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Features Live Action Movies

Ishiro Honda Double Feature: The H Man (Bijo to Ekitai-ningen, 美女と液体人間) and Battle In Outer Space (Uchu Daisenso, 宇宙大戦争)

The H Man

*****

Director – Ishiro Honda – 1958 – Japan – Cert. X – 86m

Battle in Outer Space

*****

Director – Ishiro Honda – 1959 – Japan – Cert. U – 90m

Alongside the standalone release of Mothra (1961) comes a double bill of two more Toho science fiction movies directed by Ishiro Honda with special effects by Eiji Tsuburaya: , The H Man (1958) and Battle In Outer Space (1959). The Toho studio is associated more with monster movies than any other genre, notably Godzilla (1954) and Mothra. The superior entries in this cycle tend to be the ones they directed, including the initial 1954 film which ticked all the right boxes to prove a massive success.

When no-one at Toho was quite sure what had made Godzilla work, the pair collaborated on a number of different SF films before everything came together on Mothra. The H Man is a monster film dressed up in gangster trappings while Battle in Outer Space is an epic with space stations, flying saucers, rocket ships, an alien moon base and alien mind control… [read more]

Over at All The Anime, I review Eureka!’s Ishiro Honda double bill Blu-ray.

Categories
Animation Art Movies Shorts

The Cowboy’s Flute (Mu Di, 牧笛)

Directors – Qian Jiajun, Te Wei – 1963 – China – Cert. N/C U – 20m

*****

A flute-playing forest boy loses then is reunited with his beloved water buffalo in the mountains. available to rent online in the UK & Ireland as part of the Shanghai Animation Film Studio Retro in the Chinese Cinema Season 2021 from Friday, February 12th to Wednesday, May 12th

This opens with a lengthy panning shot of a forest drawn with pen and ink in a distinctive Chinese style not entirely dissimilar to the animated opening of the Japanese live action feature The Mad Fox (Tomu Uchida, 1962) but without the chaos or violence. Among the ink and watercolour-rendered trees wanders a boy playing a flute as he rides a slow moving buffalo, rendered like the backgrounds in pen and ink so that the effect is not of watching clumsily moving images over exquisitely rendered backgrounds, as has often been the case in Western animation departing from the Disney 2D Disney model, but rather of watching a seamlessly moving brush and ink painting. Te Wei had already done this with his groundbreaking Where is Mama? (1960) and he pulls off the same trick again here.… Read the rest

Categories
Animation Features Movies

Lotus Lantern (Bao Lian Den,宝莲灯)

Director – Chang Gwang Xi – 1999 – China – Cert. N/C U – 85m

*1/2

A boy must rescue his goddess mother from Heavenly wrath invoked when she fell for his father, a mortal – available to rent online in the UK & Ireland as part of the Shanghai Animation Film Studio Retro in the Chinese Cinema Season 2021 from Friday, February 12th to Wednesday, May 12th

Immortal Goddess Sanshengmu (voice: Xu Fan) falls in love with mortal man Liu Yanchang and leaves Heaven to pursue love with him on Earth. This goes down badly with her brother Yang Jian (Jiang Wen) since it’s against the Law of Heaven, so he sends an army of hounds down to earth in pursuit. She is however able to evade capture by keeping a lotus lantern close to her to make sure it’s not accidentally lit as this would give away her location.

Seven years later, while boating on a river with her young son Chenxian (Yu Pengfei), the lantern’s accidental lighting reveals her whereabouts to her brother, who promptly whisks the boy to heaven.  When she arrives to demand her son’s return, her brother instead imprisons her in a mountain. … Read the rest

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Art Documentary Features Live Action Movies Shorts Television

Greenaway By Numbers

How Peter Greenaway’s obsession with various numeric and other cataloguing systems has led to the creation of highly complex, multi-layered film pieces that joyfully play with audiences

If ever anyone were to make a film about the Dewey Decimal System, it would be Peter Greenaway. He is obsessed with ways and means to classify the world in which he finds himself, systems to organise and make sense of that peculiar world, people’s relationship networks with one another and their movement and actions within that world and those networks.

