better Tomorrow’s themes of brotherhood, loyalty and betrayal through the device of a cop first facing off against and subsequently bonding with the assassin he’s pursuing; many consider The Killer Woo’s finest achievement.

Professional assassin Ah Jong (Chow Yun-fat) accidentally blinds nightclub singer Jennie (Sally Yeh) with a stray bullet in a hit to become the focus of his guilt. Detective Li Ying (Danny Lee) is trying to catch him.

The backdrop is already familiar Woo and Hong Kong gangster genre territory – triad hits and betrayals, working cops misunderstood by their superiors. The action set pieces rank among the director’s finest: the opening night club slaying, the Dragon Boat Festival hit followed by the fight on the beach, car chases and multi-storey car park shoot outs, all topped by the brilliantly choreographed and seemingly endless final shoot out wherein killer and cop join forces in a church surrounded by unfriendly gangsters.… Read the rest