Tag: murder

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Restore Point
(Bod Obnovy)

Director – Robert Hloz – 2023 – Czech Republic – Cert. 15 – 113m

*****

A detective investigates the murder of a couple, one of who helped create the technology for restoring people to life after they die – thought-provoking SF thriller is out UK on digital on Monday, April 1st

In essence this is a crime movie about corporate conspiracy and murder, but with a difference putting it into the real of science fiction – although given the speed at which current technological advances are taking place, it’s the sort of thing one can imagine being reality in a matter of years. It’s set in the not too distant future of Central Europe 2041, where technology has been developed to back up people to restore them to life should they die. This has been guaranteed by the State for anyone dying a violent, unnatural death following an increase in violent crime. This in turn is the result of growing social and economic inequality (an element not explored beyond an introductory intertitle on the screen).

This allows for fascinating plot variants to the crime genre. If someone is shot dead, they can be brought back to life within 48 hours – provided they have a backup and only so far as that backup is up-to-date.… Read the rest

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Eileen

Director – William Oldroyd – 2023 – US – Cert. 15 – 97 m

***** Most of the film

* The last five minutes

NSFW

In the 1960s, the life of a young woman working in a Boston boys’ correctional facility is turned on its head by the arrival of a radical, young woman prison psychologist from New York – out in UK cinemas on Friday, December 1st.

I don’t usually start with the ending of the film – and I’m not about to deliver a spoiler – but the ending of Oldroyd’s otherwise enthralling drama (if that’s the right term – I’m not sure it is) takes everything that has gone before which appeared to be building up to something and unceremoniously dumps it, as if there were another twenty minutes that had been written but not shot and an unsatisfactory ending had been tacked on.

There’s always that feeling with a truly extraordinary movie when you watch it for the first time that you don’t want the filmmakers to screw up and let go of whatever it is that’s working. Well, this one is extraordinary right up to the last five minutes, when it completely loses it. Prior to that, it starts out as one thing, turns into something else then swerves and moves about all over the place, taking the viewer with it on a strange, unpredictable journey.… Read the rest

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Killers
Of The Flower Moon

Director – Martin Scorsese – 2023 – US – Cert. 15 – 206m

*****

A returning WW1 veteran marries into Oklahoma’s Osage Indian tribe at the time of the Osage Indian Murders – plays the 2023 London Film Festival which runs from Wednesday, October 4th until Sunday, October 15th, and will be out in UK cinemas on Friday, October 20th

At slightly over 80 years of age, Martin Scorsese has now been making movies for over 60 years. Like his last, fictional, narrative feature The Irishman (2019), this one is pushing three and a half hours. I always have issues with films that long: the vast majority are that way due to director’s ego and / or inability to tell a story concisely. Some of them might have been better suited to a TV mini-series ( a medium in which, incidentally, Scorsese also works). Yet if you try and imagine Killers Of The Flower Moon cut down in length, it’s difficult. Maybe you could take out the frame story – the performance of a crime drama on the radio on the subject of the Osage Indian Murders – but that sets the scene nicely at the start and takes you back out of the movie equally nicely at the end, so it would be a shame to do so.… Read the rest

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Creation
Of The Gods
I:
Kingdom
Of Storms
(Feng Shen
Di Yi Bu:
Zhao Ge Feng Yun,
封神第一部
朝歌风云,
lit.
Investiture
Of The Gods
Part I:
Zhaoge Turmoil)

Director – Wuershan – 2023 – China – Cert. 15 – 148m

****

A king’s infatuation with a beautiful woman possessed by a vixen demon threatens to bring down a terrible curse upon his kingdom – first part of epic, period, mythological adventure trilogy is out in UK and Irish cinemas on Friday, September 22nd

This first trilogy instalment of an adaptation of the Xu Zhonglin-attributed novel Investiture Of The Gods, written towards the end of the Ming dynasty (1368-1644), deals with the downfall of the Shang dynasty (which existed well before a thousand years BC). While the tale may well contain elements of historical truth, it also mixes in supernatural deities and creatures to cover an awful lot of ground in its two and a half hours’ running length.

The novel is known by a number of titles in Chinese, one of which is Fengshen Bang, an artefact of which name turns up in this film as a sort of MacGuffin, here a mystical scroll endowing its owner with great power which at least one major character seeks to possess, others seek to help him do so and immortals want to make sure it gets into the right (i.e. righteous or deserving) hands rather than his.… Read the rest

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The Flash

Director – Andy Muschietti – 2023 – US – Cert. 12a – 144m

*****

Tormented by the death of his mother, The Flash goes back in time to try and save her – out in UK cinemas on Wednesday, June 14th

Barry Allen (Ezra Miller) is running late for work again. The girl that usually makes his special sandwich at the shop near his workplace isn’t in today, so instead he has to deal with someone who needs to be talked through the order. On top of that, he gets a call from Alfred (Jeremy Irons) at the Batcave because no other Justice League superhero is available: could The Flash please attend to rescuing staff and patients from the explosives-rigged Gotham City Hospital?

So he races over there and while Batman (Ben Affleck) pursues criminals on the Batbike. Barry / The Flash, a superhero with the ability to move at incredible speed, saves falling babies and their ward sister from a collapsing, high-rise, maternity ward. The pursuit is mostly over when Wonder Woman (Gal Gadot) turns up at a fight on at a bridge to save the day and wield the Lasso of Truth.