I first came across him on the theatrical release in Hammersmith of his three hours plus epic The Falls (1980), made in between his early, self-financed short films of the 1960s and 1970s and his first, more conventional in length feature The Draughtsman’s Contract (1982). The Falls takes its name from entries in the section of a directory beginning with the letters F A L L e.g. Orchard Falla, Constance Ortuist Fallaburr, Melorder Fallaburr. The directory chronicles survivors of a Violent Unknown Event, VUE for short… [read more]

Full article at DMovies.org in association with Doesn’t Exist Magazine – purchase your copy now.

Categories
Features Live Action Movies

The Banishing

Director – Christopher Smith – 2020 – UK – Cert. 15 – 97m

***1/2

A vicar, his wife and their daughter move into a haunted rectory which seems out to get them – on digital platforms from Friday, March 26th and Shudder from Thursday, April 15th

The Rev Stanley Hall (Matthew Clarke) is found hanged from the top of four-poster bed in his bedroom in the old rectory near the village. This follows a session with his hefty bible, annotated in placed with scrawled pentagrams and pages burned through with holes, his reading out loud Pauline admonitions against ‘sexual immorality’ and a bizarre vision of himself either having sex with or inflicting extreme bloody violence upon his wife (or possibly both at once – it’s not entirely clear). Bishop Malachi (John Lynch) is summoned to the house.

Three years later, Malachi installs a new vicar Linus (John Heffernan) in the property which has remained vacant in the interim. Linus is joined by wife Marianne (Jessica Brown Findlay) and her illegitimate daughter Adelaide (Anya Mckenna-Bruce) as well as the house’s incumbent deaf maid Betsy (Jean St. Clair). Like his predecessor, Linus is obsessed with abstaining from sexual immorality, despite his wife’s pointing out to him that they are married.… Read the rest

Categories
Animation Movies Shorts

If Anything Happens I Love You

Directors – Will McCormack, Michael Govier – 2020 – US – 12m

*****

A couple and their spirit selves are haunted by a tragic loss from their family’s past in this beautifully economic, drawn animated short about grief and loss – on Netflix and nominated for Best Animated Short at the 2020 (93rd) Oscars

Drawn animation. A couple eat at home. Meatballs and spaghetti. Silently. Drawn in stark, gloomy black and white lines. Behind them, in sharply outlined areas of black smudge, the shadows of their spirit selves or perhaps their memories argue. This relationship is in trouble.

They go about the business of everyday living, in empty black and white, trying to snatch moments of individual joy where they can. He wanders round the outside of the house, noticing once again that bit of plasterwork he really should get fixed. She tends the potted plants and takes the laundry out of the machine, picking up the child-sized blue t-shirt. He sits watching the TV with a can of drink. She wanders into the bedroom with the empty bed and somehow the record player and a pop song gets turned on.

Happier times, playing football with their daughter (10) in the garden, the ball taking off a chuck of the wall cladding.… Read the rest

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Features Live Action Movies

37 Seconds

Director – Hikari – 2019 – Japan – Cert. 15 – 115m

*****

A wheelchair-bound, young woman manga artist struggles to become independent of her over-protective mother – on Netflix from Friday, January 31st, 2020

Yuma (Mei Kayama), wheelchair-bound with cerebral palsy from birth, lives with her mother Kyoko (Misuzo Kanno) who looks after her in a small Tokyo apartment. However Yuma is far from helpless with a day job as an uncredited manga artist who draws and writes the comics allegedly penned by fast rising YouTube star Sayaka (Minori Hagiwara). The uncomplaining Yuma secretly yearns for Sayaka’s celebrity, if not to actually be her at least to know what it feels like, but Sayaka bans her from attending any public events such as book signings.

