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Top Ten Movies (and more, excluding re-releases) 2022

Work in progress – subject to change. Because I am still watching movies released in 2022, so it’s always possible that a new title could usurp the number one in due course. Before that, I have a lot more movies still to add.

All films received either a theatrical or an online release in the UK between 01/01/22 and 31/12/22. Prior to 2020, I’d never included online releases (well, maybe the odd one or two as a special case) but that year saw the film distribution business turned upside down by COVID-19. The movie business is still changing, and the dust hasn’t yet settled.

This version excludes re-releases (Psycho, Paris, Texas and Pickpocket, not to mention the first six Bond movies, would top everything here). It has been an amazing year for re-releases including one or two incredible, old movies being released in the UK for the first time on Blu-ray. This is the year I get to rank all 25 Eon Bond movies, and why not? A link to that longer list will be added here in due course.

In addition to re-releases, this version also excludes films seen in festivals which haven’t had any other UK release in 2022.… Read the rest

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Features Live Action Movies

Decision To Leave (Heojil Kyolshim, 헤어질 결심)

Director – Park Chan-wook – 2022 – South Korea – Cert. 15 – 138m

*****

A married detective investigating the death of a climber becomes obsessed with the victim’s wife, who looks increasingly like the murderer – on MUBI from Friday, 9th December

Any sexual or romantic energy that once existed between city-based detective Hae-joon (Park Hae-il from Heaven: To The Land Of Happiness, Im Sang-soo, 2021, The Fortress, Hwang Dong-hyuk, 2017, The Host, 2006, Memories Of Murder, 2003, both Bong Joon ho) and seaside town-based wife (Jung Yi-seo, bit parts in Samjin Company English Class, Lee Jong-pil, 2020; Parasite, Bong Joon ho, 2019) has long since evaporated.

Investigating the fatal fall of skilled amateur climber Ki Do-soo (Yoo Seung-mok from The Gangster, The Cop, The Devil, Lee Won-Tae, 2019, also The Host, Memories Of Murder) where the man’s Chinese-born wife Seo-rye (Tang Wei, from Lust, Caution, Ang Lee, 2007) is a murder suspect, he falls for her…
[Read the full review at Dmovies.org]

Trailer:

Decision To Leave is on MUBI from Friday, 9th December.

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Features Live Action Movies

The Road To The Race Track (Gyeongmajang Ganeun Kil, 경마장 가는 길)

Director – Jang Sun-woo – 1991 – South Korea – Cert. 18 – 138m

*****

An academic returns to Korea expecting to hook up with the woman student with whom he lived in Paris, and they meet up, but she now repulses his physical advances part of a strand of films celebrating actress Kang Soo-Yeon (1966-2022) from LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 3rd to Thursday, November 17th

As soon as R (Moon Sung-keun) arrives at the airport in Korea, he makes contact with J (Kang Soo-Yeon) and they get a room together, but she confounds his expectations by fending off his attempts at physical sex with her. This wasn’t what he was expecting, since she seemed willing enough when they lived together in Paris. He is desperate to have sex with her, but instead she offers to drive him first to the bus station and then to his home town, where he is reunited with his wife (Kim Bo-yeon), kids and extended family.

Whatever affection he once had for his wife has long since evaporated, and he callously repulses her attempts at intimacy in the bedroom. Brief scenes between the husband and wife punctuate the remaining narrative, the wife becoming increasingly hostile.… Read the rest

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Hot In Day, Cold At Night (Naj-eneun Ddeobgo Bam-eneun Chubgo, 낮에는 덥고 밤에는 춥고)

Director – Park Song-yeol – 2020 – South Korea – Cert. 12 – 90m

**

A young, unemployed, married Seoul couple struggle to make ends meet from LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 3rd to Thursday, November 17th

Married Seoul couple Young-tae and Jeong-hee (played by screenwriters Park Song-yeol and Won Hyung-ra) are in financial trouble. Neither of them has a secure job with a regular income. They aren’t the only ones: he lends his mate Myung-su the family camera for a week so the latter can do some professional wedding photography to earn some money. If this sounds a bit odd, it sounds odder still when Young-tae finds his calls blocked and can’t get the camera back.

