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American Fiction

Director – Cord Jefferson – 2023 – US – Cert. 15 – 117m

*****

A black, American college Literature professor, unexpectedly finds celebrity via an anonymous alter-ego when he writes a cliché-ridden book about ‘the black experience’ – out in UK cinemas on Friday, February 2nd

College professor Thelonius ‘Monk’ Ellison (Jeffrey Wright) is a black academic at a white university. He teaches literature. While he’s teaching a class on the literature of the American South, a young, white, female student objects to the “N-word”, walks out of the class, and – in due course – gets him put on an unpaid Sabbatical. He’s a published novelist who hasn’t had anything published for years, including a manuscript currently doing the rounds through his agent Arthur, whereas other, white, faculty members publish work he considers beneath him yet which also sell in volume in airports.

His Sabbatical ties in with the fact of his going to a Literature Festival in his home city of Boston, where he finds his seminar poorly attended because it’s up against one by rising publishing sensation Sintara Golden (Issa Rae), author of We’s Lives in Da Ghetto, which, when he investigates her session, turns out to be what he considers pandering to black stereotypes of living in poverty, crime and misery.… Read the rest

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The Personal History
Of David Copperfield

Director – Armando Ianucci – 2019 – UK – Cert. PG – 119m

***

What the Dickens? A Victorian recalls his life from birth to middle age and the many people he encountered along the way – on VoD in June

The mid-19th century novel The Personal History Of David Copperfield is considered Charles Dickens’ masterpiece. Narrated in the first person by the eponymous David, it tells of one man’s life from birth through a series of adventures and encounters with a motley crew of relatives, friends and associates that seem to span the social breadth of Victorian England.

To cut the novel’s tale down to a manageable movie length, director Ianucci and his co-writer Simon Blackwell have dumped certain characters and subplots to focus on others. As with the director’s previous outing The Death Of Stalin (2017), the final film half works yet is beset by strange casting choices – actors playing Russians sporting a variety of English dialects in Stalin, various BAME actors playing roles that aren’t always entirely believable in terms of their ethnicity in Copperfield. That includes the film’s lead Dev Patel, who plays David convincingly as a wide-eyed innocent… [Read more]

The Personal History Of David Copperfield is out in the UK on Friday, January 24th.… Read the rest

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Parasite
(Gisaengchung,
기생충)
(Black & White Edition)

Director – Bong Joon Ho – 2019 – South Korea – Cert. 15 – 132m

*****

Opens in UK Cinemas (hooray!) exclusively for a week at Curzon Mayfair from Friday, July 24th. Also available on Curzon Home Cinema.

Read my reviews of the colour version of Parasite in All The Anime and Reform too.

It’s a safe bet that as anyone going to see the black & white edition of Parasite has already seen the colour version. Possibly several times, as it seems to be a movie in which you see new things with each viewing. In my case, I’ve already reviewed it twice (for two different publications). This review assumes you’ve already seen the colour version. If you haven’t, start with one of those reviews then see the colour version first.

So the big question is, is the black & white edition a waste of space where you’re watching the film drained of its colour and wondering why you bothered? Or does it add something to viewing the film?

The answer happily is the latter. 

I must admit I struggled with the opening scenes in the Kims’ basement flat. The street seen through the window seemed to emphasise length and distance more, but somehow watching black & white takes you back to an earlier period, say film noir in the fifties, and to see the son Kim Ki-woo hunting around for a hackable wi-fi signal with his mobile held aloft jarred with that.… Read the rest

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Parasite
(Gisaengchung,
기생충)

Director – Bong Joon Ho – 2019 – South Korea – Cert. 15 – 132m

*****

With Parasite (Black & White Edition) due out, I review the colour version for All The Anime. Read my Reform review too.

Kim Ki-woo (Choi Woo-sik) strikes it lucky when he hears of the rich Park family, whose teenage daughter Da-hye (Jung Ziso) needs extra tuition. Sensing Mrs Park (Jo Yeo-jeong) will be a push-over, he convinces her he is the man for the job, thanks to credentials forged by his sister Ki-jung (Park So-dam). Having successfully nailed down this position, Ki-woo sets about securing similarly lucrative openings for his family, without letting on that they are blood relatives.

He first recommends his sister as the perfect tutor for the tormented and allegedly artistic Park son (Jung Hyun-jun), a job she secures by inventing bogus pop psychology theories to establish her academic credentials. Before long, the cunning Kims have framed the chauffeur and the house-keeper to nab jobs for themselves, unaware of other secrets harboured by the Parks. [Read the rest…]

Above review: All The Anime.

More reviews: Reform, Black & White Edition.

Trailer (colour) here:

https://www.youtube.com/watch?time_continue=135&v=tBfgTZsBeFM&feature=emb_logo
Read the rest
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Parasite
(Gisaengchung,
기생충)

With Parasite (Black & White Edition) due out, I reviewed the colour version for Reform. Read my All The Anime review too.

Poor family, rich family

Parasite
Directed by Bong Joon Ho
Certificate 15, 132 minutes
Released 7 February

With income inequality on the rise in the UK, this Oscar-winning, edge-of-the seat thriller from South Korea couldn’t be more pertinent. A poor family struggling to survive at the bottom of the country’s economic food chain stumbles on an opportunity to work for an obscenely rich family who pay very well. The poor family secure themselves this work through a series of deceits and scams, stealing existing positions from the family’s chauffeur and housekeeper in the process.

The characters are engaging. The poor family fervently want to better their economic lot and leave no stone unturned to do so. Their resourcefulness is impressive, their morality less so – and yet we find ourselves liking them. The rich family are likeable too, with no suggestion whatsoever that their income has derived from dishonest or dubious sources.

With Parasite (Black & White Edition) due out, I reviewed the colour version for Reform. Read my All The Anime review too.

Winner of Best Foreign Language Film at the 2019 (92nd) Oscars.… Read the rest

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Pan’s Labyrinth
(El Laberinto
Del Fauno)

Director – Guillermo del Toro – 2006 – Mexico – Cert. 15 – 119m

*****

In the aftermath of the Spanish Civil War, a young girl must complete three tasks for a mysterious faun in an underground kingdom – in UK cinemas from Friday, November 11th 2006.

Mexican director del Toro is best known as a director of big budget Hollywood horror-ish effects fests like Mimic (1998), Blade II (2004) and Hellboy (2004). More impressive however – and less easily generically defined – are the two movies he’s made in Spain set in the immediate aftermath of the Spanish Civil War. The Devil’s Backbone (2001) is a ghost story with an alien ambience reminiscent of visionary SF writer J.G.Ballard. Pan’s Labyrinth (2006) is arguably even more ambitious: at once a no holds barred fantasy / horror outing and a brutal and violent war drama. And much, much more besides.

Following a fairytale prologue concerning a subterranean princess’ departure from her underground kingdom for the surface world where her former identity is unknown, young girl Ofelia (Ivana Baquero) travels cross-country with her mother Carmen (Ariadna Gil) to live with Carmen’s new husband Vidal (Sergi López), a ruthless Captain in Franco’s army obsessed with stamping out the remaining rebel forces.… Read the rest