Barry has parental issues: specifically, he is trying to get his wrongly convicted father Henry (Ron Livingstone) exonerated for the crime of killing Barry’s mother (Maribel Verdú from Pan’s Labyrinth, Guillermo del Toro, 2006; Y Tu Mamá También, Alfonso Cuarón, 2001) in their home when, as he claims, he was out buying a can of tomatoes at the time.… Read the rest

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The Boogeyman

Director – Rob Savage – 2023 – US – Cert. 15 – 98m

*** 1/2

Two sisters recently bereaved of their mother start to imagine something nasty waiting for them in the darkness of night – Stephen King adaptation is out in UK cinemas on Friday, June 2nd

An uninvited man Lester Billings (David Dalmachian) turns up at the home-based office of therapist Will Harper (Chris Messina) wanting to talk. His family died, and he is suspected of murdering them… but, he claims, it wasn’t him who did it. Harper has recently lost his wife, so it’s inevitable that Billings’ story will resonate with him. While Harper excuses himself to covertly call the police, Billings starts wandering round the home in which Harper lives with his two daughters – the teenage Sadie (Sophie Thatcher) and the much younger Sawyer (Vivien Lyra Blair).

The scene in the office is the Stephen King short story (published in his Night Shift collection) and only a small part of the movie. It is, however, a highly significant part – the incident that sparks everything else off. Billings claims his family was slain by a hideous monster, and the impressionable Sawyer is at the age of childhood where she imagines monsters lurking in the closet or hiding beneath the bed.… Read the rest

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The Dead
And The Deadly
(Ren Xia Ren,
人嚇人)

Director – Wu Ma – 1982 – Hong Kong – Cert. 12 – 99m

*****

A couple planning an inheritance swindle convince their victim to play along then kill him, after which he comes back as a ghost to take revenge – classic and seminal HK kung fu comedy is out on UK Blu-ray in a 2K restoration.

Made three years ahead of Mr. Vampire (Ricky Lau, 1985), this puts all the elements of that film in place, apart from the vampires. Actually, they’re not so much vampires as hopping ghosts (jiangshi). There’s no hopping in The Dead And The Deadly, but there are ghosts.

Chu (Sammo Hung) becomes suspicious when best friend Ma Lucho (Wu Ma) dies, suspecting Mrs. Ma (Leung Mei Hei) and her priest companion (Chung Fat) of poisoning him. As becomes clear from an early scene in a brothel, Ma is not gifted with women, so Chu is surprised that his surviving wife is pregnant. What he hasn’t realised is that Ma is actually in on the scam and is only pretending to be dead.

But that changes about an hour in when Ma’s two co-conspirators kill him for real to get his money, as Mrs.… Read the rest

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Under
The Open Sky
(Subarashiki Sekai,
すばらしき世界)

Director – Miwa Nishikawa – 2020 – Japan – 126m

***1/2

A former yakuza killer having served his sentence for murder comes out of prison and attempts to go straight – plays UK cinemas in the Japan Foundation Touring Film Programme 2023 between Friday, 3rd February and Friday, 31st March

Masao Mikami (Koji Yakusho) completes his prison sentence and comes out on good terms with the prison staff, who helpfully advise him, in an almost friendly manner, of not returning to his former ways. While it is indeed the convict’s intention to live within the law from here on in, there remains a gulf between him and those charged with guarding him. He thinks the courts should have given him a lesser sentence for the killing he committed, i.e. manslaughter motivated by self-defence not murder. However, he doesn’t appear to bear grudges about this. He seems to have a problem with losing his temper and controlling his anger, something he’s going to have to work on if he is to survive as a law-abiding citizen.

The Shojis (Isao Hashizume and Meiko Kaji), a sympathetic couple of around his age, provide him with free bed and board until he can find a job and get back on his feet.… Read the rest

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Scream VI

Directors – Matt Bettinelli-Olpin, Tyler Gillett – 2022 – US – Cert. 18 – 123m

**1/2

The sixth entry in the Scream franchise relocates from Woodsboro to New York City as the masked killer continues to stalk and kill his victims – out in UK cinemas on Friday, March 10th

The phone rings. Someone picks up. If it’s the first time he’s called, the caller (voice: Roger L. Jackson) engages them in conversation, often about whether they like movies, in particular scary movies. This often leads to the recipient of the call being bloodily murdered shortly after. But not always. Some of the characters in the Scream movies stay alive via a judicious knowledge of the rules of horror films. The previous five films, of which the fifth film is somewhat confusingly called Scream exactly the same as the first, are set in the town of Woodsboro, California with a cast of repeating characters among the ongoing survivors.

This sixth film is set in the very different urban milieu of New York City. Which, along with a smart graphic whereby the last three quarters of the letter ‘M’ are coloured red to turn into the Roman numeral VI, may entice back viewers who had long since given up on the franchise (the ideas got tired after the first couple of films).… Read the rest

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Broker
(Beurokeo,
브로커)

Director – Hirokazu Kore-eda – 2022 – South Korea – Cert. 12 – 129m

***

Kore-eda’s second feature outside his native Japan is a curious tale of two traffickers of abandoned babies to childless couples whose business is disrupted by their latest charge’s mother– out in UK cinemas on Friday, February 24th

It’s an intriguing pitch. Kore-eda. the great humanist Japanese director of such extraordinary films as (among others) films After Life (1998), I Wish (2011), Like Father, Like Son (2013), The Third Murder (2017) and the Best Foreign Film Oscar nominee Shoplifters (2018), directs a movie in South Korea. And yet, Broker, like his previous The Truth (2019), similarly made in a country other than his native Japan – in this instance France – is strangely unmoving compared to his home-shot, Japanese work. Although he hasn’t lost his touch as can be seen from some of his work for Japanese TV (A Day-Off Of Kusumi Arimura, 2020).

Whatever the problems are with his working abroad, the the calibre of the cast the director attracts is not one of them. The Truth had Catherine Deneuve, Juliette Binoche and Ethan Hawke, two of the finest living French actresses and arguably one of the best American actors; for Broker, the cast includes top South Korean talent Song Kang Ho and Doona Bae.… Read the rest