Tag: visuals

Categories
Animation Art Features Movies

Kubo
and the Two Strings

Director – Travis Knight – 2016 – US – Cert. PG – 101m

*****

The following review originally appeared in Funimation UK; republished to coincide with the LAIKA: Frame x Frame exhibition which shows at BFI Southbank from Monday, 12th August to Tuesday 1st October 2024 (free to visit, but booking essential – click here) accompanied by a stop-frame animation season including all five LAIKA feature films and much, much more

A Hollywood film inspired by the Far East.

Western cinema in general and animation in particular has long held an interest in all things Oriental. Every so often, a film made in the West pays homage to one aspect or another of Eastern culture. The animated fantasy Kubo and the Two Strings is the latest entry in this curious Western sub-genre. It’s a dark fairytale about the quest of a boy named Kubo for his late father’s long-lost suit of armour to protect himself from the evil spirits of his grandfather and two aunts.

The company behind the production are US stop-frame outfit Laika who previously made Coraline, ParaNorman and The Boxtrolls. All three like Kubo are dark visions far removed from the upbeat fare that constitutes much contemporary Hollywood animation.… Read the rest

Categories
Animation Features Movies

Son
Of The White Mare
(Fehérlófia)

Director – Marcell Jankovics – 1981 – Hungary – Cert. 12 – 86m

*****

The Hungarian animated epic Son Of The White Mare (1981) is one of the great, largely unknown treasures of animation, if not of cinema. Its late director Marcell Jankovics (1941-2021) made a number of shorts and commercials before his two features at the Pannoia Film Studio. Eureka!’s Blu-ray contains both features, as well as some of his most significant shorts. While Son Of The White Mare remains his indisputable masterpiece, the other films on the disc go a long way to explaining how he got there. [Read the full article at All The Anime]

See my longer review on this site

and my shorter review for Reform magazine.

Son Of The White Mare is out on Eureka! Video Blu-ray.

Trailer:

Festivals

2021

Annecy

Categories
Animation Features Movies

No.7 Cherry Lane
(Jiyuantai Qihao,
繼園臺七號)

Director – Yonfan – 2019 – Hong Kong – Cert. 12A – 125m

*****

The tutor of an 18-year-old girl falls for her mother who hired him against the background of the 1967 protest marches in Hong Kong – plays in the Annecy Animation Festival 2022 which is taking place in a 100% on-site edition this year right now as a Screening Event

Insofar as this is like anything else – which it really isn’t – it’s like a reworking of The Graduate (Mike Nichols, 1967) filtered through In The Mood For Love (Wong Kar-wai, 2000). Oh, and it’s 3D rendered then 2D animated. Broadly speaking, The Graduate is about a young man seduced by a much older, bored housewife before later becoming romantically involved with her daughter. In The Mood For Love is set in early 1960s Hong Kong and includes a sequence on a sloping pedestrian street where a man passes a women walking in the opposite direction, the whole thing charged with a sense of romantic longing. There;’s a similar scene in No.7 Cherry Lane, although it’s considerably less central to the plot than the one in In The Mood For Love.

Yonfan, here making his first film in ten years, would certainly agree that filmic and literary references abound in the film.… Read the rest

Categories
Animation Movies Shorts

The Very
Hungry
Caterpillar
And Other Stories

The Very Hungry Caterpillar

Director – Andrew Goff – 1994 – UK – Cert. U – 35m

*****

VHS tape review from What’s On In London sometime back in the mid-1990s, republished here to coincide with the sad news of writer / illustrator Eric Carle’s death at 91.

The Very Hungry Caterpillar and Other Stories is based on the stories of German writer / illustrator Eric Carle and genuinely manages to make infant learning a fun experience. The title story, for instance, traverses days of the week, basic numeracy and simple sentence structure at the same time (“On Monday, he ate one apple, but he was still hungry. On Tuesday, he ate two pears…”) aided by a Roger McGough voice over that would stand up pretty well as a pre-recorded audio cassette in its own right.

The Very Hungry Caterpillar

The film has further fun still with the animation medium. The caterpillar is cleverly reconceived as a series of joined-up flat shapes, while the cut-out animation techniques used prove not only the perfect vehicle for Carle’s material, but are imaginatively used which renders them watchable over and over again by adults and children alike.

Other Carle stories featured include The Very Quiet Cricket and I See A Song.… Read the rest

Categories
Features Live Action Movies

Undergods

Director – Chino Moya – 2020 – UK – Cert. N/C 18+ – 91m

**1/2

Overlapping narratives unfold within a mysterious city which resembles something out of Eastern Europe – in cinemas from Monday, May 17th

In a grey urban environment resembling an unspecified city somewhere in Eastern Europe or possibly Russia, two lorry drivers go about their daily routine of picking up corpses from the street. These two characters form the frame story of what is to follow, although exactly what that is isn’t clear from the narrative’s meandering nature. There are stories within stories wherein the character you think is the main character is suddenly usurped by a different character. Several times over.

That’s a pity because they are potentially very interesting stories, so it’s frustrating to see them consistently half-baked. The anthology film is, after all, a tried and tested format and this film attempts do something radical and new with it. The problem is though, to make that form work you really need to understand its rules before you play around with them, break them, or abandon them altogether. This film seemingly lacks that understanding, or thinks you can throw away the framework and everything will still somehow work.… Read the rest

Categories
Animation Features Live Action Movies

Zu Warriors
From The
Magic Mountain
(Shu Shan
– Xin Shu Shan Jian Ke,
新蜀山劍俠)

Director – Tsui Hark – 1983 – Hong Kong – Cert. 12 – 98m

*****

One of the greatest special effects action movies ever made, this groundbreaking epic delivers non-stop, near unbelievable, visually entrancing vistas of Chinese mythology – online in the UK as part of Focus Hong Kong 2021 from Tuesday, February 9th to Monday, February 15th and available on Blu-ray

There are films which seem almost single-handedly to define cultures. There are plenty of elements in Zu Warriors From The Magic Mountain that can be found elsewhere in Hong Kong cinema – martial arts stunts, flying wire work, period costumes, stock figures, airborne drapery – and yet the precise way this mixes these elements up then adds in others and adds in lots of 2D effects animation makes it a unique work, even by Tsui’s extraordinary standards.

