Tag: US

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Animation Features Live Action Movies

Beetlejuice Beetlejuice

Director – Tim Burton – 2024 – US – Cert. 12a – 104m

***1/2

The hyperactive ghost from the afterlife returns, along with a number of characters from the original – sequel to the 1988 film is out in UK and Ireland cinemas on Friday, September 6th

When the original Beetlejuice (Tim Burton, 1988) came out, no-one had quite worked out what Tim Burton was about, and the film was arresting, shocking, completely out there, utterly bonkers and like nothing anyone had ever seen. It’s difficult to know exactly what one could do to achieve that same effect in a sequel, or whether one should even try that approach. In the interim, Burton has had a lengthy and successful Hollywood career, arguably the system’s resident maverick director. When he’s good he’s very good; when he’s not, you wait for the next one and it’s usually an improvement.

In the event, perhaps inevitably, Beetlejuice Beetlejuice doesn’t have the same shock of the new as its predecessor, but it’s similarly out there and bonkers and recognisably a sequel. It takes a while to get going – the first hour lumbers along with flashes of brilliance, such as a memorable, 3D-animated passenger aircraft crash at sea sequence, but the final third or so (from the point where one of the characters is lured in to the afterlife by another who turns out to be a ghost) is much more effective.… Read the rest

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Animation Features Live Action Movies

Beetlejuice

Director – Tim Burton – 1988 – US – Cert. 15 – 92m

***1/2

A recently deceased couple hire a bio-exorcist to rid their former house of its new, yuppie occupants – review originally published in Samhain, 1988

Whilst its opening shot recalls the aerial opening of The Shining (Stanley Kubrick, 1980) segueying into that of The Witches Of Eastwick (George Miller, 1987), this film has been described as a reworking of Ghostbusters (Ivan Reitman, 1984) and The Exorcist (William Friedkin, 1973) (!) from the ghost’s point of view. The plot concerns a couple (Geena Davis and Alec Baldwin) who die and then find that their house – which they have to live in as ghosts – is bought by an horrific collection of yuppie trendies.

The couple try to carry on as normal, picking up the occasional useful tip from a weighty tome entitled ‘The Handbook for the Recently Deceased’ (or diseased, as they first pronounce it!) and despite warnings from their afterlife caseworker Juno (played by veteran Hollywood actress Sylvia Sidney) they decide to employ the self-styled bio-exorcist Beetlegeuse (Michael Keaton) to frighten off the new occupants.

The single most memorable image of Beetlejuice is that of a desert landscape peopled by sea monster-like worms, reminiscent of nothing so much as a surrealist version of Frank Herbert’s Dune.… Read the rest

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Features Live Action Movies

Hard Miles

Director – R.J. Daniel Hanna – 2023 – US – Cert. 12a – 108m

****1/2

A youth facility social worker takes a group of troubled young men on a transformative team bicycle ride – out on Blu-ray, DVD & Digital Monday, September 2nd

Day-to-day life is one thing after another for Colorado medium-security correction school staff member Greg Townsend (Matthew Modine). He is in court defending, failing to get the court to see one of his charges as a human being rather than someone who committed an offence. Leaving, he finds someone has stolen his bicycle (it later gets found by the police, having sustained only minor damage). He is fielding calls from his prison-incarcerated brother about their father, who is in a care home and may not have much longer to live, and with whom Greg has not had contact for years. He is at the school, pulling boys apart as they attack each other for the most trivial remark.

However, not everything is about work and family responsibility. Greg is a cycling enthusiast, and is looking forward to taking his booked holiday of a week or more off cycling 1 000 (well, 762) miles to the Grand Canyon. Except that his boss Skip (Leslie David Baker) wants him to fill in that week, which Greg isn’t going to do.… Read the rest

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Features Live Action Movies

Sasquatch Sunset

Director – David & Nathan Zellner – 2024 – US – Cert. 15 – 88m

****

As recreated by actors wearing primate suits, a family of Sasquatches are photographed in the wild over the course of a year – on Blu-ray and Digital from Monday, August 26th, packed with more than three hours of UK exclusive special features

In the US and Canada, the Bigfoot or Sasquatch is a staple of American folklore; a primate alleged to live in various American woodlands habitats, an assertion supported by such dubious artefacts as the Patterson-Gimlin film, amateur footage of a Bigfoot female walking through a forest. It’s far from conclusive, and could well be a man in an ape suit.