Desperate for money, Young-tae goes for interviews and, after a row with an old friend who purports to be setting up a business but turns out trying to recruit him for a network marketing operation, which Young-tae dismisses as a pyramid scheme, he eventually picks up a job as a cabbie where one night he gets into a row with a customer over taking a quicker, toll road rather than a slower, free road and loses his deposit with the company.… Read the rest

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Come Come Come Upward (Aje Aje Bara Aje, 아제 아제 바라 아제)

Director – Im Kwon-taek – 1989 – South Korea – Cert. 18 – 121m

***1/2

As a young woman attempts to live as a Buddhist monk, she embarks on a series of increasingly physical sexual relationshipspart of a strand of films celebrating actress Kang Soo-Yeon (1966-2022) from LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 3rd to Thursday, November 17th

Soon Nyeo (Kang Soo-yeon) enters a monastery as a novice. She reflects on her earlier life. Alienated from her mother, who she accuses of living off the interest of money made exploiting poor people, she develops a habit of following men on their travels. First up is a monk who knew her father who suggests that the latter failed as a monk. After she’s walked with him a while, he deliberately puts her back on a train.

As a student, she becomes fascinated by her class’ teacher Hyeon Jong, 29, (Chon Yoo-in) who, she learns later, lost his wife when she was killed in the Gwangju uprising while eight months pregnant. Uninvited, Soon accompanies Hyeon in his train travels around the country investigating sites of historical interest relating to a peasant uprising having promised his late wife he would one day write about this for her.… Read the rest

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Alienoid (Oegye+in 1bu, 외계+인)

Director – Choi Dong-hoon – 2022 – South Korea – Cert. 12 – 142m

*****

In Part One of a proposed double feature, aliens incarcerate prisoners in human brains and time travel between present day and fourteenth century Korea and mayhem ensures – from LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 3rd to Thursday, November 17th

The first film of a two part adventure, which would be more sensibly released as Alienoid – Part One (which may already be the case in some territories), this revolves around multiple protagonists in two separate timelines divided by six or seven centuries. In the fourteenth century, Guard, who morphs between true robot and fake human appearances not unlike the T-1000 of Terminator 2 Judgement Day (James Cameron, 1991), and his even more confusing companion Thunder, who is sometimes a car, sometimes a flying pod and sometimes any number of human manifestations (both / all played by Kim Woo-bin), fail to save a woman from dying after an alien escapes incarceration within her brain, however Thunder rescues the woman’s baby.

The pair travel forward in time to raise Lee Ahn (Choi Yu-ri) in the twenty-first century where she sees what she’s not supposed to: the impregnation process whereby alien prisoners are incarcerated in human brains, a memory wiped immediately afterwards from the humans used for this purpose, meaning people wander around not knowing there are aliens trapped inside their heads.… Read the rest

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Documentary Features Live Action Movies Shorts

London Korean Film Festival (LKFF) 2022

LKFF, the London Korean Film Festival runs in cinemas from Thursday, November 3rd to Thursday, November 17th

The London Korean Film Festival kicks off tonight with Alienoid (Choi Dong-hoon, 2022), the first instalment of a two-part SF epic which mashes up ideas from Hollywood SF and time travel fare Alien, The Terminator and Back To The Future with epic Korean period dramas. The plot apparently involves a robot guard, prisoners trapped in human brain cells, time travel back some 600 years and a MacGuffin known as the Divine Blade. Cast includes Kim Tae-ri (The Handmaiden, Park Chan-wook, 2016).

Friday 4th sees one of the director’s earlier blockbusters, the heist movie The Thieves (Choi Dong-hoon, 2012) in which five Korean criminals head for Macao to steal another MacGuffin, a 318-carat diamond called ‘Tear of the Sun’ worth over $20 million. The latter film is presented in collaboration with the V&A’s current exhibition Hallyu! The Korean Wave. Both screenings will be followed by a Q&A with director Choi.

