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Goryeojang
(고려장)

Director – Kim Ki-young – 1963 – South Korea – 89m

2019 Korean Film Archive (KOFA) Restoration (two reels missing)

****

Goryeojang is the concept of taking your elders up a mountain when they reach 70 so that they can face death – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank – from the London Korean Film Festival 2019

Over fifty years old, Goryeojang is sadly available as only a print with two reels (three and six) missing. The LKFF screened the version where the missing scenes are explained by a brief series of intertitles so that the rest of the film can make sense. It’s a tough film to pigeonhole. A description like period drama, which genre it absolutely fits, proves woefully inadequate. To a Western viewer, it plays out like a classic fairy tale, with archetypal characters and considerable amounts of cruelty. The art direction is light years away from any sort of social realism with its rural sets obviously artificially constructed in a studio, recalling (to name but one obvious example) The Singing Ringing Tree (Francesco Stefani, 1957), especially for all those British people who saw that latter film in black and white on BBC children’s television in the 1960s.… Read the rest

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Animation Features Live Action Movies

Snow Leopard
(Xue Bao,
雪豹)

Director – Pema Tseden – 2023 – Tibet – Cert. 15 – 109m

*****

A monk invites a filmmaker friend to a remote farm in the Tibetan mountain region where a snow leopard trapped in a sheep pen has killed nine sheep – the late Pema Tseden’s final completed film is out in UK cinemas from Friday, November 22nd

Film maker Dradul (Genden Phuntsok) has been informed by his friend Nyima the Snow Leopard Monk (Tseten Tashi) of an incident and so sets out for the region of the Tibetan Mountains with a small crew in his car. Following roads in the freezing wilderness, the car arrives at a remote farm which consists basically of a stone farmhouse and a sheep pen where the Snow Leopard Monk awaits them, along with the old farmer and his family.

The sheep pen has been breached by a snow leopard, a rare animal that’s a protected species in Tibet, and the old farmer’s adult son Jinpa (Jinpa) is furious that it has killed nine sheep. Confronted with the camera, he argues vociferously that man must live with the snow leopard, and that a small number of kills would be acceptable, but an amount as large as nine is most definitely not okay.… Read the rest

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Take Care of My Cat
(Go-yang-i-leul
Boo-tak-hae,
고양이를 부탁해)

Director – Hong Eun-won – 2001 – South Korea – Cert. PG – 112m

****

A cat passes between a group of twentysomething girls as each one finds they can no longer look after it – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

(2024 explanatory note: This was, I believe, the first South Korean film to get a UK theatrical release. It was certainly the first one I ever reviewed, for What’s On in London back in 2002. Soon after this, Metro-Tartan film distributors would release a good deal of horror / thriller / action movies in cinemas and on DVD under their Asia Extreme brand, but it would be a long time before the UK saw the theatrical release of another South Korean film outside of those genres. What follows below is the What’s On in London review from 2002.)

Two areas of the world currently make its most interesting films. One is Iran and surrounding area, which has been fairly well represented in terms of UK releases. The other is South Korea, largely and criminally neglected by UK distributors.… Read the rest

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Features Live Action Movies

The Tenants
(Se-ip-ja,
세입자)

Director – Yoon Eun-Kyung – 2023 – South Korea – LKFF Cert. 12 – 90m

*****

In a black & white, futuristic Seoul, a tenant who sublets his rental apartment to prevent his eviction finds out that this approach has its drawbacks – from LKFF, the London Korean Film Festival 2024 which runsin cinemas from Friday, November 1st to Wednesday, November 13th

An alluring image turns out to be merely an image on a wall, an artifice rather than the paradise we at first assume it to be. This is an image many filmmakers have used to open their movies and, depending on what they’ve seen over the years, it will conjure different films for different viewers. For this viewer, it conjures what I consider one of the funniest films of recent decades, Quick Change (Howard Franklin, Bill Murray, 1990) where the image is revealed as a tawdry New York subway train ad above a clown who will shortly proceed to rob a bank.