There is, however, no doubt whatsoever that the four Sasquatches in Sasquatch Sunset are human beings wearing ape suits. The film doesn’t try to pass itself off as anything other than actors playing a family of the creatures, and uses no narration voice-over to tell the audience what to think. Rather, it follows its creatures through a year of their existence in the wild, from Spring through Winter. It isn’t attempting to prove the existence of these creatures one way or the other; rather, it’s an attempt to imagine what they might look like and how they might behave if they were (or are) real.… Read the rest

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Features Live Action Movies

Cadejo Blanco

Director – Justin Lerner – 2023 – Guatemala, US, Mexico – Cert. 15 – 125m

*****

A young woman infiltrates a drugs gang in order to find out what happened to her elder sister, who never came back from a night out – out in UK cinemas on and on demand Friday, August 23rd

This opens with a deceptively simple sequence of two young women getting ready to go out for an evening. The older one, who apparently goes out a lot, and we’ll later learn is called Bea (newcomer Pamela Martínez), is pressurising the younger one Sarita (Karen Martínez from The Golden Dream, Diego Quemada-Diez, 2014), who has never been out to a club before. They might be flatmates, but as the scene plays out, it emerges that they are sisters. Bea helps Sarita dress up.

While this may sound banal, it’s shot in a long take, and there’s something utterly compelling about it. Perhaps it’s the script, which appears to do everything it needs to with no flab or wastage. Perhaps it’s the casting: you absolutely come to believe these two are sisters (as far as I can tell, despite having the same surname and looking quite similar, the two actresses are not real life sisters).… Read the rest

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Animation Art Exhibitions Movies

LAIKA
FRAME x FRAME

Pic: Toby Lewis Thomas, courtesy LAIKA and BFI

*****

Exhibition shows at BFI Southbank from Monday, 12th August to Tuesday 1st October 2024 (free to visit, but booking essential – click here) accompanied by the Stop Motion animation season including all five LAIKA feature films and much, much more

In the best part of two decades, US-based Laika Studios – named after the first dog in space – has carved itself a niche as arguably the foremost producer of stop-motion animation puppet films. That’s distinctly different from the other leading company in the stop-motion field, UK-based Aardman Animations, who specialise in plasticine animation. The difference is that plasticine is a malleable substance that can be reworked and remodelled one frame at a time, whereas although puppets can be moved a frame at a time, they can’t be remodelled.

Laika have consistently (and deservedly, in this writer’s opinion) picked up Oscar nominations for each of their five features, a remarkable achievement that speaks of the high quality of their work. Their five features (with a sixth forthcoming) are:

  • Coraline (2009): A young girl is lured into a darker, parallel world.
  • Paranorman (2012): A boy who can speak with the dead, ostracised by his local community, must save his town from dark forces by righting centuries-old wrongs.
… Read the rest
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Features Live Action Movies

Alien
Romulus

Director – Fede Alvarez – 2024 – US – Cert. 15 – 119m

*****

A group of young people escape from a planet housing a repressive, corporate mining colony in search of something better … only to find something worse…– latest SF horror franchise entry is out in UK cinemas on Friday, August 16th

The Alien franchise, after quite literally bursting onto cinema screens with Alien (Ridley Scott, 1979), then having lost its way somewhat on Alien3 (David Fincher, 1992), picked up again somewhat on Prometheus (Ridley Scott, 1979), and now settled title-wise into the sensible enough format of Alien: Ship’s Name, delivers a new entry made by a writer-director, Fede Alvarez, who understands the franchise enough to both put in everything required of it and throw in some innovative ideas without compromising its essence.

