Tag: conversation

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Features Live Action Movies

The Old Man
And The Land

Director – Nicholas Parish – 2023 – UK – Cert. none – 100m

*****

As he works on the land, an aging farmer hears his two adult children argue about the future of the family farm – plays Glasgow Film Festival which runs from Wednesday, February 28th to Sunday, March 10th following its premiere in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival, where it was the best film out of a superb lot

Movies. You think everything’s been done, then along comes something you’ve never seen before. Or, in this case, seen or heard before.

The Old Man in question is an English farmer (Roger Marten) whose family have worked the land for generations. He’s getting on in years, so won’t be around forever. His wife died a while ago, so he’s now running the farm on his own. He has two children who have long since grown up and left home: a son (voice: Rory Kinnear) and a daughter (voice: Emily Beecham), and the big question is, when he dies, will they take over – or will they get rid of the farm?

In recent years, the UK has produced a number of rural movies that stand in stark contrast to the urban- (Often London-) based films produced.… Read the rest

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Features Live Action Movies

Driving Mum
(Á Ferð Með Mömmu)

Director – Hilda Oddsson – 2023 – Iceland, Estonia – Cert. 12a – 112m

****1/2

After his mum dies, a man must honour her last wish by driving her to her final resting place… On the way, she talks to him… – out in UK cinemas on Friday, March 1st

The 1980s. Jón (Þröstur Leó Gunnarsson) lives with his mother (Kristbjörg Kjeld) and his faithful dog Brezhnev in a remote part of rural Iceland. Days are spent sitting in the house knitting sweaters and listening to the radio – actually audio cassette recordings of the radio which run out in mid-sentence. These are periodically received in batches in boxes from a visiting trader in a boat in exchange for Jon and his mum’s home-knitted sweaters. Mum regrets never having been to Gullfoss, and Jon points out it’s unlikely to happen now. He is also a keen amateur photographer who operates his own darkroom. Rightly or wrongly, his mum worries about how he will survive after she’s gone.

One morning, he wakes to discover she has died in her sleep. He makes her corpse up as best he can, which leaves much to be desired, since her resultant look is somewhere between a clown and a zombie.… Read the rest

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Features Live Action Movies

Medusa
(Medusa)

Director – Anita Rocha de Silveira – 2021 – Brazil – Cert. 15 – 127m

***

Pro-purity, fundamentalist, Christian church girl band singer indoors by day; slut-shaming, Evangelical, vigilante group member outdoors by night… a woman is haunted by a facially disfigured figure from the past – out in UK cinemas also available on PVOD and ESVOD on Friday, July 14th, and to rent on BFI Player from Friday, July 21st

Night. An exotic dancer, bent over backwards so both hands and feet touch the floor. Writhing.

A young woman, watching this on her smartphone on the bus at night. She reaches her stop, gets off and starts walking. A gang of white masked, female vigilantes on the prowl, suddenly, behind her. She walks faster, they catch her, surround her, slut-shame her, call her a homewrecker, threaten her into “serving the Lord”. Afterwards, the female vigilantes walk off in a line across the road. On the wall, posters depicting a fist and a snake.

To better herself, another young woman Clarissa (Bruna G.) is taken our of an ordinary school and sent by her aunt to an up-market, fundamentalist, evangelical Christian church school where she’s quite nervous about fitting in: but Clarissa needn’t worry – she’s soon befriended by Mariana aka Mari (Mariana Oliveira) who takes the newcomer under her wing.… Read the rest

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The Worst Person
In The World
(Verdens Verste
Menneske)

Director – Joachim Trier – 2021 – Norway – Cert. 15 – 128m

*****

A young woman learns about both herself and life through two personal relationships – twice Oscar-nominated film is on MUBI from Friday, May 13th

Trying to reinvent herself, Julie (Renate Reinsve) spends her student days moving from medicine into psychology (believing she’s more interested in what’s inside than skin and bones) then photography as she decides she’s a visual person. Suddenly the world opens up to her, she’s meeting new people and before long she’s moved in with popular comic book artist Aksel (Anders Danielsen Lie from 22 July, Paul Greengrass, 2018; Personal Shopper, Oliver Assayas, 2016). He is 15 years older than her and wants to have kids (he’s the only one in his family who hasn’t yet done so). She isn’t currently ready for that.

One night, after being pictured standing on an Oslo balcony in a repeat of the shot that opens the film, she leaves early from Aksel’s latest book launch and walking home gatecrashes a wedding party where she meets Elvind (Herbert Nodrum), their conversation gets very deep very quickly and they agree that neither of them will cheat on their respective partners, but then, as Julie says, where do you draw the line?… Read the rest

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Features Live Action Movies

Memoria

Director – Apichatpong Weerasethakul – 2021 – UK, Colombia, Thailand – Cert. 12 – 126m

****1/2

A British woman travelling around Bogotá, Colombia, is troubled by a strange banging sound and goes on a quest to investigate it – out in cinemas on Friday, January 14th

This is a film to approach with caution: I confess to never having previously got on with a Weerasethakul film; perhaps I’ll go back and revisit some after this. His work – or at least his feature films – have been described as Slow Cinema (of which, more shortly).

This is light years away from Hollywood cinema with its determination to grab your attention and hold it by throwing stuff at you at frequent intervals. The director is Thai, however his films don’t seem to sit alongside any Thai movies or wider Oriental movies I’ve seen. Even locating it in art house cinema, it doesn’t really look like anything else. I am reminded of what has been said about the French director Jean-Luc Godard: if cinema hadn’t existed, he would have invented it. Although his movies are nothing like Godard’s, the same could be said of Weerasethakul’s movies.

Actually, the feature films are only the tip of the iceberg: he makes far more short films than he he does features, an output that immediately puts him at odds with the feature film-oriented world of theatrical cinema distribution.… Read the rest