With the ancient world in which he lives in a state of chaos due to constantly warring human factions, a man gets swiftly out of his depth when he sidesteps all that to follow a hero in the hope of becoming his disciple as the hero battles the forces of evil. If this sounds very highbrow… well, perhaps it is. Or perhaps it’s just an excuse to put together a series of truly extraordinary special effects action set-pieces that transport the viewer to mythological otherworlds the exact like of which have never been seen onscreen before or since.… Read the rest

Categories
Animation Features Live Action Movies

The Fabulous
Baron Munchausen
(Baron Prášil)

Director – Karel Zeman – 1961 – Czechoslovakia – Cert. U – 85m

*****

Available on Blu-ray/DVD and now on BFI Player too.

This capsule review originally appeared in Reform in 2017 as part of a wider Watch And Talk review roundup.

Using not only live action but also every form of animation you can imagine, the 1961 Czech fantasy The Fabulous Baron Munchausen (BD/DVD, cert U, 85 mins) puts the infamous teller of tall tales in the company of a rational astronaut he meets on the moon for a series of improbable adventures. It’s a charming and delightful piece of escapism and a visual marvel from start to finish.

Director Karel Zeman has probably come closer than anyone to filming the equivalent of a moving woodcut and the whole thing is highly inventive throughout, challenging the very idea of what a film might look and feel like. Children and adults alike will be entranced. For good measure, the disc includes a documentary in which students try to recreate some of the film’s spectacular special effects.

Trailer here:

This capsule review originally appeared in Reform in 2017 as part of a wider Watch And Talk review roundup.

Categories
Features Live Action Movies

The Lord
of the Rings:
The Fellowship
of the Ring
(Extended Edition)

The Lord Of The Rings: The Fellowship Of The Ring (Extended Edition)

Director – Peter Jackson – 2002 (2001) – New Zealand – Cert. PG – 229m

*****

(NB Extended Edition, in cinemas from Monday, July 24th 2020, 227m in cinemas due to extended frame rate = 218m version released on DVD 2004. Original theatrical cut: 178m)

It’s a very different thing writing about a new movie which you’re watching for the first time and an old movie with which you’re familiar. Even stranger when the movie concerned is an adaptation of a book with which you’re equally familiar. Odder still when the property exists in its original form (which was actually a side project of something else, Professor J.R.R.Tolkien’s Middle-earth project) but also in a highly regarded 13 x 1 hour BBC radio adaptation skilfully adapted by Brian Sibley.

Although it’s Tolkien’s material, for me it’s as if The Lord Of The Rings existed somewhere out there and Tolkien wrote it down in book form (Where does artistic creativity come from? Discuss) after which Sibley successfully wrote it down in radio drama form and Jackson and his two screenwriting collaborators Fran Walsh and Philippa Boyens turned it into a movie trilogy.… Read the rest

Categories
Exhibitions Music

The Pink Floyd
Exhibition:
Their Mortal Remains

Victoria and Albert Museum, London, UK.

13 May – 1 October 2017.

*****

On my Must See list for a while: finally managed a visit last week. Thoroughly enjoyed as someone who grew up when everyone but everyone owned a copy of Dark Side Of The Moon and subsequently discovered the whole back catalogue only to lose interest some time after The Wall (which I saw them play live at Earl’s Court) as the whole thing shifted toward a Roger Waters ego trip. Was busy listening to other things by the time Waters had been booted out and guitarist David Gilmour pulled them back on track (though managed to pick up live recording Pulse on CD and LD in the nineties when I was reviewing laserdiscs) but have since picked up the complete works, album by album, on CD. So, a casual fan but not a die-hard.

The exhibition is a mixed bag. Unlike the V&A’s earlier popular music exhibition David Bowie is, there aren’t lengthy dire periods to be avoided and amazing periods to celebrate, but there ARE chunks of Floyd career where there isn’t much surviving material on which to build an exhibition. Thus an early room covers the first eight albums in scant detail – including such highs as Atom Heart Mother and Meddle – so you feel the whole thing is going to be a disappointment.… Read the rest

Categories
Animation Features Movies

The Red Turtle
(La Tortue Rouge)

Director – Michaël Dudok De Wit – 2016 – France / Belgium / Japan – Cert. PG – 82m

*****

A man shipwrecked on an island encounters a red turtle.

From the get-go, this is not your usual 2D animated film. The Red Turtle is slow-paced, has no dialogue and is certainly not aimed at children. Yet there’s nothing here you wouldn’t want kids to see, as its PG certificate testifies. Whether young minds would be spellbound or bored I wouldn’t like to say. Nor is it Studio Ghibli’s usual home-grown, Japanese fare being a French-Belgian production by a Dutch director based in London. Nor does it start off where you might expect.

A man adrift in a powerful, stormy grey sea is separated by some distance from his overturned, small boat. There is no indication of how he got there, and no flashbacks explain later on. Rather, the character reaches dry land and must survive there alone.

A man adrift in a powerful, stormy grey sea is separated by some distance from his overturned, small boat. There is no indication of how he got there, and no flashbacks explain later on. Rather, the character reaches dry land and must survive there alone, save for crabs and seagulls.… Read the rest