The Festival bows out in two weeks time with two naval warfare blockbusters, again epic historical productions, this time the first two parts of a proposed trilogy.… Read the rest

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Features Live Action Movies

Hunt (Heon-teu, 헌트)

Director – Lee Jung-jae – 2022 – South Korea – Cert. – 121m

****1/2

Two top KCIA operatives, each heading up his own department, both come to believe that the North Korean mole they are hunting is the other out in cinemas Friday, November 4th; opened the London East Asia Film Festival (LEAFF) as part of a strand of films celebrating actor Lee Jung-jae (Squid Game) which ran in cinemas from Wednesday, October 19th to Sunday, October 30th

Two Korean intelligence men are sitting in a car. One asks the other riddles.

What’s a war in space? Star Wars.

What’s a war in winter? Cold War.

What’s a neverending war? Korean War.

A little background history will add to your enjoyment of this fictional thriller set against the backdrop of actual historical events.

In 1979, a South Korean coup d’état established the country’s fourth dictatorship since WW2. In 1980, with martial law declared, the Gwangju Uprising saw a battle between the military and ordinary citizens in the town of Gwangju in which at least 200 civilians were killed. In 1987, student protests lead to the overthrow of the Fifth Republic Of South Korea (1981-87) and free elections.… Read the rest

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Deliver Us From Evil (Daman Akeseo Guhasoseo, 다만 악에서 구하소서)

Director – Hong Won-chan – 2020 – South Korea – Cert. 18 – 108m

*****

An assassin trying to rescue his ex-girlfriend’s child from organ thieves discovers a rival is after him for killing his brother – Wednesday, October 26th, 20.30 at The Cinema At Selfridges as part of a strand of films celebrating actor Lee Jung-jae (Squid Game) at London East Asia Film Festival (LEAFF) which runs in cinemas from Wednesday, October 19th to Sunday, October 30th; also available to rent on Sky Go, Sky Store, iTunes, Amazon Prime and Google Play

In a darkened building somewhere in Japan, former South Korean government agent turned professional assassin In-nam (Hwang Jung-min) surprises and pacifies then kills his terrified, Japanese-Korean mob boss target. Meanwhile, his former girlfriend Young-joo (Choi Hee-Seo) is in Thailand in the process of putting down the deposit to buy a golf course when her small daughter Yoo-min (Park So-yi) is kidnapped. Desperate, Young-joo attempts to contact In-nam through his boss over the phone, but In-nam has long since told her she must decide between her child and him and as far as he is concerned, she made her decision. He instructs his boss to inform her he is dead.… Read the rest

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New World (Sinsegye, 신세계)

Director – Park Hoon-jung – 2013 – South Korea – Cert. 15 – 135m

***

Following a gangster boss’ murder, an undercover cop is caught in the middle of the rival factions’ battle to take over the gang – screening Monday, October 24th, 19.00 at The Cinema Museum as part of a strand of films celebrating actor Lee Jung-jae (Squid Game) at London East Asia Film Festival (LEAFF) which runs in cinemas from Wednesday, October 19th to Sunday, October 30th; the film is also available on Eureka! Video

Lee Ja-sung (Lee Jung-jae) is the number two for Shanghai-based gangster Jung Chung (Hwang Jun-min) when someone in the organisation has a lorry drive into the car of their boss Seok (Lee Kyung-young) as he’s returning from a visit to his mistress in the rain, killing him and opening the way for someone else to take over.

When at the hospital Seok is pronounced dead to the assembled gangsters by a surgeon, he’s assaulted by one of Jung Chung’s rival candidates for the succession, Lee Joong-gu (Park Sung-woong). He makes a habit of such actions, tossing away the camera of a carload of journalists “disrespecting” Seok’s funeral only to learn that they are actually cops working for Section Chief Kang (Choi Min-sik), who has been recently promoted from Lieutenant.… Read the rest