The Tenants may not be a comedy, but it shares with that film a sense of urban malaise, a feeling of being trapped in a grim metropolis where everything about the place conspires to prevent the protagonists leaving.… Read the rest

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Features Live Action Movies

Mother’s Kingdom
(Uhm-mah-ui
Wahng-gook,
엄마의 왕국)

Director – Lee Sang-hak – 2024 – South Korea – LKFF Cert. 15 – 97m

*****

A Christian mother, her ‘Christian book’ author son, and her local pastor brother-in-law are haunted by traumas from their collective past – suspense thriller from LKFF, the London Korean Film Festival 2024 which runs in cinemas from Friday, November 1st to Wednesday, November 13th

I don’t often preface a film review with a piece of verbal, religious text, but in this exceptional case, the following Old Testament quote may be pertinent, particularly the phrase in bold:

The Lord passed before him and proclaimed, “The Lord, the Lord, a God merciful and gracious, slow to anger, and abounding in steadfast love and faithfulness, keeping steadfast love for thousands, forgiving iniquity and transgression and sin, but who will by no means clear the guilty, visiting the iniquity of the fathers on the children and the children’s children, to the third and the fourth generation.”

– Exodus 34:6–7

Ji-wook (Han Ki-jang) lives with his mother Kyung-hee (Nam Kee-ae), and although he’s earning a respectable living working from home as a writer of self-help motivational books, in many ways he seems deeply unqualified to be peddling such advice to a wider public.… Read the rest

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Features Live Action Movies

Alienoid
(Oegye+in 1bu,
외계+인)

Director – Choi Dong-hoon – 2022 – South Korea – LKFF Cert. 12 – 142m

*****

In Part One of a proposed double feature, aliens incarcerate prisoners in human brains and time travel between present day and fourteenth century Korea and mayhem ensues – from LKFF, the London Korean Film Festival 2022;

Part Two Alienoid: Return to the Future plays in LKFF 2024

The first film of a two-part adventure, which would be more sensibly released as Alienoid – Part One (which may already be the case in some territories), this revolves around multiple protagonists in two separate timelines divided by six or seven centuries. In the fourteenth century, Guard, who morphs between true robot and fake human appearances not unlike the T-1000 of Terminator 2 Judgement Day (James Cameron, 1991), and his even more confusing companion Thunder, who is sometimes a car, sometimes a flying pod and sometimes any number of human manifestations (both / all played by Kim Woo-bin), fail to save a woman from dying after an alien escapes incarceration within her brain, however Thunder rescues the woman’s baby.

The pair travel forward in time to raise Lee Ahn (Choi Yu-ri) in the twenty-first century where she sees what she’s not supposed to: the impregnation process whereby alien prisoners are incarcerated in human brains, a memory wiped immediately afterwards from the humans used for this purpose, meaning people wander around not knowing there are aliens trapped inside their heads.… Read the rest

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Features Live Action Movies

The Guest
(301호 모텔 살인사건)

Director – Yeon Je-gwang – 2023 – South Korea – LKFF Cert. 18 – 77m

***

An out-of-the-way motel, with numerous hidden cameras covertly recording the unwitting guests, becomes the site of multiple killings – from LKFF, the London Korean Film Festival 2024 which runs in cinemas from Friday, November 1st to Wednesday, November 13th

There’s an idea that the widespread presence of security cameras make the world a safer place, because things can be seen rather than hidden; equally, however, things can be recorded, turned into product and sold for profit. The Guest takes place in a familiar world of roads and car journeys and motels in the middle of nowhere at which the traveller can take a break. And all of it seems to be covered by security cameras.

That applies to the roads, where the cams are there for traffic enforcement (and, perhaps more pertinently, traffic tax raising or penalty charging) purposes. Why they are there, for good or ill, isn’t really discussed here. But their ubiquitous presence is inescapably noted.

