Tag: son

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Features Live Action Movies

Ferrari

Director – Michael Mann – 2023 – US – Cert. 15 – 130m

*****

As Enzo Ferrari’s racing team takes on a particularly tough race in 1957, the complexities of his private life prove equally challenging – out in UK cinemas on Tuesday, December 26th

You might reasonably expect a movie about legendary driver turned racing car manufacturer Enzo Ferrari to be about motor racing, and while that’s undeniably true of this film, it’s about far more. In essence, it’s a character study about a man’s life focused on a brief period of his career, in which complex professional and personal issues intersect.

Based on a script by the late, great Troy Kennedy Martin (1932-2009 – writer of The Italian Job, 1969; BBC TV series Z Cars, 1962 and Edge of Darkness, 1985), Mann’s film covers four months in 1957 building up to a particularly tough race, the Mille Miglia, the route for which covers 1 000 miles of open country roads.

Alongside the considerable challenges and demands of the race itself, the personal life of Enzo Ferrari (Adam Driver) is nothing if not complex. His marriage to business-savvy Laura Garello Ferrari (Penélope Cruz) is on the rocks thanks to the death from muscular dystrophy in 1956 of their son Dino aged 24.… Read the rest

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Features Live Action Movies

There’s Something
in the Barn

Director – Magnus Martens – 2023 – Norway – Cert. 15 – 100m

*

An American family immigrates to Norway where a relative has died and left them a farmhouse with a barn… and there’s something in the barn – badly misjudged horror comedy is out in UK cinemas and on digital download from Friday, December 1st

I have watched this film so that you don’t have to.

Incidentally, it has some of the best film stills I’ve ever seen. They are truly great. Don’t let that fool you: it’s a rotten movie.

One year after the unpleasant death of their Norwegian relative, the Californian nuclear family of dad, step-mum, son and daughter arrive at his farmhouse and barn in Norway which they’ve inherited. The unpleasant death is intriguing and workable if unoriginal horror fare; there is indeed something in the barn, and it’s not happy. So not happy, that it kills the relative.

But once the Californian family appear, the film undergoes a huge shift of tone from straight horror to pretty embarrassing comedy. Or, more accurately, alleged comedy because the laughs (or laugh – I think I may have laughed once) are (is) few and far between. Dad Bill (Martin Starr) is a happy-go-lucky, irritating, nerdy caricature; his new wife – and therefore step-mum to his kids – Carol (Amrita Acharia) is an equally annoying, former self-help guru.… Read the rest

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Features Live Action Movies

Vortex

Director – Gaspar Noé – 2021 – France – Cert. 15 – 142m

*****

An elderly man struggles to care for his ailing wife who has dementia – out in cinemas on Friday, May 13th

Discounting the lengthy titles detailing among other things the various film clips and images used, this throws us a series of images in a pillarboxed 4:3 format with curved corners at the edges (suggesting a projected slide show or physical, analogue photographs mounted in an album) then the young Françoise Hardy singing “Mon Amie La Rose” loads irony into the proceedings: the rose is fresh and speaks to us of love, the singer young and yet to be ravaged by the passage of time. (It’s not mentioned here, but last year, Hardy announced she could no longer sing as a result of cancer treatments, which lends the video a certain poignancy today – even more so in the context of this film.)

Then the man we’ll call the father (Dario Argento, director of such Italian gialli as Suspiria, 1977; Tenebrae, 1982) waves through windows across a courtyard at the woman we’ll call the mother (Françoise Lebrun from The Mother And The Whore, Jean Eustache, 1973) and they meet up for a glass of wine on their balcony.… Read the rest

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Animation Movies Shorts

Drive
(Pulsión)

Director – Pedro Casavecchia – 2019 – Argentina – 7m

*****

A series of disturbing vignettes brings to mind work by Lars von Trier, the Brothers Quay, Alfred Hitchcock and David Lynch – available to watch on YouTube (see below) from Wednesday, September 1st 2021

This Argentinan short, although computer generated, has the feel of stop-motion. It brings to mind work by Lars von Trier, the Brothers Quay, Alfred Hitchcock and David Lynch. A narrative conveyed by a series of disturbing vignettes (think: the opening minutes of Melancholia (Lars von Trier, 2011) is put together with the same kind of fastidious technical attention to detail you find in the Quay Brothers’ films. A couple of scenes borrow directly from one of the murders in Psycho (Alfred Hitchcock, 1960), but in a clever way that shocks you much as those scenes in Psycho originally did. There’s a Lynchian feel about the whole thing – not just in the strange, quasi-industrial sounds recalling Eraserhead (David Lynch, 1977) or the weird lighting and heavily controlled mise-en-scène, but also in the overall feel of strange and terrible things happening within families and local communities, people adrift within the darkness of human existence.

One single viewing is not enough for this film which really only reveals itself on repeated viewings.… Read the rest

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Features Live Action Movies

Dead Ringers

Director – David Cronenberg – 1988 – Canada – Cert. 18 – 116m

*****

Originally published in Samhain.

When David Cronenberg was in the UK to promote The Fly late in 1986, he talked about a project called Twins which concerned two identical twins who fall in love with the same woman. At the time, no-one thought he was serious.

Two years later, the film has appeared (under the appalling title Dead Ringers, since there was another Twins in production elsewhere). Cronenberg denies that the new film is science fiction or horror, or even fantasy. Yet (if one wants to play the auteur game) parallels can be drawn with certain of his earlier films.

Dead Ringers bears a great resemblance not so much to the commercial Cronenberg schlock oeuvre as to the art films of the late sixties from which he has in recent years dissociated himself on the grounds that they were not real movie movies; however, both Stereo (1969) and Crimes Of The Future (1970) were shot on University Campuses with bleak, modernist architecture – and the same setting forms the backdrop to several Cronenberg features, most notably Scanners. Such architecture is more prominent in Dead Ringers than in any previous Cronenberg commercial feature.… Read the rest