Categories
Animation Art Documentary Features Live Action Movies

Buñuel In The Labyrinth Of The Turtles

Director – Salvador Simo – 2018 – Netherlands – 80m

***1/2

Streaming on BFI Player (extended free trial offer here) from Thursday, July 16th – with more Buñuel movies here.

Following the success of his surrealist film L’Age D’Or / The Age Of Gold (1930), film director Luis Buñuel finds his main source of funding cut off when the strongly Catholic mother of his primary investor puts pressure in the latter. At the same time, a stranger named Eli Lotar strikes up a post-premiere conversation with the director saying he saw no influence of Dali in the film and presses a book Las Hurdes into Buñuel’s hands.

Frustrated at the lack of funding for his films, Luis decides to film the book which details the appalling living conditions of poor people in a remote village in rural Spain.

As part of my Annecy 2019 coverage, I review Buñuel In The Labyrinth Of The Turtles for DMovies.org.

Categories
Animation Features Movies

Marona’s Fantastic Tale (L’Extraordinaire Voyage De Marona)

Director – Anca Damian – 2019 – France – 92m

****

Marona’s Fantastic Tale opens with a device straight out of film noir. The main character has been hit by a car and is dying in the arms of an old friend who got to him a few seconds too late to prevent disaster. Him isn’t correct though: both characters are female. Marona is a dog while late teenager Solange is her owner.

The narrative flies in the face of the idea that people take on pets and everything is hunky dory thereafter. Marona never has a stable life. She’s the last of nine puppies in the litter, so her mother names her Nine as if knowing that her daughter may not be around long and that a new owner will likely give her a new name.

The last to be born is the first to be given away as Marona is placed with her father, a haughty Argentianian mastiff of high birth. Marona only lasts about a day there and ends up walking the streets.

As part of my Annecy 2019 coverage, I review Marona’s Fantastic Tale for DMovies.org.

Categories
Animation Art Movies Shorts

Memorable (Mémorable)

Director – Bruno Collet – 2019 – France – 12m

*****

The techniques used in this remarkable short include both computer and puppet animation, with all the surfaces of both the puppets and the sets resembling that of a canvas painted with oils. It’s the perfect artistic form in which to express the story the film wishes to tell.

Louis is a painter suffering from dementia. Neither he nor his wife and model Michelle are coping well. He struggles to recognise different items of food by name at the dinner table – a bit of a problem when Michelle asks him to pass the pepper – and attempts to eat a banana without taking the skin off it first.

As part of my Annecy 2019 coverage, I review Memorable (Mémorable) for DMovies.org.

Categories
Animation Movies Shorts

Drive (Pulsión)

Director – Pedro Casavecchia – 2019 – Argentina – 7m

*****

This Argentinan short, although computer generated, has the feel of stop-motion. It brings to mind work by Lars Von Trier, the Brothers Quay, Alfred Hitchcock and David Lynch. A narrative conveyed by a series of disturbing vignettes (think: the opening minutes of Melancholia (Lars Von Trier, 2011) is put together with the same kind of fastidious technical attention to detail you find in the Quay Brothers’ films. A couple of scenes borrow directly from one of the murders in Psycho (Alfred Hitchcock, 1960), but in a clever way that shocks you much as those scenes in Psycho originally did. There’s a Lynchian feel about the whole thing – not just in the strange, quasi-industrial sounds recalling Eraserhead (David Lynch, 1977) or the weird lighting and heavily controlled mise-en-scène, but also in the overall feel of strange and terrible things happening within families and local communities, people adrift within the darkness of human existence.

As part of my Annecy 2019 coverage, I review Drive (Pulsión) for DMovies.org.