It also applies in the seedy motel at the centre of this horror / drama / suspense / thriller. The loan shark Deuk-chan (Hyun Bong-sik) who owns the place employs two young staff members Min-cheol (Lee Joo-seung) and Young-gyu (Han Min) to run the place in a day-to-day basis both of whom are indebted to him and therefore have little choice other than to do whatever he asks, however unreasonable.… Read the rest

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Features Live Action Movies

Handsome Guys
(Haenseomgaijeu,
핸섬가이즈)

Director – Nam Dong-hyub – 2024 – South Korea – LKFF Cert. 15 – 102m

****

A comedy of errors in horror genre clothing, features a house in which accidents keep occurring, and a demonic goat – from LKFF, the London Korean Film Festival 2024 which runs in cinemas from Friday, November 1st to Wednesday, November 13th

Half-brothers Kang Jae-pil (Lee Sung-min from this year’s South Korean Oscar entry 12.12: The Day, Kim Sung-su, 2023; The Man Standing Next, Woo Min-ho, 2020), Park Sang-goo (Lee Hee-jun from The Man Standing Next; 1987: When That Day Comes, 2017) and their dog Bong-gu have come to a rural area with the intent of buying their dream home, unaware that a demon was banished to hell in its basement two generations ago by British priest Father Baker (Jamie Horan) and can only be banished back there, should it arise from the grave, by one of those present at the time of the banishment.

A group of students runs into the half-brothers in a supermarket, the former drawing all the wrong conclusions from the latter’s unkempt appearance and shopping trolley of heavy-duty carpentry kit, snap judgements somewhat thrown by the undeniable cuteness of Bong-gu the dog, sitting in the front of their trolley.… Read the rest

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Shiri
(Swiri,
쉬리)

Director – Kang Je-Gyu – 1999 – South Korea – Cert. 18 – 125m

****

South Korean intelligence men track a North Korean sniper who has gone to Earth – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

This South Korean box office success story is a hard-boiled action movie, an Asian cross between Die Hard John McTiernan, 1988) and Nikita (Luc Besson, 1990) which could probably have been made in no other country. The North Korean villains in recent Bond outing Die Another Day (Lee Tamahori, 2002) seem saintly by comparison with the brainwashed, gun-toting mercenaries here, one of whom – deadly female sniper Hee (Kim Yun-jin) – goes to Earth following a series of assassinations of South Korean government officials.

But when some years later, Southern intelligence men Ryu (Han Suk-kyu) and Lee (Song Kang-ho) prove unable to prevent several likely targets from being killed by notorious Northern terrorist Park (Choi Min‑sik), the vanished Hee is their primary suspect for pulling the trigger.

Made in 1999, it originally concerned a slightly post-millennial future, which aspect has been lost with the film taking some four years to reach these shores.… Read the rest

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Aimless Bullet
(Obaltan,
오발탄)

Director – Yu Hyun-mok – 1961 – South Korea – 110m

****

Former soldiers and others struggle with the effects of post-war economic depression in the newly constituted South Korea – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

Made and released in the brief period of about a year between the collapse of one dictatorship and the rise of another, and the temporary relaxation of state censorship that accompanied it in South Korea, Aimless Bullet deals with the struggle to survive in that country amidst economic collapse. Men including demobbed soldiers and officers struggle to find work, others lucky enough to have jobs struggle to support their extended networks of loved ones while women drift into prostitution – or, if they’re really lucky, become movie stars.

It opens with crippled, former officer Gyeong-sik, constantly asking Sgt. Park and other drinking buddies not to call him “The Commander”, making a scene in a bar and smashing a glass door. Wandering through the streets at night alone afterwards, he’s accosted by former girlfriend Song Myeong-suk (Seo Ae-ja) who desperately wants him to fulfil his promise and marry her, but he won’t because as a cripple he feel an incomplete man.… Read the rest