Yuma starts exploring ways of going independent of Sayaka. She shows some work to Iketani (Shohei Uno) from Sayaka’s publishers who tells her that what she’s produced is good but alas too close to Sayaka’s work. Finding a bunch of porn manga magazines in a park, she phones around to see it the magazines are taking submissions and embarks on an erotic space opera series, lovingly rendered in a sequence which is not so much full animation but more like an animated peruse through pages of manga, only to be told when she goes to see a friendly editor Ms.… Read the rest

Categories
Features Live Action Movies

Still The Water (Futatsume no Mado, 2つ目の窓)

Director – Naomi Kawase – 2014 – Japan / France – Cert. 15 – 119m

*****

Two childhood sweethearts living on an island beset by storms must come to terms with the mortality and fallibility of their mothers – on BFI Player (rental) and MUBI.

The ocean roars and then, just as suddenly, is quiet. The wind howls through the trees, then sunlight is glimpsed through tranquil branches. Welcome to the sleepy yet storm-battered island of Amami Oshima, part of the Southern Japanese Archipelago, a place of paradox and contradiction seen through the eyes of two teenaged friends and their families.

Kyoko (Jun Yoshinaga aka Junko AbeSamurai Marathon, Bernard Rose, 2019) loves swimming in the sea. Her friend Kaito (Nijiro MurakamiIsle Of Dogs, Wes Anderson, 2018, Destruction Babies, Tetsuya Mariko, 2016) is less keen – he’d rather be in the safety of a swimming pool. She uses him and his bicycle to get around the island if and when he’s nearby. She is rather keen on him and would happily have sex. He can’t explain why, but is less enthusiastic about the idea.

Once we move on to their parents, there are fascinating observations regarding motherhood – especially in the light of adoption / unwanted pregnancy outing True Mothers (Naomi Kawase, 2020) – and, to a lesser extent, fatherhood.… Read the rest

Categories
Features Live Action Movies

Shape Of Red (Red)

Director – Yukiko Mishima – 2020 – Japan – Cert. N/C 15+ – 122m

****1/2

A woman trapped in a stultifying marriage experiences freedom and laughter in both returning to work and pursuing an extramarital relationship – played online in the Japan Foundation Touring Programme 2021 in the UK

Married to Shin (Shotaro Mamiya) with a six-year-old girl Midori, Toko (Kaho – Our Little Sister, Hirokazu Kore-eda, 2015) is a stay-at-home mum. Shin works with a trading company and judging by the size of the house is not lacking financially. Shin’s mother is a constant fixture in their home and the first time we see Shin come in from work of an evening, he rejects the meal his wife has prepared because he’s “not hungry” only to readily accept a favourite dish his mother has prepared.

That doesn’t bode well for the marriage. In bed she dutifully performs a blow job on him which satisfies him but not her. As she wipes away the results with a tissue, you feel that she’s not so much a wife, more a sort of sexual skivvy.

As his wife, Toko accompanies Shin to various work social events where she similarly appears to be little more than an appendage.… Read the rest

Categories
Animation Features Movies

Calamity. A Childhood Of Martha Jane Cannary (Calamity. Une enfance de Martha Jane Cannary)

Director – Rémi Chayé – 2020 – France – 85m

****

A young girl dresses as a man to survive in the Wild West in this extraordinary 2D, colour animated film – from the Annecy 2020 Online Animation Festival and currently nominated for Best Indie Feature and two other awards in the Annie Awards which take place on Friday, April 16th, 2021

Martha Jane Cannary is travelling across the US in a wagon, part of a larger convoy, with her father and her two younger siblings Lena and Elijah. Leading the train is Abraham, an austere and traditional man who isn’t good at taking criticism. Martha Jane has frequent arguments with his son Ethan. Her dad Robert is generally looked down upon, a situation scarcely helped by his wagon’s wheel coming off on a hillside road causing the convoy to grind to a halt or his attempt to lasso a horse to show that he is skilful which ends in his getting two broken ribs and a broken leg when the horse gets out of control.

With her dad unconscious in the back of their wagon, she is assigned Ethan as driver and manages to persuade him to let her try driving.… Read the rest