The first 20 or so minutes, arguably the best thing here, could equally easily have opened a science fiction epic unrelated to the franchise. A young woman Rain (the terrific Cailee Spaeny from Civil War, Alex Garland, 2024) is trapped on a planet where the sun is permanently hidden owing to pollution caused by the corporation’s mining operation. The mining colony is run with unethical employment practices which to all intents and purposes amount to slavery: when anyone saves the amount of credits required to buy their freedom to leave the planet, the company (or at least one of its unscrupulous counter admin staff, played by Rosie Ede) simply increase the amount to put it out of their reach for the immediate future.… Read the rest

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Animation Features Movies

Coraline (3D)

Director – Henry Selick – 2009 – US – Cert. PG – 100m

UK release date 08/05/2009

Originally reviewed for Third Way in 2009; republished to coincide with not only the 15th anniversary cinema reissue of the film on Thursday, 15th August 2024, but also the LAIKA: Frame x Frame exhibition which shows at BFI Southbank from Monday, 12th August to Tuesday 1st October 2024 (free to visit, but booking essential – click here) accompanied by a stop-frame animation season including all five LAIKA feature films and much, much more

Selick has successfully positioned himself as Hollywood’s stop-frame puppet animation film-maker (as distinct from plasticine animation film-makers Nick Park and Aardman). His The Nightmare Before Christmas suggested leanings towards horror and the macabre; Coraline goes further in the sense that one’s immediate reaction after viewing was to question whether this was a film suitable for children (on reflection this may be a grown-up reaction and kids may in fact love the film, in much the same way that as a child I enjoyed hiding behind the sofa during the scary bits of Dr. Who.) The source material is an acclaimed children’s book by Neil Gaiman. Anyway, you have been warned.… Read the rest

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Documentary Features Live Action Movies

Hollywoodgate

Director – Ibrahim Nash’at – 2023 – US, Germany – Cert. 12a – 89m

****

A Western documentary shot with the approval of the Taliban showing the eponymous air base in which the Americans abandoned large stocks of military hardware – out in UK cinemas on Friday, August 16th

An extraordinary exercise in both journalism and historical, socio-political filmmaking. A few days after the US military pulled out of Afghanistan in 2021, fearless, former journalist Nash’at entered the country as, to all intents and purposes, a one-man film crew. At first, it was a fruitless exercise, but then he somehow managed to get in with a soldier about to be deployed on a big airport.

Negotiating with Afghanistan’s airforce to be allowed to shoot documentary footage, Nash’at secured himself permission to follow and shoot not just the lieutenant, M.J. Mukhtar, but also the new head of the airforce, Mawlawi Mansour, with the proviso that anything Nash’at was told not to film, he was not to film and anytime he was ordered to stop filming, he had to stop filming. Refusal to do either would have meant big trouble. He played along, shooting whatever he could without breaking the air force head’s trust, knowing that the Taliban would have no control whatsoever over the footage when he left the country to edit what he’d shot.… Read the rest

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Animation Features Movies

Ozi
Voice of the Forest

Director – Tim Harper – 2023 – US – Cert. PG – 87m

**

An orangutan girl becomes a social media influencer to stop corporate exploitation of palm oil after her forest habitat is burned in a forest fire – out in UK cinemas on Friday, August 16th

The fate of orangutans in countries such as Borneo is dire in the sense that, to facilitate the extraction of palm oil, rainforests are being cleared and burned (in some cases leading to forest fires removing further areas of rainforest). The problem is that the rainforest is the habitat of the orangutan, and they are being left with their natural home severely depleted. It’s a disaster for this species and needs addressing urgently.

Enter this film, which laudably seeks to place that idea in front of family audiences.

Don’t get too excited, though, because having set out to raise consciousness, it attempts to do so with a script that’s overly simplistic and laughable. It starts off well enough, with carefree, small orangutan girl Ozi (voice: Amandla Stenberg) leaping from branch to branch, pulling old orangutan’s tails to knock them off their branches and being rescued from falling into the expectantly gaping jaws of a hungry crocodile by her watchful dad (voice: Djimon Hounsou).… Read the rest